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Synopsis

This is an episodic biopic about Bettie Page, moving from her glory days as a model for the pin-up photographer Bunny Yeager and fetish actress for Irving Klaw, maker of B&D shorts. All is well until a Senate investigation into obscenity, and Bettie herself pines for more mainstream, respectable roles. A fair bit of running time consists of B&W recreations of lost Klaw films, with Paige Richards doing a credible re-creation of Bettie’s look.

Smooth Talk is a “coming of age” story that won the Grand Jury Prize at the Sundance Film Festival. It stars Laura Dern as Connie, a teenage girl from a small southern town. She’s at that rebellious age. In the words of Britney Spears, “she’s still a girl, not quite a woman”. Connie is curious about the opposite sex and a world outside the town. She’s searching for something, but what she finds, she might not want.

Treat Williams plays Arnold Friend. Friend, as it turns out, is nobody’s frien.... I won’t spoil the ending of the movie, but let’s just say he’s the villain of the piece. The ominous music helps you figure that out. Another performance of note is Levon Helm (drummer for “The Band”) who plays Connie’s remote, sensitive father; a standout piece of acting. He’s probably the best drummer/actor I’ve ever seen. Sorry Ringo.

Venus Risingis a laughably bad movie advertised as “in the tradition of Johnny Mnemonic”. Maybe the two movies are in the same ballpark, theme-wise, but quality-wise they’re not even the same sport. Audie England and Costas Manylor play two fugitives who escape from a desert Island. Eve and Vegas, however, are still controlled by drugs from the Pacifica Corporation. The drugs also enable the characters to achieve a “virtual reality” state of mind. Fantasy sequences occur, flashbacks etc. It’s just an exc...se to kill time in this lame piece of celluloid.

Morgan Fairchild is advertised as one of the movie’s “stars”. She barely has 30 seconds of screen time. Oscar winner Joel Grey also makes a cameo. Can’t the host of the Kit Kat Club get better work? Venus Rising moves at such a slow pace too. It’s only 90 minutes, but it seems like 90 days. The acting is wooden, the dialogue is inane, and the plot is ridiculous.

Rob (Benjamin Ratner) and Melanie (Angela Vint) are a couple that think they’ve found the key to solving all relationship problems - simply break up after 19 months. By then, all the romance, lust, and excitement of a relationship has worn off and both people involved are ready to test the dating waters. So, they agree to do just that, only they’ll remain friends with benefits until they each find someone else. To prove that their theory is correct, Rob and Melanie even allow a film crew to follow them around and ma...e a documentary about their last few weeks together. While Melanie instantly finds another man, Rob either A) tries to get Melanie back (including a hilarious scene where he steals all of Amy’s paintings) or B) tries to score with less attractive women.

19 Months does score, and the result is a surprisingly funny and endearing look into the life of the common couple. Although the documentary style of the film ultimately wears thin, and the movie would have perhaps been better off being straight forward, some good moments arise out of what is expected to be a bland low-budget romantic comedy. All the actors involved are more than competent, especially Ratner’s neurotic Rob and Vint’s mature and charming Melanie. In an age where the romantic comedy usually relies heavily on slapstick, the film-makers actually create well-rounded characters and supply them with good lines.

Things were pretty much over the peak when Voyager warped into Season 5. The Seven Of Nine tension was begin to feel played out by now. The prominence of the girl Naomi I found to be a bit irritating. This would also be a year of rebellion as quite a few crew members cause Janeway more than her fair share of grief. The Borg continue to be the master villains and account for the bright spots in an otherwise mediocre season. Season 5 does bring us to that magical 100th episode with “Timeless”. “Dark Frontier” would be...ome the first Trek episode ever presented as a “Star Trek TV film” Yes, there were many 2-parters, but “Dark Frontier” was not filmed or broadcast as a 2-parter.

Synopsis

Synopsis

A year after the clash seen in Godzilla Against Mechagodzilla, the giant robot built around the bones of the original Godzilla is still being repaired. Mothra and her two fairy princesses appear to warn humanity to return the bones to the sea, but the authorities do not listen, and Godzilla, drawn to Mechagodzilla, returns to ravage Tokyo. A titanic battle ensues, with Mechagodzilla and Mothra struggling to save the city from the unstoppable lizard.

Synopsis

Lili Taylor essays another of her trademark depressed wallflower roles as Evie, a woman who hates her job, her town and her life. She becomes obsessed with local rock star and pseudo-philosopher Drumstrings Casey (Guy Pearce), to the point of carving his name in her forehead (backwards, since she was looking in a mirror). This brings her to the attention of Pearce, and both of the to the attention of the media, and so begins a prickly, off-kilter relationship.

Synopsis

Dismayed by the corruption of the Church, Martin Luther (Joseph Fiennes) preaches against the selling of indulgences and other practices that combine tyranny and greed. His teachings find a receptive audience, much to the dismay of the Pope. A power struggle erupts, threatening to tear Christianity apart.

Peep Show is a 9 minute award winning short film. It’s about a private “peeping booth” for females. But the women don’t see anything sexual. The male performers say exactly what a woman wants to hear. Well…what we think they want to hear, “I want to commit, can I wash your hair, etc”. It’s an amusing sketch and just the right length. Since we’re told what the “joke” is fairly early on, and since there’s no surprise or twist, the film ends before things get stale. The performances are on target.

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While the world of Harry Potter was created primarily for a younger adolescent audience, there is no question that the tapestry is epic, and compelling enough to satisfy adults. I believe the true success of these films lies within that idea. It is truly rare when a film arrives that can appeal so completely to both demographic groups.

Prisoner of Azkaban is perhaps the darkest, but I don’t think the most frightening, Potter film. The creature images of the previous entry were considerably more graphic an... disturbing to the younger children. I’m going to take some heat for this, but I am so happy there was a very limited scene of the famous quidditch games. They are very popular it seems, but I find them a dreadful bore. The children are beginning to mature both as characters and actors. While Daniel Radcliffe has improved quite noticeably from the first film, I must admit that it is the performance of Emma Watson that showed the greatest maturity and potential. Richard Harris was most certainly missed, but I think that Michael Gambon conjured up a nice, while more limited, performance of the wise old Dumbledore. As with all of the Harry Potter films this one begins with Harry’s tedious life in the normal world. I’m sure that each time viewers of all ages are eager to see Harry return to his element and friends.