1.78:1 Widescreen

I think it’s safe to say that HBO changed the face of television with the arrival of The Sopranos back in 1999. The show raised the bar for television across the board. Before we knew it, many of the cable networks were scrambling to offer up the next show that would generate the same praise from critics and audiences alike. To this day that show has generated more subscribers to a pay network than any other. So, we really can’t blame the network’s rival Showtime for trying to have their own Sopranos. And that’s exactly what The Brotherhood is.

 

Kill Switch is a direct to video release marking Steven Seagal’s departure from Sony, where most of his low budget, and larger budget, films were made. This one is released by the much smaller First Look Studios. Unfortunately everything about this film is a considerable downgrade from even the silliest of Seagal’s recent film fare. Seagal writes this one, which likely accounts for the convoluted mess the script is. There are far too many plot points and characters to keep track of, and ultimately little development is made of any of them. The acting is more laughable than usual, with Seagal attempting a horrid Memphis drawl. Even the trademark fights are not near what you expect from one of these films. Seagal is employing a laughably obvious stunt double who looks nothing like him, from his hair down to his weight. Forget any of the martial arts or well choreographed displays you have become accustomed to. They mostly involve crashing heads into walls and furniture with an almost Batman camp. Instead of the Pow and Wham cartoon balloons, the soundtrack offers over the top crunch and squish sounds. Finally, the fights are poorly photographed. The lighting is usually entirely too dark, likely to hide the ridiculous stand-in, and the cuts are often too stylish. There are painful quick cuts providing a jerky Asian horror film movement totally inappropriate to this kind of action. The truth is that only the completest Seagal fans will find anything redeemable about this film at all. Most fans will be greatly disappointed.

 

First of all, if you expect to find an actual cyborg soldier in this film, you will be looking for a long time. The title character played by UFC fighter Rich Franklin is actually a human who has been genetically engineered with amphibian DNA. There are some nanobites working inside the guy, but you won’t be finding a Borg clone in this low budget affair. Unfortunately, you won’t find much in the acting department either. Many of the show’s supporting cast are actors who are usually stunt performers and not often charged with doing the hard stuff… like delivering lines.

 

The day that Bruce Lee left us was truly a tragedy. The Game of Death was Lee’s pet project, the one where he could truly show off his skills for the world to see. He never finished it. Even though there was ninety minutes of footage, it was never completely restored to make a complete film. Instead, a mere eleven minutes and seven seconds was used in a 1978 movie called Game of Death. The plot was revised and every camera & stand-in trick was used in the book to finish the movie. The rest of the footage was either lost or found its way into the documentary, Bruce Lee: A Warrior’s Journey. One has to often wonder what the casting process behind casting a body double & stand-ins were like for somebody as unique as Bruce Lee. One also has to wonder how easy it would be to make fun of it.

On July 20th, 1973, Bruce Lee died suddenly at the age 32, leaving behind 12 minutes of footage intended for his dream project THE GAME OF DEATH. Director Ronney Kurtainbaum (played by Jake Sandvig) and casting director Eloise Gazdag (played by Meredith Scott Lynn) are on a mission to find the next Bruce Lee for the project or at least a reasonable facsimile. There are some strong candidates as well as many questionable ones for the film.

 

Do you believe that a numbers wizard can predict the most random of human actions with mathematical equations so accurately as to know where and when such a person will be? If so, then I suggest you put down that letter you are writing to Santa, finish eating that egg a bunny left for you, go to your pillow and pull together all of the loot you got from the tooth fairy, and plunk it down on season three of Numb3rs. No, that’s not a typo, apparently they believe that letters aren’t good enough to stand on their own, so they inserted a 3 where the e should be. Aren’t they so clever? Not. In the fairy tale world of Numb3rs, all you need is an almost obsessive knowledge of math and the crooks don’t stand a chance. It’s almost unfair, isn’t it? Those poor criminals go about their carefully plotted crimes, unaware that everything they do is controlled by math. They live their lives oblivious to the fact they are at the mercy of a diabolical equation which forces their every move. In fact, I suspect some clever attorney somewhere is already preparing the “math made me do it” defense at this very moment. Soon our justice system will be forced to account for this undeniable force on our very destinies. I would go on but I can’t… must… fight… numbers

A group of exotic dancers head off to a resort in the hills, ostensibly to shoot a film, but instead fall into evil clutches. The torture begins for them and that point, but it began for the audience prior to the opening credits. While the monologue that begins the film hints that there might have been an idea buried somewhere in here concerning the abusive objectification of women through history, the film decides to incarnate that idea rather than critique it, and do so very clumsily at that. The makeup effects are beyond risible, and the cinematography consists primarily of headache-inducing shaky close-ups. Another nail in the coffin of the torture porn subgenre.

Audio

 

The CSI phenomenon has been going strong for many years now, and CBS has ridden that wave to become the top network these past couple of years. It all started with the original CSI: Crime Scene Investigator. This Las Vegas show became an instant hit, and three years later we found ourselves in Miami for a spin-off. Two years after basking in the Florida sunshine, Jerry Bruckheimer caught lightning a third time; this time out New York would serve as the setting. While there are ties that bind the three shows to the CSI franchise, each show has a unique style. The cases also serve to distinguish the shows from one another. The leads for the three shows likely give the most character to the series. Gary Sinise as Detective Mac Taylor brings a strength that establishes this show’s credibility from episode one. Taylor is ex-military who lost his wife in the 9/11 attacks. He’s incredibly driven and passionate about bringing down the bad guys, but won’t allow his integrity or that of his lab to be compromised. Also, the New York show differs from the original in that the CSI personnel are full fledged cops and not just lab rats working for them. I find I like this version far better than the Miami setting, even though I can relate more to the Florida locations essentially in my own back yard.

Shonda Rhimes had a big hit on her hands with Grey’s Anatomy, so after five years she did what comes naturally in her situation. You spin the success off in the hope that the fans just can’t get enough in just one night. At first it appeared to me she had chosen the wrong character to put out on her own. I mean, I never considered Kate Walsh as Addison to be one of the show’s more compelling characters. The show was presented as what the business calls an imbedded episode on Grey’s. What that means is that the situation is set up during one of the original show’s episodes. In this case a two parter called The Other Side Of Life. The idea is that you want to be sure that your existing show’s fans at least watch the pilot in the hope that they will consider it a part of their beloved series. I got to watch that episode when I was called upon to review the fifth season of Grey’s. I was new to the whole universe, so I believe I was able to approach the spin-off more objectively. To tell the truth, I didn’t like it at all. And so I considered Private Practice to be doomed even before I saw the first stand alone episode. That wasn’t boding well when I received this truncated season one set to review recently. True, I had warmed up to Grey’s by then, but I was still a bit put off by the new show. I watched it anyway.

 

It was the best of times. It was the worst of times. No, I’m not having a Charles Dickens flashback or reliving Star Trek II. I’m pondering the release of this new Fan Collective featuring alternate realities. This new 5 disc collection brings together episodes from all 5 live action television Star Trek shows. They all deal with some adventure into a twisted or fabricated reality outside of the Trek universe we already know. Of course, that covers a lot of ground when you’re talking about Star Trek and the over 700 hours of television these shows have combined to produce. The show was always out stretching the boundaries of reality. Still, I guess someone had to pick out a small enough group of episode to fit on a tidy 5 disc set. How did they do? The answer is mixed.

 

To the point, Criminal Minds is very compelling television. Ever since The Silence Of The Lambs and perhaps long before, we have been fascinated by serial killers and the profilers who try to get inside their heads. To see evidence of the continuing trend, one needs only look toward the success of films like Zodiac and shows like Dexter. Of course, serial killers are not the only prey this FBI team pursues, but they are certainly the marquee item on the agenda. To be sure, there are equally disturbing subjects such as arsonists, bombers, kidnappers, and rapists to give the show a touch of variety, but let’s face it, it’s the killers that keep us tuned so attentively to Criminal Minds.