Posted in: Disc Reviews by Gino Sassani on May 20th, 2002
“Even a man who is pure at heart and says his prayers at night can become a wolf when the wolfbane blooms and the moon is full and bright.” Curt Siodmak penned that poem over 60 years ago as the centerpiece for a film that was to feature Boris Karloff. The film was to be called “Destiny” and provide Karloff with a less lumbering creature than his Frankenstein’s monster. The project was put on hold and would eventually re-emerge as “The Wolf Man”, this time starring the son of the man of a thousand faces, Lon Chaney, Jr. Chaney would later in life claim this as his favorite role because unlike the Monster or the Mummy it was “completely my own”.
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 16th, 2002
“Among the rugged peaks that frown upon the Borgo Pass are found crumbling castles of a bygone age.” Carla Laemmle read these the first words ever spoken in a horror film that featured sound in the opening moments of Dracula. The film was based more on the Broadway play version of Dracula than the famous Bram Stoker novel. Who better to play the Count than the young Hungarian actor who immortalized him on the stage, Bela Lugosi? Lugosi brought more immortality to Dracula than the blood of his victims. Even today over 70 years later the flowing cape, the hypnotic gaze, and the accented “Good Evening” of Lugosi is the image most of us draw upon when we think of Dracula specifically or vampires in general. Tod Browning’s ingenious use of lighting combined with the maniacal laugh of Dwight Frye’s Renfield still manage to be effective.
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 14th, 2002
Bela Lugosi had become the heir apparent to Lon Chaney, Sr. as Universal’s horror king with the extraordinary success of Dracula. When the studio decided that Mary Shelley’s Frankenstein would be its next vehicle, Lugosi adamantly turned down the role of the monster. He felt that the role was doomed to failure, mainly because there was no dialogue and that audiences would not relate to the character. Enter a little known character actor from England to fill the monster’s shoes, and the name Boris Karloff would eventually eclipse Universal’s reigning king of horror. The role would lead to the rivalry often blown out of proportion between the two greats. Let’s not forget Colin Clive’s obsessed Dr. Frankenstein and Dwight Frye’s brain-switching Karl.
Synopsis
Posted in: Disc Reviews by Gino Sassani on April 20th, 2002
“Welcome to Jurassic Park”. With those words begin an adventure that started with the legacy of Willis O’Brien’s “The Lost World”… which would lead to Steven Spielberg to acknowledge this connection with the title of Jurassic Park 2. Dinosaur films are nothing new; they have held our child-like fascination since the industry was born. Jurassic Park was, however, something very new when it thundered into our cineplexes and forever in our imaginations. The marriage of brand new CGI technology with Stan Winston’s superbly detailed animatronics models transport you back 65 million years in time. CGI technology has improved since then and has become somewhat commonplace but there is nothing common about Jurassic Park.
Synopsis
Posted in: Disc Reviews by Gino Sassani on March 25th, 2002
“Welcome back to Jurassic Park”. How do you make a blockbuster better? The simple answer is: You don’t. The story for this one is about as contrived as a good Godzilla film. Call it the politically correct Jurassic Park. The high point, however, is bigger, better, and cooler dinosaurs. The T-Rex and raptors are back but now they’re joined by dozens of new species to gape at. The movie is actually fine until the ending. What was Spielberg thinking? Substitute Tokyo for San Diago and we’ve seen it too many times before done better.
Synopsis
Posted in: Disc Reviews by Gino Sassani on March 20th, 2002
Sequels can be tricky business. Expectations are usually high because it was the success of the original that warrants a follow-up. More often than not the audience leaves unsatisfied. The Mummy’s Return suffers this curse more intensely than any invoked by Imhotep or the Scorpion King. Yes, the story is contrived with holes big enough to drive a starship through. Still I rather enjoyed this film. If you’re looking for logic then what are you doing watching a Mummy film anyway? If you are looking for a thrill ride then this film delivers a rollercoaster wild ride through Egypt. When you’re finished you’ll be calling for your Mummy.
Synopsis
Posted in: Disc Reviews by Gino Sassani on March 14th, 2002
It was the Universal Horror classics of the 30’s and 40’s that baptized me into the world of films forever. Although I wasn’t born when these films were made, like the creatures they portrayed, they came back to life for me on TV Shock Theaters and the writing of Forrey Ackerman. Now Universal has once again resurrected one of its marquee monsters for a new generation of fans. The fusion of modern-day CG effects and an Indiana Jones flair for adventure make this a remake worth viewing.The film was an unexpected gem for both Universal and fans.
Synopsis
Posted in: Disc Reviews by Gino Sassani on March 3rd, 2002
Every once in a while a film enters the pop culture that leaves a tremendous impact on both the reel and the real worlds. Jaws ended up launching the career of one of the top directors of all time, Steven Spielberg. It is hard to imagine that there might be no E.T, Jurassic Park, Close Encounters, or even Indiana Jones if not for the huge success of Jaws. The film was even blamed for a dramatic decline in ocean swimmers in the summer of 1975. A tourist board in South Carolina even filed suit against the filmmakers for damages to the tourist industry. How many of us haven’t heard the deep vibrating tones of John Williams’ haunting score in our minds as we wade into the waters of our local ocean? From a chilling novel by Peter Benchley and based on a true account of a series of shark attacks in New Jersey, Jaws is all about our most primal fears.
Synopsis
Posted in: Disc Reviews by Gino Sassani on December 3rd, 2001
Intro
I Loved Jurassic Park. I was extremely disappointed with Jurassic Park II. Jurassic Park III fell right in the middle. This film is good, but really cannot compare to the greatness of the original. The story is a bit better then the second installment and it is still fun to see Dinosaurs come to life.
Posted in: Disc Reviews by Gino Sassani on November 24th, 2001
Intro
Once a franchise is launched, it seems, it is by definition unstoppable, even when, as is the case for this series of films involving a large St. Bernard, the franchise has moved into the direct-to-video realm.
