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“Everybody here has become very rich, or else they are dead.”

In 1964 things were very different from the way they are now. The Hollywood western movie was winding down. The genre had pretty much played itself out and was struggling to maintain even on television. Few people knew who Clint Eastwood was. He had a pretty sweet gig on the television series Rawhide but wasn’t anywhere near a household name. Sergio Leone was a name almost no one had heard of. And there was no such thing as a Spaghetti Western.
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“How would you like to use that gun belt for something more than just holding up your pants?”

Although the title of the blu-ray is Return of the Magnificent Seven, the original film’s title sequence just calls it Return of the Seven, and for good reason. There is nothing vaguely magnificent in this movie. This is the type of sequel that gives sequels a bad name.
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“We deal in lead, friend.”

In the fall of 1956, Anthony Quinn watched a special screening of Akira Kurosawa’s The Seven Samurai and had an epiphany; this Japanese masterpiece, inspired by the great American westerns of John Ford, would, itself, make a great American western. Quinn acquired the rights and contacted his then close friend Yul Brynner and pitched the idea of him playing the bad guy and Brynner the good guy.
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