1.78:1 Widescreen

Vampires are hot right now, at least that's what everyone keeps telling me. The truth is that everyone is absolutely wrong. Vampires are not hot right now. They've always been hot. Since at least since 1897 when Bram Stoker took the world by storm in one of the earliest examples of a horror novel. Of course, I'm talking about Dracula. Dracula, as a character, might have been based on the historical figure of Vlad the Impaler, but the vampire legend that Stoker perfected in Dracula is pure fiction. Still, it wasn't quite Stoker's novel that created the vampire craze, it merely lit the fuse.

It's been said that all good things must come to an end. In television that could not be more true. In the world of entertainment good things end, often quickly without a chance to leave any kind of an impact. Maybe six years wasn't exactly quick for Lost, but at least it can't claim not to have left an impact. The show changed how we watch television, and it will be a long time before anyone forgets about it.

Ken Olin is truly a great talent that I’ve followed since back when he played the snotty detective Garibaldi on Hill Street Blues. Since then he’s done some wonderful work behind the camera, and Brothers & Sisters certainly shows his influence; however, this is not some of his best work. The show often leans on clichés and gets awfully lazy in moving forward at times. I do see the great family of characters they created here, but fail to find them interesting beyond the life breathed into them by their performers. This is a case of ego getting in the way of great potential.

The original Batman: The Animated Series is one of my favorite cartoon shows of all time. Depending on which day you ask me, I might go ahead and say it is my favorite (the other times, I'll probably mention X-Men or Johnny Bravo). It was the perfect blend of cartoon super-hero drama, with a dose of dark and foreboding circumstances. Enter 2008, Batman: the Brave and the Bold, another Batman cartoon but on the lighter side of the equation. Would this show hold up as much as the historic original?

Pauly Shore seems to be trying to steer his career from being a washed up b-lister to being a self-aware washed up b-lister. Pauly Shore is Dead was his first dabbling into mockumentaries about himself, and now he has followed it up with Adopted. This yarn is about Shore, following the trend set by Angelina Jolie and Madonna, of flying to Africa (and later Cambodia) to adopt a child, with the hopes that being a father would fill a void in his shallow Hollywood hills life.

It was hard for me to find any real solid information about The Diplomat. At first I decided that it was because the film was obviously not a movie at all, but a British mini-series. The piece is broken up into two parts that you must play separately, much like a mini-series is often presented when released on home video. That was still not enough to research the title, because it hadn't really been a mini-series at all either. Finally, a stroke of luck led me to the fact that The Diplomat hadn't been its original name either.

"I'm Rick Harrison, and this is my pawn shop. I work here with my old man and my son, Big Hoss. Everything in here has a story ... and a price. One thing I've learned after 21 years? You never know what is going to come through that door."

Remember that PBS show where some old-stuff expert would come to your town and sift through a lot of junk that folks found in their basements or attics? Remember that he would give you a story about the items these people brought in? The idea was that once in a while someone discovered valuable treasure in those dusty rooms. Remember that show? This isn't that show.

In the 1930’s and 40’s MGM was trying to get in on the lucrative animation game. The field was dominated at the time by Warner Brothers with their Loony Tunes shorts, and of course, the iconic cast of animated characters coming out of the Walt Disney Studio. For years they had failed to find the right property to take advantage of the market. It wasn’t until the team of William Hanna and Joseph Barbera approached the studio with their first project that the times did change, at least a little, for the fledgling animation department at MGM. The project was far from an original one even for the time.

"In the beginning there was darkness. And then bang, giving birth to an endless expanding existence of time, space, and matter. Now, see further than we've ever imagined. Beyond the limits of our existence. In a place we call The Universe."

Up until now these History releases have been season sets of the documentary series. This release is the first which appears to be a planned series of specific subject titles. It does create a bit of confusion when you see a series called The Universe and all of the episodes on the set deal with our own back yard

"They rob, kill, and terrorize, and they've left their mark on our nation's history."

It's hard for me to believe that Gangland has been on History for five years now and I've only recently heard about it. Certainly, there are a ton of shows on every year, what with so many new networks trying to come up with original material. History has found a way to consistently bring out relatively solid programming without having to spend a lot of cash on the production budget. Everybody wants their 15 minutes, and it's exactly shows like Gangland that manage to take full advantage of that fact.