Posted in: Disc Reviews by David Annandale on January 5th, 2007
Here we go, with another rise and fall story in the underworld. Two young friends in Jamaica, Biggs and Wayne, grow up separately to become powerful gangsters (the “shottas” of the title). After a prolonged separation, they reunite in Kingston, and the story takes them back and forth between that city and Miami as they climb the drug totem pole, heading for the inevitable fall shown pre-credits.
All the characters speak Jamaican patois, making subtitle necessary. This and the vision of the grinding poverty of Kingston give a certain freshness to the film, but the storyline is utterly hackneyed, and we know nothing about the characters we are following, let alone have any reason to sympathize with them. Attitudes toward women are, as one might expect, antediluvian. Imagine a Grand Theft Auto storyline presented with all the humour and satire removed, and this is what you’d get.
Posted in: Disc Reviews by Gino Sassani on December 22nd, 2006
In case Rain Man didn’t give you your fill of films about autistic characters, Ron Bass, writer of Rain Man, has decided to give us an unnecessary sequel. OK, this isn’t really a sequel, but it might as well be. Honestly, this film has everything Rain Man had except for a good scripts, solid performances, and oh yeah, Dustin Hoffman. Still, this romantic nonsense utilizes the same theme. Unfortunately autism here is reduced at times to stereotyping that appears grossly unfair to the millions of people who suffer from the disability and their loved ones. Some of the actors appear to be having a blast with their portrayals. They should be ashamed of the glee they derive from these “crazy” routines. They are neither entertaining nor fair. I’m sure none of this was the intent of the filmmakers, but it is insulting just the same. This is a huge part of the reason this film never has or never will capture the critical acclaim of Rain Man. In fairness, the leads Josh Hartnett and Redhe Mitchell take the roles more seriously than the pathetic supporting cast. There isn’t enough compelling for any of this to work on anything more than an emotional level.
Guts may make a good first impression, but this film has neither guts nor a good impression. The film pretends to have incredible bravado, but the mask of cowardice prevails. Except for the romantic interactions of the leads, we are never allowed too far beneath the surface of any of these complex individuals. Because of this fatal flaw, the romantic quirkiness loses all of its charm. An over-explanation of who these people are is a not so subtle attempt to remind us these folks suffer from autism. Show me, don’t tell me, is what my writing teachers have always said. Bass might benefit from a refresher course. Quirkiness like this is much more interesting the less it is explained. Allow these limitations to be part of the character without so many “remember we have autism” lines. The title is very confusing until you get to a pivotal Halloween party. Life is far too accelerated to be appreciated here. Issues arise from out of nowhere and are just as quickly resolved or simply forgotten. Wherever this tale is going, it missed a connection somewhere up the line. Save your nickels and watch Rain Man again. You’ll thank me for it.
Posted in: Disc Reviews by Gino Sassani on December 20th, 2006
It started as “the show about nothing”, but we really know better. While some say it’s much ado about nothing, they’ve missed the point, haven’t they. Ask some folks, and they’ve got nothing to say. Well. If you can’t say something nice…
Jerry Seinfeld did what so many comics have failed to do well. It seems just about every stand-up out there thinks the stuff will work on television. Some of it does. Those that got the chance owe much to the success of Seinfeld. Like few sit-coms before it, the series was the hot topic at work water coolers. If you can measure a show by its contributions to the pop culture, then Seinfeld must be one of the best. Terms like “Yada Yada Yada”, “No soup for you”, and “Not that there’s anything wrong with that” have invaded the lexicon and endured. What made this show work, however, was no mystery at all. It was a smart cast put in situations that were character chemistry magic. So many shows attempt to create bizarre complicated scenarios, when it turns out the mundane is funny after all. What makes these guys funny isn’t the situations they are placed in, but their reactions to them. This show proved you can take characters like this and put them anywhere and they’ll be funny.
Posted in: Disc Reviews by Archive Authors on November 9th, 2006
By the time this film was announced, everyone and their dog had asked me if I’d read The Da Vinci Code. I hadn’t.
Yes, I’d heard it was the bestest book in the whole wide world. No, I didn’t want to borrow their copy. Months later, when I finally sat down to watch this DVD, I had still not read Dan Brown’s masterpiece. See, I decided to be one of the few who could judge the film as completely separate from the novel.
Posted in: Disc Reviews by Archive Authors on November 7th, 2006
I can’t imagine anyone who’s not a Kevin Smith fan renting, buying, or otherwise arranging to view this DVD. The gist of this review is simple: if you like Kevin Smith and/or his work, you’ll enjoy An Evening With Kevin Smith 2 – Evening Harder.
Since I haven’t seen the original An Evening With Kevin Smith, I can’t offer a comparison. That said, I’d be willing to guess that this release is both more of the same and a whole new experience.
Posted in: Disc Reviews by Archive Authors on November 1st, 2006
There are so many sub-genres of horror these days. There is the ever-popular teen slasher flick, there is Japanese horror, gore, zombie, thrillers and even the recent popularity of the 70's throwback. This one falls into the dramatic slow-burn category. The plot here sounds like something out of one of the better Steven King short stories. Someone in the federal government discovers that the population of little Rockford Falls seems to have remained steady for over a hundred years. An official is sent to investigate this anomaly, and what he finds is a mixture of small-town life, strong religious beliefs and some eerily strange goings-on.
This is actually not a bad little film. From the cover, I was expecting yet-another week low-budget horror film full of bad jump scares and overly-predictable plot developments. Well, there are some pretty lame jump scares here, and the plot is about as transparent as a sliding glass door, but the film has a certain charm nonetheless. Plus, you get Fred Durst in a surprisingly effective role as the town Sheriff. This may not be a film that is ready for the multiplex, but it is most definitely worth a rental.
Posted in: Disc Reviews by Gino Sassani on October 27th, 2006
The networks finally achieved what drug lords, mobsters and even zombies could not. Year four meant the end of Starsky and Hutch. Unfortunately the show was running out of gas quickly, so this was not near the quality of the previous years. It looks too much like David Soul and Paul Michael Glaser were pretty much ready to move on to other things. Neither of the men would make the impact again they made with Starsky and Hutch. Huggy Bear is not to be found near as often as he had been, so a ton of the humor was mis...ing from the season. Many of the storylines were recycled from previous episodes, like the one partner in the hospital while the other tracks down the bad guys routine. Still, even just going through the motions, the boys are worth watching one more time.
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Posted in: Disc Reviews by Archive Authors on October 22nd, 2006
I must admit that I fully expected to hate this film. Turns out, I didn’t. The truth is, Little Man, the latest comedy from the Wayans brothers, is too harmless for such a vehement reaction.
Sure, Little Man is not very good, but if you can manage to check your brain at the door, you’ll probably get some laughs out of it. Then again, they’re probably the same laughs you had watching the trailer. My problem with comedy like this is that it’s really much better suited to short sketches than feature films.
Posted in: Disc Reviews by Gino Sassani on October 18th, 2006
In 1984 Brian De Palma dusted off his best Alfred Hitchcock imitation in the by now infamous Body Double. We all know the story by now. In fact, if you’ve seen the far superior Vertigo and Rear Window films, you knew the story already. Claustrophobic vampire actor Jake Scully is having a hard time. He’s just been fired because he can’t lie in a coffin, and getting home early, he walks in on his girlfriend in bed with another man. Out of work and homeless, things look up when a fellow actor gets him a sweet housesit...ing gig in a flying saucer shaped condo overlooking the Hollywood valley. There, he is obsessed with a neighbor he spies on with a conveniently provided telescope as she performs all sorts of sordid little things naked in the window. Looks like things are really going well now, until he believes he has witnessed a murder. His investigation into what he saw leads him to the underworld of the porn industry and into the arms of porn queen Holly Body (Griffith). Most of the film takes place at a painfully slow pace. De Palma offers up a lot of stylistic cinematography but not enough action or suspense to keep us all that interested. While the erotic nature of the film was quite shocking in 1985, it just doesn’t pack that kind of a punch today. When De Palma wants to, he can simply ooze atmosphere on film. In Body Double, he oozes something a bit less flattering.
Part of the blame for the film’s awkward pace must be taken up by Craig Wasson. He simply can’t emote beyond a typical movie of the week level. The same can be said for villain Sam (Henry). On one hand, De Palma is trying to dazzle us with the epic scope of the thing, but his two main actors limit that range significantly. Credit should be given to Melanie Griffith, who is miscast in her part, but carries it off with more credibility than one would expect. The stand out has to be Deborah Shelton, who is captivating with little to say. Dennis Franz stands out in his comedy relief portrayal of the director who fires Jake. He’s playing De Palma to a fault, including De Palma’s own clothes. Both men admit in the extras that Rubin was indeed based upon De Palma..
Posted in: Disc Reviews by Gino Sassani on October 11th, 2006
The USA network took over the Forever Knight series for its third year. In a way, you could say they saved the show from cancellation, but they also killed it. In keeping with the nework’s M.O. of the time, it was believed the series wasn’t accessible enough. The obvious grab for the younger audience appeared in the likes of the Andy Garcia clone Ben Bass as the Vachon. Lovable partner Schanke was killed off along with the previous season’s captain. Nick was given a female partner in the likes of sci-fi veteran Li...a Ryder as spoiled daddy’s girl Vetter. La Croix and Janette took much smaller roles, and the whole thing smelled more like a soap opera. Fortunately the new network didn’t play with the traditional double story aspect that made the show unique. The atmosphere pretty much remained intact. Now Nick’s partner is aware of vampires, but not that Nick is one of them, which is far more unbelievable. The sexy element was ratcheted up a bit to try to increase the ratings. All of these elements failed to bring in new viewers, and Nick Knight was finally laid to rest with most of the cast in May of 1995.
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