Posted in: Disc Reviews by Gino Sassani on June 1st, 2004
In season 2, The West Wing was still superior to almost anything on television at the time. The problems began to surface, however. Season 2 concentrated far too much time on the whole MS deal. I missed the powerful insider political stories. Still, there is little question that the writing and production style of the show continued to shine. Up to this point only Hill Street Blues had more Emmy nominations in one season.
Audio
Dialogue is everything in this show. A Dolby Digital 2....
Posted in: Disc Reviews by Archive Authors on May 24th, 2004
Easily the best animated series to hit the airwaves over the past decade, Gennedy Tartovsky’s Samurai Jack has developed a devoted following owing to it’s superior storytelling and cinematography (if you can call it cinematography when it’s on TV).
It follows the story of Samurai Jack – a time displaced samurai looking to restore order to the planet by destroying the demon responsible for his, and the earth’s predicament. Aku, a powerful demon attacked Jack’s village destroying his home and family. Jack sw...
Posted in: Disc Reviews by Archive Authors on May 11th, 2004
Everything But The Girl is a group that has always been a bit of an enigma to me. I have never heard any of their albums, but I consistently run into one of their songs on the odd movie soundtrack or occasional visit to the record store. I am always struck by how different one song sounds from the next, much like the brilliant work of Blur, and I assumed that this was because most of the songs that I have heard are B-sides, or as I stated before, tracks that were donated to compilations or soundtracks. This disc has ...
Posted in: Disc Reviews by David Annandale on May 7th, 2004
Synopsis
In 1957, the British studio Hammer, having already produced a number of classic SFthrillers, turned to gothic horror, which had been effectively dead since 1946, and brought it backwith a vengeance. Their revolutionary entry was The Curse of Frankenstein (****1/2),which introduced colour, gore and sex to the classic horror formula, and made Peter Cushing (asFrankenstein) and Christopher Lee (as the Creature) into stars. Unlike the Universal Frankensteinfilms of the 3...
Posted in: Disc Reviews by David Annandale on May 6th, 2004
Synopsis
This is a fascinating collection, but be warned that this isn’t a “Best Of” by any means. Thereis no Duck Soup here. After leaving Paramount, the Marx Brothers moved to MGM,where (as we learn in the commentaries), studio head Irving Thalberg gave their movies a newform: big, lavish production numbers, and more linear plots.
With the first effort, A Night at the Opera (1935) (****), this approach producedwonders. The formula for all the other films in t...
Posted in: Disc Reviews by David Annandale on May 2nd, 2004
Synopsis
In the second year of the series, Clark finds more and more of his powers manifestingthemselves, most notably heat vision, and a move closer and closer to flight. An archaelogical digreveals more secrets of his origin, and there’s a really big revelation when he encounters areclusive scientist/billionaire played by Christopher Reeve.
One of the more impressive aspects of the series is a real sense awe associated with theSuperman myth. “Myth” doesn’t seem too strong ...
Posted in: Disc Reviews by David Annandale on April 25th, 2004
Synopsis
Mandy Moore plays Anna Foster, daughter of President Mark Harmon. She is extremelyfrustrated with the fact that her social life is consistently ruined by the vast phalanx of SecretService personnel that shadow her every move. Harmon promises to ease up on her while theyvisit Prague, but he breaks his promise, and she flees, hooking up with handsome photographerMatthew Goode. A travelogue of Europe ensues, with romance aborning. Trouble is, Good isactually another Secret Ser...
Posted in: Disc Reviews by David Annandale on April 9th, 2004
Synopsis
The film begins on the night of the murder of Sharon Tate and her friends. We then followthe often maddening investigation, where the forces of law and order frequently sabotage eachother through turf wars, false assumptions, and shoddy police work. George DiCenzo playsprosecutor Vincent Bugliosi, and he narrates, Rod Serling-style, as well. Bit by bit, the casecomes together, and the prosecution of the cult begins.
Meticulous in its detail, and often very chilling,...
Posted in: Disc Reviews by David Annandale on April 1st, 2004
Synopsis
The story begins in summer of 1903, some seven months before the World’s Fair arrives inSt. Louis. The film is then divided up into the seasons as we follow the life of the Smith family.At the centre is Judy Garland as Esther Smith, backed up by a very young Margaret O’Brien aslittle sister “Tootie.” In terms of plot, nothing much happens: Garland falls in love, and there issome tension when it seems that the pater familias has landed a job in New York and the familywill ha...
Posted in: Disc Reviews by David Annandale on March 30th, 2004
Synopsis
Having exhausted just about every other romantic combination involving the ever-popularcast, the writers finally settled down to make a wedding actually happen. The preparations forthe wedding and all the associated complications form the backbone of the season, while variousother subplots (Rachel’s hunky new assistant, roommate musical chairs, etc) weave in and out.We are also asked to believe that a) Rachel is only turning 30 now; and b) this is a HugeDeal.
A...
