Posted in: Disc Reviews by Brent Lorentson on December 21st, 2017
When Christopher Nolan has a new release, it’s an event to get excited about. There are few directors I can say this about. Sure, there are directors that I like, but still there are few who manage to capture what makes going to the cinema an experience. Dunkirk is his latest cinematic opus. Despite it being his shortest film, with the exception of The Following, this is the first time he has shot a film almost entirely in IMAX form. What’s the big deal? Well, aside from the picture being twice the size of the regular format, what he does with these cameras is deliver a beautifully striking picture of destruction and survival. There’s a lot of buzz going around with this film, and already it’s being looked at as the first real Oscar contender of the year. Is the film worth the hype? Is it really Nolan’s best picture?
Posted in: Disc Reviews by J C on January 16th, 2014
“This song of the Man and his Wife is of no place; you might hear it anywhere at any time.”
The aching simplicity of the story in Sunrise is the reason the silent film remains thoroughly watchable almost 90 years after its release. It’s also why the movie will remain thoroughly watchable another 90 years from now. Then again, the reason F.W. Murnau’s 1927 effort goes beyond simply remaining watchable — and enters masterpiece territory — has less to do with what the story is and much more to do with how it’s told.
Posted in: Disc Reviews by J C on June 13th, 2013
For a significant part of the last century, the Western was the dominant form of entertainment, ruling the Hollywood roost on both the big and small screen. Some of moviedom’s most iconic sounds — galloping horses, trusty six shooters, Ennio Morricone’s best work, “In this world, there’s two kinds of people: those with loaded guns and those who dig” — have come from the genre. And it all started In Old Arizona.
