Warner Bros.

It seems like there have been quite a few dramatic films over the past three years or so that have fallen into this trap of bad marketing. Curiously enough, they all seem to have the same narrative feel, from Heist to Confidence to Spy Games… and now Spartan. I sometimes have a hard time figuring out why some films become hits, and some don’t. (Of course, if I were a master at that, I would be the highest paid man in Hollywood.) I don’t understand how mindless films like Men in Black II.../i> can make their money back, but taught dramas like Spartan do mediocre work at the box office.

Regardless, this is a film that deserves to be seen by a wider audience. This picture is an exciting mix of dramatic sub-genres; part of the action seems to be drawn from CBS’ hit television show Without a Trace, part from Nicholas Cage’s 8mm, and part from any number of Tom Clancy novels. The result is a sharp film that is more concerned with the urgency of the story than it is explaining every little detail to the viewing audience. Names and faces aren’t important, just the mission at hand.

This is an odd little film, indeed. The best way that I can describe it is as a cross between Bowfinger and a James Bond film. It is billed as a comedy, but the first half-hour is clearly drama. Of course, when the comedy portion does come in, it’s not funny either. The plot is surprisingly complex, but at its core, it involves a movie production that accidentally captures a crime taking place on film. Now the criminals are after the crew.

Truth be told, this might have turned out to have been a pret...y decent little script after 20 or 30 re-writes. There are elements of action, mystery and comedy that could have been developed into something at least as entertaining as The Tuxedo. Unfortunately, however, those re-writes were not performed, and what we have here is a rough draft caught on film.

Synopsis

Dylan Walsh and Julian McMahon are Sean McNamara and Christian Troy, plastic surgeons.Sean is the suave ladies’ man, who has ethics only when convenient and/or profitable. Christianis the better surgeon and the (by no means perfect) family man. Neither man is a prize (they areplastic surgeons, after all), but Christian at least tries to be better than he is. Models, gangsters,porn stars, and transsexuals are but a few of the characters whose live intersect with thesurgeons.