Posted in: Disc Reviews by Gino Sassani on September 14th, 2023
"Do you give people hope? Are you moving through your city like a guardian angel? Do you make a difference? That bolt of lightning chose you. Don't ever forget it."
There's one thing about being the fastest man alive. You get to the end faster than anyone else ... the finish line, if you will. But not so for Barry Allen, best known in the world of comic books as The Flash. When Arrow debuted back in 2012, no one could have foreseen where it was all going to lead. Greg Berlanti and a few others had created what we all thought was just another comic book hero television show. The Green Arrow wasn't one of the better known heroes, but he was part of the Justice League for many years, and he had a rather interesting origin story that could be told over the longer form of a television series. But it didn't end there. Within a couple of years we had Supergirl, Batwoman, The Legends Of Tomorrow, and, of course The Flash. All of these shows became quickly interconnected, and within another couple of years we all looked forward to a huge crossover event that would involve the casts and crew of all of these shows. These events usually involved some kind of a "crisis" and spread the story out over the various shows themselves. Now Arrow has ended, and the other shows are all gone as well. The Flash was the last hero standing, and that's as it should be, because it was also the best of the shows. Still, all good things come to an end, and after nine seasons, Barry Allen and Team Flash are finally coming to an end. But how can you do something epic when you're the last show standing? You do a crossover all within the confines of your own show and say goodbye with a bang. The final season of The Flash has certainly done that and more. Warner Brothers is now bringing it to a close by releasing the final season of The Flash on Blu-ray, and it's the last one you're going to get, so make sure you savor it a bit. I did.
Posted in: Disc Reviews by Jeremy Butler on September 7th, 2023
"If we're going to do this, there's a lot I'm going to have to explain to you."
Been waiting on this one for some time, ever since we were introduced to the character in the Justice League movie and it was announced that the film would cover the Flashpoint Paradox storyline, which is one of my favorite comic storylines. My enthusiasm was tempered a bit with the film being delayed and the actor’s subsequent troubles (for the purposes of staying on the topic at hand, that will be my only mention of that situation). However, it is finally here, and after viewing it I can say that it was well done and well received. It is also a bit bittersweet, as it signifies the conclusion of the DCEU as we know it. While I have complete confidence that the future of DC is safe in James Gunn’s hands, it is difficult to say farewell to the only thing that we’ve known since Cavill first donned the suit. Back on topic: in my opinion, while this adaptation does have some slight deviations from the source material, I can confidently say that the film does the source material justice (pun intended).
Posted in: Disc Reviews by Gino Sassani on August 17th, 2023
"In northern California, the Santa Lucia Mountains, dark and brooding, stand like a wall between the peaceful agricultural town of Salinas and the rough-and-tumble fishing port of Monterey, fifteen miles away It's 1917 just outside of Monterey."
James Dean was somewhat of a brief candle. Very much like Marylin Monroe, he came upon Hollywood so bright and hot only to burn for a short time. And while Norma Jean had a few good years in which to shine, Dean would have less than a handful. In those few years he made three incredible films. His last was Giant, and before that was perhaps his best known, Rebel Without A Cause. East Of Eden was the first of this trilogy of films that would pretty much make up the career of James Dean. All three films were made in the years 1955-1956, and just as suddenly as Dean had come upon the scene, billed as the next Marlon Brando, he was gone. One car ride into eternity and it was all over just as it had begun: Explosive and brief. Through Warner Brothers 100 years of movies restoration and release celebration, we have already seen and reviewed Giant and Rebel Without A Cause. Now the trilogy is complete in the place where it began: Elia Kazan's masterpiece, East Of Eden.
Posted in: Disc Reviews by Gino Sassani on August 2nd, 2023
"Man gets shot that's got a gun, there's room for reasonable doubt. Man gets shot that hasn't got a gun, what would you call it? But, you knew that already; otherwise you wouldn't have set things up the way you did."
Rio Bravo (1959) stars John Wayne as John T. Chance, a small-town sheriff facing the fight of his life. His town is infected by a gang of 30-40 men, professional bad guys on the payroll of Nathan Burdette (John Russell), whose brother, Joe, Chance has locked up for murder. Burdette is dead-set on freeing Joe, and the only help Chance has got is his former deputy, Dude (Dean Martin), who’s been drunk for two years since he got involved with the wrong kind of woman, and Stumpy (Walter Brennan), an old, trigger-happy cripple. The trio has six days until the U.S. Marshall comes to collect Joe, but that’s a long time to wait when you’re surrounded by the enemy.
Posted in: Disc Reviews by Brent Lorentson on June 29th, 2023
Back in 2013 the remake for Evil Dead came out. I enjoyed the film, but it just didn’t feel right not having Bruce Campbell on the screen fighting off the deadites in that crazy cabin in the middle of the woods. But I could still appreciate the gore, and I felt the filmmakers did a decent job at capturing the tone of the franchise. The film has kind of grown on me over the years. Then fans got hit with the Ash Vs. The Evil Dead series, which was three seasons of bliss that really did a fantastic job honoring the trilogy that Sam Raimi had created. Now in 2023 we have a new film, Evil Dead Rise, a film that ignores pretty much everything fans of the franchise have known and loved for 40 years. It did great at the box office, but where does the film stand on its own and in relation to the legacy before it?
The film shifts its location from the middle of the woods to an apartment in the city. This was a nice, refreshing change in my opinion, kind of like how Scream decided to leave the small town of Woodsboro this year and move things to the Big Apple. The location shift simply opens up so many new possibilities, and when you consider the havoc that some deadites can bring to this new setting, it is something worth getting excited about. Instead of a group of friends, this time the film is centered on a family. There’s the newly single mom of three, Ellie (Alyssa Sutherland), her youngest daughter, Kassie (Nell Fisher), and then the other two siblings, Bridget (Gabrielle Echols) and Danny (Morgan Davies). As an unexpected surprise to the family, they get a visit from Ellie’s sister, Beth (Lily Sullivan), who has to stepped away from her rock-star life after discovering that she is pregnant. There are other people who share the same floor as Ellie, but the film’s focus is on this family, and for the most part just this floor, which is one of my problems with the film. It offers so much potential with a bigger location, but chooses to isolate itself, which defeats the whole purpose of leaving the cabin.
Posted in: Disc Reviews by Jeremy Butler on May 24th, 2023
I know that we all know that the DC universe is going through a bit of a revamp right now. I’m sure we’ve all seen it, with the cancellation of the Batgirl movie and the getting our hopes up over the prospect of Henry Cavill’s return to the fold, only to be crushed when it was announced that the studio was going in a different direction. We all have our feelings about it. That said, if there was a franchise that I would recommend keeping around, it would be the Shazam films. I know, I know, I’m surprised by this revelation too, but the thing is, this franchise of them all was the one that took me by the most surprise. I wasn’t expecting to enjoy it. Prior to the release of the first film, the character of Shazam (a.k.a. Captain Marvel) had been nothing more than a background character that I’d observed in the animated films and shows. I even questioned the wisdom of introducing a character like this when DC was behind the curve in comparison to Marvel. I thought they should focus on building up the main Justice League heroes so they could get back in the race. Then in 2019, I went and saw this, and it won me over. It gave the DC universe a dose of lightheartedness. Zachary Levi was a fantastic choice for the character, because all the quirks and awkwardness that made NBC’s Chuck a gem were on display in our plucky hero. And now with Shazam: Fury of the Gods, DC just keeps that train rolling. The addition of Helen Mirren and Lucy Liu as the antagonists, the Daughters of Atlas, was a bold and interesting gamble, given that they do not appear in the comics, and are actually original characters created for the film. Yes, I did a bit of research.
When we last left off, Billy Batson (Asher Angel) had finally become a member of a family after a lifetime running away from them in order to find his birth mother. Solidifying his bond with his new family, he elected to share his power with them and create the Shazam family. Picking up years later, Billy, who is on the verge of aging out of foster care, worries as everyone begins drifting apart due to them all growing older and developing their own personal interests. This drifting also affects their heroism, as despite having the best of intentions, they begin doing more harm than good, causing the public to view them negatively even though they save countless lives.
Posted in: Disc Reviews by Brent Lorentson on May 24th, 2023
When Superman was first introduced to us, it was in Action Comics #1 back in 1938 from the writer Jerry Siegel and the artist Joe Shuster. Since then the character has become a cultural phenomenon that’s been featured in just about every form of media from radio shows, TV shows, cartoons, movies, and everything else in between. The character has evolved quite a bit since those early comic book days, and one of the characters biggest evolutions came with the Max Fleischer cartoon series. It was 17 animated short films that played in theaters before the feature film began, but these short films would draw in audiences that wanted to see this caped hero and his amazing adventures.
The collection contains 17 animated shorts.
Posted in: Disc Reviews by Jeremy Butler on May 23rd, 2023
I would be remiss in my duties if I didn’t address the elephant in the room first. For the first time in the nearly 50-year history of this franchise, Sylvester Stallone was not featured in the film as Rocky Balboa. We could delve into the reasons behind why he elected not to take part in this installment, but that would be a review in itself and take away from this film. I mention it off the bat, so we can all process it and view the film with clarity. Long story short, I will say that his absence was noticed, and he was missed. I think his absence is notable due to the lack of an explanation as to his absence. I suppose the film being set in Los Angeles instead of Rocky’s native Philadelphia is meant to serve as a workaround, but still, I’d hope for some kind of explanation or at least a casual mentioning of the character. The lack thereof is what really drew attention to it. To be fair, the case can be made that that the previous film provided a pretty good conclusion for the Rocky chapters of the franchise. His finally making the trip to meet his grandchild was good catharsis for the character. What this means for the future of the franchise now I will not speculate; only to say that there is nothing saying that we’ve seen the last of Rocky. Now that we’ve gotten that out of the way, we can concentrate on fairly assessing Creed III.
Of significance, this film signifies Michael B. Jordan, our titular character, stepping behind the camera to make his directorial debut. But who better to take the helm than the man who brought the character to life. This in my opinion was a solid debut for Jordan and showcased his abilities both in front of the camera and behind it. Returning to back Jordan up on the screen are Tessa Thompson, Phylicia Rashad, and Wood Harris. However, if there was one person who outshone this cast of Creed veterans, it was the man who was making a debut of his own via his introduction into the Rocky franchise. A man who has been making quite the name for himself. Creed III introduced us to Adonis’ rival, Damian “Dame” Anderson, known as Mr. Jonathan Majors.
Posted in: Disc Reviews by Gino Sassani on May 23rd, 2023
The 1978 Superman film set the standard for what a quality comic hero film should be. The tagline promise: “You will believe a man can fly” was kept. All future comic films would be judged by this standard. Superman II had its faults. Certainly it was not the modern classic like the first film. The plot was bogged down with a rather silly love story that broke down the barriers of the Kent/Superman identity for Lois Lane. Luthor, while played again with style by Gene Hackman, is reduced to a comedic backseat to the real villains. Plot contrivances abound, along with plenty of corny lines. Yet, even with these limitations, this has always been a rather enjoyable film, particularly when compared to the dreadful sequels that followed.
"You will believe that a man can fly."
Posted in: Disc Reviews by Brent Lorentson on May 9th, 2023
I remember when The Golden Compass came to theaters. I know I saw it because I was a projectionist and had to screen the print, but for the life of me I couldn’t remember anything about the film. Perhaps that’s why that when I first heard about HBO doing a TV series adaption of the beloved book series His Dark Materials I wasn’t all that thrilled. I’d never read the -adult series, and considering the amount of awful YA film and TV adaptations that have bombarded us for nearly two decades, it played a role in squashing any excitement I may have had in different circumstances. I was definitely pessimistic about watching the show, but when I finished Season 1, I was excited about where the next season would take us. I loved the characters, the daemons and the worlds that the show took us to. Not since Stranger Things had I been more excited about a new series. Season 2 was a step up from the first season, and I absolutely loved what the show was delivering. There has been a bit of a wait for this third season; after all COVID did get in the way of the show’s production, and the delay can dampen the excitement for others. But with sSeason 3 now here, would the final eight episodes be enough to wrap up this pretty great storyline about the multi-verse and the war set to be waged between man and the Authority?
Season 3 opens up with a bit of a time jump with Lyra (Dafine Keen) being held captive by her mother, Mrs. Coulter (Ruth Wilson). We want to believe that Lyra is being held for her own protection and that her mother has finally seen the evil of her ways in the past, but we’ve seen in the past she simply can’t be trusted. The Magisterium continues to establish themselves as the big bad of the show as they are wanting to hunt down Lyra because they believe she is the girl in the prophecies who will bring ruin to all the worlds. Then there is Will (Amir Wilson), who is trying to find Lyra, though to help him in his search he teams up with an angel and Iorek (Joe Tandberg), our favorite polar bear. Then we also have Mary Malone (Simone Kirby), who continues her journey to better understand dust, though to be fair, considering all the peril we see just about every other character experience, her journey seems more like a simple vision quest that leads her to strange elephant-like creatures with wheels on their feet … yeah, this show can get weird. Then of course there is Lord Asriel (James McAvoy), who seems to be hell-bent on waging war against the Authority, and he doesn’t seem to care who he loses or may die because of his actions.
