Posted in: Disc Reviews by Gino Sassani on December 20th, 2006
Dr. Katz is Frasier on LSD. This cartoon is based on stand-up Jonathan Katz and is psychobabble routine. Most of each episode centers on Dr. Katz and usually a couple of sessions with patients played by fellow stand-ups or other celebrities. While there is some humor here, none of it jumps out as rip-roaring funny. Then there’s the infamous “Squigglevision”. To me this makes the darn thing near impossible to watch. The gyrating animation gives me a headache. To review this set, I couldn’t watch more than one episode per sitting. I’m told the show was much better in season one, which I’ve never seen. Too bad, really, but there isn’t anything worthwhile about this cartoon.
Video
Posted in: Disc Reviews by Archive Authors on December 19th, 2006
Spike TV has really picked up steam in recent years, and this momentum is nowhere more apparent than in their staple show MXC – Most Extreme Elimination Challenge. Now on DVD with the complete first season, fans of the show and adventurous new viewers are sure to enjoy the antics and wisecracks of hosts “Kenny” and “Vic,” who provide commentary on each episode of insane Asian people sacrificing their bodies for the thrill of being on television. Of course, the American voiceovers of MXC are all added ...ost-facto. But the original show – “Takeshi’s Castle” – is not short on the crazies itself, as we see from this collection’s bonus materials.
I’m not sure how necessary owning these 13 episodes on DVD is, but to each his own. I am content to watch on Spike TV late night, but I will admit, some of Kenny’s most painful eliminations are worth multiple viewings. If you like to see people in pain but not to the point of death, then this What’s Up, Tiger Lily game-show knock off is for you. Just be careful, and, above all, “Don’t Get Eliminated!”
Posted in: Disc Reviews by Archive Authors on December 17th, 2006
Little Miss Sunshine is a gem. With a quirky script, a great cast and interesting cinematography, there's plenty to appreciate as this ultimately uplifting film unfolds.
To make a great movie, they say you have to start with a great script. From there, your goal is just to not screw it up. Little Miss Sunshine's script laid just such a foundation for this film, as it's unique, funny and surprisingly heartwarming. The story is about a dysfunctional family. They've got a crude, drug-addicted grandpa; a suicidal, gay uncle; a mother "this close" to divorcing her husband, the struggling, aspiring motivational speaker; a son who has taken a vow of silence and only communicates via scribbling on a little notebook; and a slightly chubby little daughter who's working toward a goal of being a prepubescent beauty queen.
Posted in: Disc Reviews by Archive Authors on December 16th, 2006
Well as far as girl groups go, I suppose one could do worse than the Cheetah Girls. Something that is a pretty clear production of the Disney network, the only recognizable thing about the group itself is the appearance of the big-boned Raven Symone, otherwise known as the youngest Cosby kid.
And it appears that several different plot devices occur through the film. You've got the Help! or other delirious fans of young groups. Then the girls travel to what appears to be Spain after maxing out their success in the US, so they decide to go without really going, using enough exterior shots to match up with the sound stage scenes. Then you've got the whole thing about them wanting to make it big, and I think at one point one of the girls falls in love, but I could be mistaken on this.
Posted in: Disc Reviews by Archive Authors on December 15th, 2006
Why is it that kids watch so much bad programming? When I was a child I watched a lot of Full House, even though I knew at the time that it was a poorly-crafted program. I really don't remember ever laughing during an episode, and I knew how cheesy the whole thing was, yet if I was at home changing channels, and the show came on, I would inexplicably stop and watch. At first, I think it was confusing for me that Dave Coulier was on the show, as up until that point I was used to seeing him as the host of Nickel...deon's Out of Control. I think that was the first time that it really sunk in for me that the people on TV were actors, and not real people.
Season Five catches the show's eight-season run during its "prime". The season starts off with Uncle Jessie and his wife Becky finding out that they are going to have twins. This is an event that really marks the beginning of the end of this show for me. The episodes leading up to this point put the focus on Bob Saget and his daughters, while this season starts the transition to spending much more time with the supporting characters. Subsequent seasons saw the characters growing in increasingly different directions, and the whole mess just became more and more disjointed. While this opened up new storytelling options for the writers, it also changed the show's core dynamic. The same could be said for the final couple of seasons of this show's thematic forerunner, Growing Pains. Once Mike Seaver became a responsible adult, the show had strayed too far from what made it appealing to audiences in the first place.
Posted in: Disc Reviews by Archive Authors on December 13th, 2006
My Super Ex-Girlfriend certainly has a fun premise, but after 10 minutes or so, you'll quickly realize that the originality is at most skin-deep. What we have here is a formulaic romantic comedy with the usual character types and plot points.
Luke Wilson plays Matt Saunders, a nice guy who's kind of unlucky with love. He meets Jenny Johnson (Uma Thurman), falls for her, realizes she's a needy psycho, and dumps her because he's really in love with his co-worker, Anna (Hannah Lewis).
Posted in: Disc Reviews by Archive Authors on December 13th, 2006
I can't believe this show ran for seven seasons. Sure, I enjoyed it as a child, but I was a child, and didn't know any better. Seeing it today, it is shocking how bad it really is. The acting is pathetic and the storylines are lame and predictable. Every episode for seven straight seasons had the same basic skeleton. The boys are having a good time, the corrupt county commissioner does something for personal gain, the half-retarded Sheriff blames it on the innocent Duke boys, car chase, short shorts, car flies throug... the air, sheriff's face in a mud puddle, phony laughing for no reason, credits. By the time The Dukes of Hazzard finally aired its final season in the mid-80's, it had actually sank to the point of bringing on guest stars with as much believability as the time that the Harlem Globetrotters visited Gilligan's Island.
This was truly a show aimed at America's lowest common denominator. I can respect the fact that it had eye candy and it was anti-establishment. The thing is, the show just beat the viewer over the head with it. The Sheriff is not just stupid, he is clearly such a colossal moron that I am truly amazed that he can dress himself in the mornings. The government was always wrong, and the innocent citizens were always right. Trust me, if you have seen one episode of this show, you have seen them all. There is no reason to purchase an entire season's worth, and there is absolutely no sane reason to collect the whole series. Do yourself a favor and pick up a complete season of The Andy Griffith Show instead.
Posted in: Disc Reviews by David Annandale on December 12th, 2006
Jewel Shepard is Christina Von Belle, "The Playgirl of the Western World," which means she takes her clothes off a lot and has plenty of sex. She jets around from one European location to another, engaging in the previously mentioned activities. Something of an adventure plot kicks in when she is kidnapped by guerilla lesbians, and is subjected to rather odd bondage games (what's with the toy cars and trucks being driven over her body?).The plot isn't enough to actually make the film interesting, though, and Shepard might be willing to take her clothes off, but isn't so willing to act. I've seen planks of wood deliver more passionate love scenes.
Audio
Posted in: Disc Reviews by David Annandale on December 12th, 2006
Nervy enough to claim to be an updating of the classic 1950 film La Ronde, this late-night-cable-fodder does borrow that film's structure as we move from one erotic anecdote to another, with a character from one story taking us into another, and so on, creating a chain of narratives involving rich people gettin' it on. I used the word "erotic" because everybody gets nekkid, but the charge the film carries is negligible. Thinks of it as a bad Robert Altman film with worse dubbing.Audio
Both good and bad aspects to the mono. The music (which is exactly as cheesy as you might expect) sounds surprisingly good, especially in the bass. The dialogue, however, is pretty harsh, and since it's already badly dubbed, listening to it is a real chore.
Posted in: Disc Reviews by David Annandale on December 8th, 2006
This is an interesting package, in that the title feature could just as easily pass as an extended extra to accompany all the shorts here. At any rate, said feature is a 104-minute documentary/autobiography. Don Glut has been successively fan, amateur filmmaker, writer and pro, and most of the film consists of him sitting in front of the camera, recounting his amateur days. Interspersed are brief interview with his mother, friends, and other notable fans/historians such as Bob Burns and Bill Warren, as well as clips from the films. Glut still has a great many of the props he used as a kid, which is astonishing. The style of the doc is very simple, and this probably won’t have too much appeal beyond, well, the same kind of people as this feature is about. But for anyone who ever read an issue of Famous Monsters of Filmland, this will bring a nostalgic tear to your eye. It also makes an excellent companion piece to Monster Kid Memories Home Movies.
Audio
