Posted in: Disc Reviews by Archive Authors on December 28th, 2005
Synopsis
It would appear that the 1961 Disney film The Parent Trap helped to spur popularity within Disney’s non-animated film section. Films like the Herbie films, and films featuring other stars like Kurt Russell would soon follow several years later. Based on a book by Erich Kastner, and written and directed by David Swift (Eight is Enough, Barney Miller), the film is centered around Sharon and Susie (both played by Hayley Mills, Saved by the Bell, Pollyanna), who are i...entical twins who do not realize that they are sisters. After some initial bristling between the two, they manage to get along and learn more about each other.
Posted in: Disc Reviews by Archive Authors on December 26th, 2005
Synopsis
Despite the upside of pro wrestling-being on worldwide TV and having people from ages 6 to 60 buy a shirt with your face on it, and cheer (or boo) you in the ring until they become hoarse, there is still a downside. A wrestler can be on the road for 250 days out of the year. The pay is comfortable, but there is the risk of injury, or worse, addictions to drugs to overcome the pain you can suffer from while on the road. And unlike John Q. Businessman, a lot of the wrestlers out there either don’t ha...e a health or pension plan, or can’t even afford either or both to begin with. Numerous wrestlers over the years have been incapacitated from the life, and at least that many have committed suicide, including several well known (to fans) wrestlers in the recent months. The upside can be great though, and a wrestler’s character can have a lasting impact on the public, long enough to maybe make them lifelong fans. I’m still watching it, off and on for (damn!) 20 years, and Barry Blaustein has the same identification with it, and uses it to help focus on several different people who have, and are, making their livelihood in the business, in Beyond the Mat.
Posted in: Disc Reviews by Archive Authors on December 23rd, 2005
Synopsis
So after a somewhat shaky 4 episode run for Season 1 and a 6 episode showing of Season 2, the powers that be at HBO, apparently in between editing sessions of "Real Taxicab Divas," or whatever, answered Bob and David’s pleas for an increased budget for Season 3. But they also wanted a 10 episode season, something that brought them to new heights of stardom, neuroses and some real good comedy. Saturday Night Live had started to see their stars leave for TV shows, movies, or they were just tir...d of the weekly grind of the show. Their then-new cast members (Will Ferrell, Tracy Morgan and Darrell Hammond, to name a few) were still pretty hit or miss at that time. I’d started to watch Mr. Show during Season 2, and was hooked in Season 3. For my money, they arguably put together some of the funniest sketches in recent memory in Season 3. Every episode comes up with a gem, the Oh, You Men episode being the funniest of the series’ run, in my opinion. The East Coast/West Coast Ventriloquist Feud is required viewing, along with the Sid and Marty Krofft parody Druggachusettes, two of the funniest comedy sketches in awhile. As funny as Christopher Walken demanding a cowbell may be, the sketches on Mr. Show were smarter, more inventive, and yes, didn’t have the restriction of being on network TV. This was the comedy show to watch in the late 90’s. Here’s the listing for Season 3 (with help from the book “Mr. Show, What Happened?!”) with major sketches included:
Posted in: Disc Reviews by Archive Authors on December 23rd, 2005
Synopsis
Angie Dickinson is a single mother of two teenage girls (whom the film very explicitly characterizes as “ripe” – boy howdy, they don’t make movies like this anymore). Money is tight during the Depression, and after a fiasco of an interrupted wedding, mother and brood hit the road to seek their fortune, and before you know it, they’re robbing banks.
Posted in: Disc Reviews by Archive Authors on December 21st, 2005
The kick in the nuts that was Fame the television series is now the kick in the nuts that is Fame - The Complete First Season on DVD. And let me tell you, it hasn't become any better over the course of time. Based off a film of the same name, this mess of a TV show follows the lives of students at New York's High School for the Arts. Most of the dialogue and situations are beyond predictable, and the cheesy early eighties soundtrack is as green and moldy as a block of Colby left out in the sun too long. As far as the students themselves are concerned, there's Danny the comedian; Julie the cellist; Bruno the composer; Coco the singer; and Leroy the dancer... and all lack the talent these shoddy scripts want you to believe they have.
The teachers fare no better. Led by Debbie Allen, who also handles choreography for the series, these educational gurus mostly seem like they're doing their best Mr. Chips impersonation after watching that far superior film a couple of times in preparation for the roles. In all fairness, neither students nor teachers have much to work with. The scripts are as inspired as a high school kid sacking groceries at the local supermarket. Given the time period in which it was created and the poor results of a limited budget, I kept hoping Fame would turn into a slasher movie somewhere along the way. It certainly has the characterization of one. But instead of seeing these obnoxious actors knocked off one-by-one in gory and satisfying fashion, their runaway personalities just go on and on and on for nearly sixteen hours, making for one of the worst shows in the history of television.
Posted in: Disc Reviews by Gino Sassani on December 20th, 2005
It was an excitable time for this young 13 year old boy. No matter where you were in the house, the sound came to you. No matter what you were doing, it drew you to the living room television. No matter how bad things were going, that sound brought a smile to your face. Mike Post’s opening theme for The Rockford Files has to be one of the best in television history, and it lingers in my mind as a precious anthem of days gone by.
He was every young boy’s hero. How could you resist James Rockford? He had the toughness of Dirty Harry. Yet, beneath it all, he was terribly flawed and even a little naive. Why is it that after the hundreds of TV detectives that have crossed our paths a small handful endear themselves to the pop culture? The answer is simple. Every once in a while an actor combines with strong writers and creates a character with incredible heart and soul. We can’t imagine anyone else playing the part. Peter Falk accomplished it with Columbo. In recent years Tony Shalhoub has graced us with Monk. You can’t complete such a list without James Garner and his alter ego, Rockford.
Posted in: Disc Reviews by Archive Authors on December 17th, 2005
Pickpocket is precisely the kind of film that could never have been made in Hollywood in the 50's. The Hays Code was a set of morality guidelines that dictated what was and was not acceptable to be shown in motion pictures. Amongst many other things, the code would not allow a criminal to be depicted on screen in such a way as to induce sympathy from the audience. It also said that criminals must always be punished for their actions. (For a complete copy of the code, visit http://www.artsreformation.com/a...01/hays-code.html.)
Luckily, the Hays Code only applied to films made in the US, giving foreign filmmakers certain freedoms that were not awarded to those in here the states. Robert Bresson made the most of his freedoms with Pickpocket, a film that, as one might deduce, tells the story of one such nimble-fingered miscreant, and his evolution into the business. His first attempts are quite clumsy, but with time, practice, and the help of a tutor, he soon becomes quite handy. Of course, nobody can break the rules of law forever, and consequences almost inevitably follow a crime.
Posted in: Disc Reviews by Archive Authors on December 16th, 2005
Just in time for the mega release of Peter Jackson’s King Kong comes a slew of Kong-related merchandise determined to cash in on the hoopla. Like long lost relatives only interested in you after that big lottery win, these forgettable items are giving it one desperate shot on DVD. Among this sub-par schedule of releases is the new feature-length cartoon Kong – King of Atlantis. In this outing, Kong is a new gorilla descended from the original King Kong. He has inherited the size, but is still struggling...to find his way into mental maturity. Hampering his journey is a trio of mostly clueless human allies that really bog down the action in spite of the elements that are actually there to recommend it. While most children will delight at the sight of Kong, his speechless bear cub friend, and a friendly overgrown tiger (reminiscent of He-Man’s Battle Cat), the human element will stop any further interest flat in its tracks.
Rather than bringing kids into the action through relatable human involvement, the creators have conjured up three whiny, obnoxious caricatures that will leave all children young and old begging for another shot of Kong and his animal friends. Not helping the likeability factor among the three human stars is a lurid opening musical number – to the best of my knowledge, it’s called “De-cide Now” – which will make even the most open-minded fan of family entertainment cringe in despair until it’s finally over.
Posted in: Disc Reviews by Archive Authors on December 11th, 2005
Synopsis
Sometimes studios will hit big on a film, and other times, they’ll be so far off the mark as to miss the boat completely. Take the case of Frostbite. Summarized, as one cast member puts it, as “part Caddyshack meets part American Pie meets part Dude, Where’s My Car? in the snow.” You know, I remember a movie kinda like that, and I rented it back in 1984, when t was called Hot Dog..The Movie.
Posted in: Disc Reviews by Archive Authors on December 9th, 2005
Synopsis
We all know the story, even if we haven’t seen the film. Risk-taking (and potentially criminally irresponsible) documentary maker Carl Denham (Robert Armstrong) charters a ship and sets off for an uncharted island. On board are first mate Jack Driscoll (Bruce Cabot) and Ann Darrow (Fay Wray), the woman Denham has tapped for the lead in his film. They arrive at Skull Island, and before long, Ann is kidnapped and offered as a sacrifice to Kong. The giant ape falls for Ann, and a romantic trian...le of truly mythic proportions ensues as Jack and Kong struggle with each other (and other monsters) for possession of the woman.
