1.33:1 Fullscreen

“Scooby-Dooby, Scooby-Dooby-Doo! There's a mystery in town, So call the coolest pup around, Call Scooby, A pup named Scooby-Doo! Join Shaggy, and the crew, Daphne, Freddie, Velma too! And Scooby! A pup named Scooby-Doo! When the ghostly ghoul attacks, Scooby eats a Scooby Snack! Scooby-Dooby-Doo! So come on, it's mystery time, You can help us solve the crime, With Scooby, a pup named Scooby, Scooby, a pup named Scooby-Doo!”

First there was Muppet Babies. Then there were Tiny Toons.

Frankly, if you need any information beyond the title of this release, then it probably isn't for you. It's The Sinful Dwarf, man! But if you really must know more, be it on your head. Mind-bogglingly stupid and broke newlyweds Mary and Peter (Anne Sparrow and Tony Eades, actors of an ineptitude that passeth all understanding) check in to the boarding house of retired (and scarred) burlesque performer Lila Lash (Clara Keller) her son Olaf (children's show host Torben Bille), the titular sinful dwarf. Mary hears noises in the attic, but Peter won't listen to her. He should, as Lila and Olaf keep a harem of women up there as prostitutes, ensuring their submission through forced injections of heroin. Now they have their sights set on Mary...

"She was working in a bridal shop in Flushing, Queens 'Til her boyfriend kicked her out in one of those crushing scenes. What was she to do? Where was she to go? She was out on her fanny... So over the bridge from Flushing to the Sheffield's door. She was there to sell makeup, but father saw more. She had style! She had flair! She was there. That's how she became the Nanny! Who would have guessed that the girl we've described Was just exactly what the doctor prescribed? Now the father finds her beguiling. And the kids are actually smiling. She's the lady in red when everybody else is wearing tan... The flashy girl from Flushing, the Nanny named Fran!"

Not exactly Mary Poppins.

Suspense began life as a very successful radio show on the CBS Radio Network. It premiered in 1942 and lasted just over 20 years on the nation’s airwaves. When television began to make its own waves on the air in the late 1940’s, naturally many of those first shows would be programs that had already shown strong appeal to the radio audiences. Shows like Gunsmoke had been staples on the radio for years and would be a nice way to entice the first television crowds to the new medium. Suspense was one of those shows. It first broadcast in 1949 and was broadcast live from a studio playhouse in New York City.

On October 9th 1986 the network television landscape did something that hadn’t been done successfully in its 40 year history. A fourth network broke on the airwaves. It was called FOX and wasn’t even going to broadcast 7 days a week. Most pundits in the television industry never gave it a chance. Most of the channels were in the double digit UHF range. This had long been considered the independent station area, and a lot of televisions didn’t pick up this band as well as the established VHF band. And for a while it looked like the network was going to disappear almost as quickly as it appeared. But by 1987 the network suddenly had two big hits on its hands.

In 1976 a New York media group conducted a survey of the NYPD detectives. The question was: “Of all the TV cop shows, which most accurately portrays life as a detective?” The overwhelming response was the comedy Barney Miller. Seems real cops related to the daily grind and weekly wackos of Barney Miller. Let’s not put aside that this was also one of the most consistently funny shows on television. I remember it took me a while to accept Abe Vigoda in such a light role as Fish. My first exposure to Vigoda was the ruthless mobster in The Godfather. Barney Miller always managed to be funny while still telling a good short story. The characters were always wonderful.

“When you wish upon a star. Makes no difference who you are. Anything your heart desires will come to you. If your heart is in your dream, no request is too extreme.
When you wish upon a star, as dreamers do… Like a bolt out of the blue, fate steps in and sees you through. When you wish upon a star, your dreams come true.”

The song has become a standard. Every kid knows it. Walt Disney Studios has made it their theme song. You hear it each time you load up a Disney disc. If you have been fortunate enough to have visited Walt Disney World, you’ve heard it the entire day long.

Say Uncle. That’s U.N.C.L.E., otherwise known as The United Network Command for Law and Enforcement. Starting in 1964 The Man From U.N.C.L.E. was one of a flurry of shows to take advantage of the new James Bond craze. It featured much of the same elements as the super spy films. You had sophisticated spies in tuxedos. There were plenty of gadgets. And there were constant threats of world domination, mostly from the evil counter organization, THRUSH. The two top spies for the good guys were Napoleon Solo (Vaughn) and Illya Kuryakin (McCallum). The Bond references were never subtle and always intentional.

I often have trouble believing that South Park has been around for as long as it has. It’s not just the passing of 12 years, but the sheer brilliance in the face of an increasingly politically correct society. It’s like watching old episodes of All In The Family. Who believes that Archie Bunker would have any chance of survival in the 21st Century? It’s no wonder that Norman Lear has become involved in the series. It’s the last remaining vestige of a once great freedom to be ridiculous and offend. Eric Cartman’s a lot worse than Archie ever was. We always knew that, in his heart, Archie had a soul. Cartman’s a psychopath without a conscience,

Does the name Quasimodo ring a bell? It should, and he did. The deformed cathedral tower bell ringer first appeared in the famous French language novel by Victor Hugo. The story is one of the more frequently filmed tales, going back as far as 1923 and the silent film starring Lon Chaney. Chaney created the definitive appearance from his own collection of grease paints and handmade appliances. The physical restrictions he placed upon himself then nearly crippled the actor. Charles Laughton put his own stamp on the character in 1939. This would become the defining sound film. Even the Walt Disney Studios put their own unique stamp on the tale.