Posted in: Disc Reviews by Archive Authors on June 16th, 2005
I remember my Junior High teacher reading us excerpts from the novel I Am David in English class. Raising social consciousness was not something we into at that age. Looking back, I can see what my teacher was trying to do. The novel, and this movie adaptation, follows the story of 12 year old David, who escapes a Communist gulag in order to deliver a letter to Copenhagen. David is equipped with nothing but a compass, a bar of soap, and a loaf of bread. His quest across the continent is a journey of enlig...tenment and “growing up” the hard way.
How is the movie version? Well…let’s just say…sometimes a novel should stay a novel. The director Paul Feig has good intentions, and the movie sports solid performances by Ben Tibber (as David) and Jim Caviezel (beware of the misleading DVD cover…Jim only has a supporting role). The problem is Feig’s adaptation and the handling of the material. The flights of fancy and overt sentimentalism get in the way of an engaging film. In other words, the movie just doesn’t work.
Posted in: Disc Reviews by Archive Authors on June 16th, 2005
In watching Being John Malkovich again recently, for the first time in awhile, the thing I was struck by is how unique it is (duh!). It doesn't try too hard at being different, to the point that it's going to suck, everything is matter of fact, and it's hilarious. Its characters are flawed, but we feel for some of them a great deal. It's funny, it's touching, it's dramatic, it works on many levels. I'd expected this to be a 112 minute MTV video from Spiegel heir Spike Jonze, but it's clear that with his work, combined with Charlie Kaufman's script, the result is a story about the 3 main characters experiencing deep, life-altering experiences, and from those experiences, finding (or wanting to find) love. How they get there though, that's another story.
Craig Schwartz (John Cusack, High Fidelity) is a street puppeteer dreaming of success. Sometimes his puppet shows are a little on the PG-13 tip for some G audiences, leading to a young girl's father punching Craig. He then returns home to his wife Lotte (you'd barely notice, but it is Cameron Diaz of There's Something About Mary) convinces him to try and find a job. Lotte runs a pet store, and their apartment is crowded with pets, among them a chimp suffering from an ulcer. With Craig's expert hands, he manages to find a job working as a file clerk at LesterCorp, located in the Merton Flemmer building on the 7th floor. He meets and falls for Maxine, who is not afraid to speak her mind, especially when it comes to Craig's passion. She tolerates Craig, knowing that he's pretty harmless. One day at work, Craig accidentally drops a file behind a cabinet, and behind the cabinet, finds a door and a small crawlspace. Going through the door whisks him through a portal which places him inside of John Malkovich's head for 15 minutes, before depositing him along the side of the New Jersey Turnpike. Craig returns to work and tells Maxine (and subsequently Lotte) about the portal, and things go from there.
Posted in: Disc Reviews by Archive Authors on June 15th, 2005
In the unnecessary sequel department comes Miss Congeniality 2: Armed and Fabulous. Why make this movie? Because Sandra Bullock needs a hit? It doesn't come here. Bullock, once again (and hopefully for the last time), plays Gracie Hart. Her involvement in a well known beauty pageant has made it impossible for Gracie to maintain a low FBI profile. So she has become the PR person for the bureau. But Gracie is "called back" into the line of duty (against the FBI's wishes) when two of her friends (played by ...illiam Shatner and Heather Burns) are kidnapped. This uncomfortable blend of action and comedy does not work. It's a waste of almost two hours of your life.
Audio
Posted in: Disc Reviews by Archive Authors on June 14th, 2005
The Godfather Part II is, quite simply, one of the best films of all time. Personally, I would actually place it above it's predecessor, the original Godfather film, though both won Academy Awards for Best Picture. Part II, however, gave us not only Al Pacino in a genre-defining role, but also the young days of the original Godfather, played brilliantly by Robert De Niro, who impressively treads the line between believability and farce that is so fine with an actor like Marlin Brando.
In fact, i... is not only Al Pacino's acting that defines the gangster genre, but just about everything about this film, from the cinematography to the dialog. After the original film was released, every classic period piece for the next 35 years had to have that same golden look. The acting, the romantic storylines, and the cinematography re all first-rate. This is a classic film that deserves to be on every film fan's top 5 list and DVD shelf.
Posted in: Disc Reviews by David Annandale on June 13th, 2005
Synopsis
The degree to which any of these films is or was “controversial” varies quite a bit, but the claim can certainly be made that all seven of these films dealt with pertinent social issues of their times. Some are still quite relevant today, and all are well worth watching.
Posted in: Disc Reviews by Archive Authors on June 13th, 2005
This Showtime version of John Knowles' A Separate Peace will bring joy to high school teachers everywhere. Finally, there is a quality movie version to show in English class. Peace is usually mandatory reading in high school (I know I read it), and follows the story of Gene and Finny. Their prep school relationship is ambiguous, and character motivations are a little more complex in the novel (dare I say...a little more provocative?). But, at its core, the novel and this adaptation is a coming of ag... tale. On the brink of World War II, prep school boys are coming to terms with growing adulthood. The private school "feel" is just right, and the director (Peter Yates) is an old vet. He directed Steve McQueen in Bullitt for crying out loud. Yates also directed the masterful film The Dresser, guiding great peformances by Albert Finney and Tom Courtney. Yates direction here is graceful. He gets excellent performances from his cast.
Audio
Posted in: Disc Reviews by Gino Sassani on June 12th, 2005
Synopsis
One of the unique parts of the Western film genre is the lore behind Buffalo Bill. And while the western has faded as a favored film genre through the years, it’s still the subject of various films, stage plays and other adaptations. This particular film tells the story of a white man living in the West who was sympathetic to and friends with the Native Americans, Bill Cody, who later became a scout for the Army and was the head of a sideshow in the later years of his life.
Posted in: Disc Reviews by David Annandale on June 12th, 2005
Synopsis
Michael Sheen (so good as the sweet, big-hearted protagonist of Heartlands) is on the verge of losing his job as an architect, and he and his wife have just separated. His obsessive compulsive disorders, which led to these problems in the first place, are enormously exacerbated by the resultant stress, and Tourette’s Syndrome becomes a problem now too. He is desperate to win his wife back, an in an attempt to get his life together, he joins an OCD self-help group led by Shirley Hender...on, the woman he should really open his eyes and hear to see.
Posted in: Disc Reviews by Archive Authors on June 9th, 2005
Swimming Upstream is one of those "small" sports underdog films. It's a true story about Aussie Tony Fingleton, a swimmer who vies to be National champion. Is he racing against all odds? Well...the odds are in the form of family. Geoffrey Rush plays Fingleton's father, an abusive alcholic. So...not only is Fingleton trying to achieve athletic glory, but also trying to win the heart of his father. This is a paint by numbers sports story. The performances are the saving grace, however. Rush, Jesse Spencer ...playing the swimmer), and the always wonderful Judy Davis are all excellent.
Audio
Posted in: Disc Reviews by David Annandale on June 9th, 2005
Synopsis
Christian Bale plays Patrick Bateman, Wall Street dealer and psychotic. He, like his peers, is completely obsessed with surfaces, narcissistic beyond all measure, and about as deep as a sheet of mylar (and his extended exegesis on the music of Huey Lewis and the News doesn’t help make him seem smarter, despite what he thinks). He rapes and murders with impunity, but after all, isn’t that the 80s ethic in a nutshell?