Posted in: Disc Reviews by Archive Authors on June 14th, 2007
Recently released on HD DVD, this film is the last of the films from the famous British comedy band Monty Python. Originally released in 1983, this is by far Python’s darkest film, filled with violence and dark humor, seemingly tailored to offend everyone. I did not care for the part in the restaurant with the extremely obese man, so there we are.
The film consists of a series of short sketches about various aspects of the “Meaning of Life” or at least an observation of the quirky aspects of life, such as ...he delightful part in which John Cleese plays a sex educator or a very “British” colonel during the 2nd Zulu War near the end of the 19th century. The film actually begins with a short prelude film entitled “The Crimson Permanent Assurance”. What little plot there is seems to involve a group of oppressed accountants rising up against their corporate masters and becoming pirates, using their building as a pirate vessel none the less. It is more amusing in execution than on paper, I especially liked later on when the accountant shouts: “It’s the Crimson Permanent Assurance!!” and then something rather unexpected happens to address the presence of the supporting feature involving itself in the feature presentation.
Posted in: Disc Reviews by Archive Authors on June 13th, 2007
Bruce Nolan (Jim Carrey) is a TV news reporter at Eye Witness Channel 7 in New York who fails to get a job as an anchorman and, after a series of other bad luck incidents, complains to God that He is treating him unfairly and is doing a poor job as supreme deity. God (Morgan Freeman) contacts Bruce and offers him the chance of a lifetime. He offers to give Bruce all the powers he has. Bruce quickly abuses his new powers for personal gain (new car, pleasing his girlfriend), only to be reminded that he also has to take...care of other people's problems. Meanwhile, Bruce endangers his relationship with his girlfriend Grace Connelly (Jennifer Aniston) through his self-centered behavior. In the end, Bruce realizes that God’s powers are meant for only one being, that being is of course God.
When Bruce Almighty works, it works in the highest gear. The film is funny completely enjoyable. As Bruce continues to receive the worst in life, we can’t help but think of a time in our life. After all, haven’t we all had that series of bad moments were you thought, regardless of religious inklings that something or someone was working against you? Bruce fights and fights to understand this and seemingly can’t believe that God is actually answering his complaints. Simply imagine what would happen if the Almighty endowed us with his power?
Posted in: Disc Reviews by Archive Authors on June 13th, 2007
Peter Jackson’s the Frighteners is a 1996 comedy/horror film starring Michael J. Fox. It follows the story of a physic investigator/ deactivate who is in league with the very sprits he is supposed to be exorcising. For the first half hour, the film is mostly comedy, with good work by Chi McBride as Cyrus, the ghost of a black man from the 70’s, complete with a huge afro. The other ghosts are less noteworthy and merely amusing, such as R. Lee Ermey as a ghostly version of his character from Full Metal Jacket. T...e movie becomes more of a thriller after Bannister spots a Reaper-like figure killing people that are marked with numbers on their foreheads. The rest of the movie involves Frank’s efforts to stop these mysterious murders.
The special effects by Richard Taylor and WETA are excellent; a clear sign of talent that definitely was a proving ground for Lord of the Rings. This film is no exception, with characters such as Wallpaperman or Portraitman. Rick Baker’s makeup work on the Judge was exceptional. Baker has won Oscars for makeup from the Nutty Professor, Harry and the Hendersons, and Men in Black. The Grim Reaper figure will definitely be recognizable to fans of Lords of the Rings as the inspiration for LOTR is clear and defined.
Posted in: Disc Reviews by Archive Authors on June 12th, 2007
Fletcher Reed (Jim Carrey) is your typical lawyer in that he’s successful and seemingly loves his job. He openly lies each and every day to the judge just so his client can win the case. In fact Fletcher has gotten so accustom to lying so much that he doesn’t even realize that his son Max (Justin Reed) has pretty much became aware that his father is a liar (he means to say lawyer). When Fletcher doesn’t show up to Max’s birthday, Max wishes that for 24 hours his father couldn’t tell a lie. Enter the real humorous and...sometimes touching portion of the film as Fletcher slowly realizes that his son is trying to teach him something about his life.
The biggest positive about a film like Liar Liar is that the film has so many numerous sequences where the viewer can’t help but laugh or at least crack a smile. From the ‘scratched my car’ joke to the ‘do you know why I pulled you over’ joke, the laughs are consistent. But the most important thing here is that the laughs are actually funny and not gross out. Liar Liar represents a time when Hollywood brought out films that contained genuine humor that might occur in real-life instead of completely disgusting humor that you don’t laugh at, but rather humor that you cringe at.
Posted in: Disc Reviews by Archive Authors on June 10th, 2007
Posted in Disc Reviews by Joshua Noyes
Smokey, aka Sheriff Buford T. Justice (Jackie Gleason), is the prospective father-in-law of unwilling bride Carrie (Sally Field). The Bandit (Burt Reynolds), a maverick racecar driver, makes an 80,000-dollar bet that he can transport a shipment of Coors beer from Texarkana, TX, to Atlanta within 28 hours. It's important to note that in 1977, it was illegal to sell the Coors brand east of the Mississippi River without a permit; if we don't note that, then the plot won't make sense at times.
Posted in: Disc Reviews by Archive Authors on May 31st, 2007
Films about fantasy have always caught my eye. Even though most end up bordering on the top realm of pure stupidity, a majority of them succeed in what they intend to succeed in, that being pure entertainment. Fantasy films typically please audiences simply because they bring the audience into a world they know they’ll never travel to. Dragons, in particular, have always interested me possibly because they’re majestic creatures that seem so complex. I suppose that’s what makes Dragonheart as entertaining as it...is.
In May of 1996, Dragonheart was released into theaters. The funny thing was that I had not heard much about it until I saw a TV spot. At first I was amazed at the great special effects, especially when they announced “Sean Connery as Draco”. Instantly I was sold. I remember being somewhat disappointed after my first viewing as I guess I expected too much, as teasers are designed to do. This latest high-definition viewing further improved my opinion of the movie, now knowing well what to expect.
Posted in: Disc Reviews by Archive Authors on May 30th, 2007
Every so often a film comes along and completely takes me by surprise. I had heard good things about Lost in Translation before viewing the title a few weeks ago. Critics hailed this as Bill Murray’s comeback as he played a genuine man who simply didn’t know what to do in life anymore. While critics may have been overly generous to the film (not quite four stars), I will admit that I didn’t expect anything at all from this one. In the end, I came away shocked and completely absorbed by the material in front of...me.
The basic premise of Lost in Translation runs along the story of Bob Harris (Bill Murray) and Charlotte (Scarlett Johansson) meeting while visiting Tokyo for completely opposite reasons. Bob is shooting a new whiskey commercial, while Charlotte is playing tag along with her photographic husband (Giovanni Ribisi). The two soon develop a friendship that finds the two putting themselves in situations very foreign to each other (meeting citizens, laughing about events that might seem odd). This leads the two to ultimately discover that the definition of life is never set in stone, as it can change at the oddest moment.
Posted in: Disc Reviews by Archive Authors on May 25th, 2007
Portions of this review have been "borrowed" from Brendan Surpless' recent review of the HD-DVD version of the disc, which can also be found on the site.
Synopsis
Posted in: Disc Reviews by Archive Authors on May 22nd, 2007
Since Steve Carell broke into the comedic world with the film Anchorman, audiences have seemingly labeled him the new comedic genius with some comparing him to Jim Carrey. While I don’t completely agree with such a comment, Carell can definitely carry a film by himself, which is evident here with 40-Year Old Virgin.
The plot of The 40 Year Old Virgin can be summed up by a cursory glance at the title of the movie. In slightly more detail; Steve Carrell plays Andy Stitzer, a socially awkward fo...ty year old whose definition of a busy weekend is preparing an egg salad sandwich and changing the color of his figure’s pants. When Carell reveals (by accident one might add) to his colleagues that his virginity is still firmly attached during a poker game, they set about helping him lose it as quickly as possible. Naturally, this entails humiliation, comical misunderstandings and a fair amount of low-brow humor.
Posted in: Disc Reviews by Gino Sassani on May 17th, 2007
James Garner could have been a Hollywood leading man. He had surfaced in a few films and apparently was on every director’s radar at one time or another. Hit or miss, he might have made quite an impact on the film industry. Instead, he will forever be known for the two defining television roles of his career. Maverick completely reinvented the television western. Up until that time the western was a place populated by clear good guys and bad guys. Men like Marshall Dillon and Ben Cartwright were known for their wholesome ways and do unto others attitude, perhaps mixed in with the occasional frontier justice. Enter Bret Maverick, who was a morally ambiguous character who loved to gamble and often run a con, even if it was usually on the bad guys. A western Robin Hood, if you will. It’s no surprise that when Stephen Cannell was looking for a new character he would bring Bret Maverick into the current day. Instead of a horse, Rockford drove an iconic Firebird. Still, even without the western trappings, Rockford is Maverick.
James Rockford lived in a trailer on the beach. His lovable dad was a truck driver who never did understand how his “sonny” could be mixed up in the dirty world of private investigations. While Rockford always projected a tough guy exterior, it was his soft spot for a sad story that often got him deep in trouble. He could understand the world of injustice. He had spent five years in prison for a crime he didn’t commit. Even after a full pardon, the cops considered him a lowlife ex-con. His one buddy, Lt. Becker, usually laid low among his fellow officers, often afraid to admit to being Rockford’s friend. Rockford was also king of the con. When normal tactics didn’t work, he could bring together a group of scam artists and con men to handle the largest of productions. He traveled with his own business card printing press. Afraid of guns, Rockford usually kept his in the cookie jar.