Posted in: Disc Reviews by Gino Sassani on January 23rd, 2003
I wouldn’t say The Last Man was the worst film I ever saw, but that’s only because I did see Battlefield Earth and Event Horizon. If there’s a category below B film this is a great example. The whole film has the feel of community theatre at its worst. Dan Montgomery delivers such a bad performance that it would be funny if it didn’t hurt so much to watch. The story rambles on for 93 minutes that will feel more like 3 hours.
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Posted in: Disc Reviews by David Annandale on January 21st, 2003
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Posted in: Disc Reviews by David Annandale on January 19th, 2003
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Posted in: Disc Reviews by Gino Sassani on January 19th, 2003
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Posted in: Disc Reviews by David Annandale on January 19th, 2003
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Posted in: Disc Reviews by Gino Sassani on January 19th, 2003
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Posted in: Disc Reviews by Gino Sassani on January 19th, 2003
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Posted in: Disc Reviews by Archive Authors on January 18th, 2003
Why X-Men 1.5? This 2-Disc special edition re-release is set to coincide with the theatrical release of X2, the X-Men sequel. The 1.5 release is set up to be sort of a Director’s Cut of the original X-Men film. This new version has allowed for the film to be viewed with a number of deleted scenes to be branched into the film (not seamlessly... you have to hit enter on your remote to view the scenes). I am sure you know the premise, but here is a recap:
"Marvel's classic comic book comes to li...e in this exciting big-screen adaptation. The story focuses on the efforts of a well-intentioned professor, Charles Xavier (Patrick Stewart). By pulling together a group of superhuman mutants, Professor X hopes to prove to the world that these genetically enhanced beings are not the dangerous, evil villains humanity claims them to be. When Magneto (Ian McKellen), an angry mutant, vows to eradicate human existence, it's up to the X-Men to save the day and keep the world united." – Fox
Posted in: Disc Reviews by Gino Sassani on January 18th, 2003
You almost expect to see Robert DeNiro and Joe Pesci at any time during State Of Grace. The influence of Martin Scorsese is everywhere, from the tight shots on character interactions to the slight angles during the more violent scenes. Even the clever use of source music more often than Ennio Morricone’s subtle score is reminiscent of Goodfellas. The prize of this feature is the cast. Ed Harris, Sean Penn, and Gary Oldman add much needed tension and realism to a mediocre and predictable script. Stereotypes and clichés abound. The interwoven elements of violence and pageantry in the film’s climax conjure the ghost of Fannuci from The Godfather Part II.
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