Posted in: Disc Reviews by Gino Sassani on December 12th, 2007
When Lost began its third season last fall I was beginning to feel a lot like the castaways must have felt; namely I was getting pretty lost watching Lost. There’s been a lot of mostly fair criticism about how ABC has handled the show last year. The first mistake was to air a small portion of episodes in the first couple of months and finish the season after the New Year. While this broken season plan works well for some cable shows like Monk, it does a serious disservice to Lost. I was so confused and burned out with the show after these first episodes, I never did return in February to see how it all played out. After reviewing the ratings numbers for the show, it seems I was not alone in leaving the island. Now with the release of the complete third season on DVD, there was renewed hope that I might be able to piece something coherent together by watching episodes in large chunks of marathon sittings. The result was the show was a little easier to follow but not much. Now don’t get me wrong. I appreciate the complicated plots and long detailed stories the show has been able to tell. Like the rest of the show’s fans, I enjoyed following the sparse trail of breadcrumbs and reveled in each new discovery in spite of the fact that each new answer also brought along five new questions as companions. Still, the third season of Lost was arguably its worst.
Posted in: Disc Reviews by David Annandale on December 6th, 2007
Malcolm McDowell’s second collaboration with director Lindsay Anderson, after their triumph with If..., sees McDowell as an enthusiastic new coffee salesmen sent off to make his company’s fortune in an ever widening area of the Britain. In true picaresque style, he has one strange adventure and encounter after another, each more bizarre than the last, and the whole is intercut with studio performances of Alan Price’s songs that comment on the whole enterprise.
Picaresque narratives are, by their nature, sprawling, episodic tales, and that is certainly true of O Lucky Man, which clocks in at just under three hours. They can, however, also have plots that only appear to be random, but are in fact as tight as wound watch, as is the case with Henry Fielding’s Tom Jones. This is less the case with Anderson’s film, which feels considerably more scattershot in approach. The episodes can be amusing, and McDowell is excellent throughout, but the satirical broadsides feel more obvious than pointed. Viewers will likely be divided over how they feel about the same actors (including Ralph Richardson and Helen Mirren) popping up in multiple roles, a convention rarely seen except in theatre. An interestingly messy work.
Posted in: Disc Reviews by Archive Authors on December 2nd, 2007
What we have here is an average film based on what I'm told is a great little bestseller, The Nanny Diaries. There's a lot of talent at work in this romantic dramedy, with stars like Scarlett Johansson (Lost in Translation), Laura Linney (Kinsey) and Paul Giamatti (Sideways), and the directing talents of husband-and-wife team Shari Springer Berman and Robert Pulcini (American Splendor), so I expected more.
But are there any disappointments lurking on this widescreen DVD? Read on to find out.
Posted in: Disc Reviews by David Annandale on December 1st, 2007
Who says horror can’t be the cinema of personal expression? Director Tim Sullivan follows up his comic horror 2001 Maniacs with this heartfelt ghost story. Raviv Ullman plays David, a teenager whose depression and death-fixation following the demise of his older brother prompts his desperate parents to ship him off to an “Attitude Adjustment Camp.” Basically a brutal cross between boot camp and prison, this is a private institution (inspired by actual places) designed to transform any insipient Columbine-copycats. Once there, David must contend not only with the sadistic Captain Kennedy (Diamond Dallas Page) who runs the place, but also with visions of a ghost who clearly wants a buried truth revealed.
There’s more than a touch of The Devil’s Backbone here, what with the ghost-story-in-an-institution premise and the emphatic socio-political overtones. Sullivan isn’t quite Guillermo Del Toro yet – the spookiness is workmanlike but hardly heart-pounding, and many of the adult performances are pitched far too broadly – but there is a seriousness of purpose here that is admirable, a refreshing (and justified) anger, and the teen members of the cast are believably natural.
Posted in: Disc Reviews by Gino Sassani on November 15th, 2007
You would think that after seven years, CSI would begin to show a little wear and tear around the edges. When you factor in the dilution of the two other versions of the franchise with a combined 8 years of episodes, you end up with 15 years and over 250 episodes of CSI total. Certainly even the best of shows with the most imaginative writers can’t stay fresh for that long. Still, somehow, the gang at CSI continues to crank out compelling drama, rarely repeating itself. Every year I go into a new season of CSI expecting to find it starting to show its age a bit, and every year I continue to be amazed. The fact is that season 7 just might be the best year of CSI to date. Each episode begins with The Who asking the question: Who are you? I have to say that after seven years the answer is, still a fan.
Posted in: Disc Reviews by Archive Authors on November 12th, 2007
Oh, how the mighty have fallen. Five years ago, Aaron Sorkin and Thomas Schlamme were riding high with the best drama on Television, The West Wing, which is hands-down my favourite show ever. When word got out about a new Sorkin/Schlamme project set for the '06-'07 season, I was more excited than a monkey at the banana harvest. Expectations — mine and everyone else's — were sky-high for this new series, a behind-the-scenes drama about an SNL-type sketch comedy show. It would be the finest new show since The West Wing debuted in '99, Sorkin would once again raise the bar in prime-time entertainment and the collective intelligence of the human race would be elevated to the stratosphere.
Ok, not so much. While Studio 60 on the Sunset Strip premiered with much fanfare and critical praise, the series quickly slumped and never recovered. That made me angry, like a monkey whose monkey-mom made him stay home from the banana harvest. It's just not fair! So this review is about a good show killed by hype. Alas, Studio 60, you died too young.
Posted in: Disc Reviews by Archive Authors on November 12th, 2007
The premise of Day Night Day Night is relatively simple; a young woman decides to be a suicide bomber in Times Square. The motivations for her doing this, as in the outside forces who convince her to do it, aren’t really explained at all, so what makes it unique is that it focuses on the preparation the girl makes. She is portrayed by Luisa Williams, who appears in the film in her first role.
Written and directed by Julia Loktev (Moment of Impact), the film conveys some degree of tension and atmosphere, because you’re wondering what’s going to happen next, but the fact of the matter is that the level of activity that occurs here is almost nonexistent, and the context of the event borders on confusing. You watch the girl wait. And wait. And wait. And then her pseudo-presumably Islamic organizers who have American accents get her ready for it. Then she waits. And waits. And waits. And later on as we get closer to the actual event, she eats. And eats. And eats.
Posted in: Disc Reviews by Michael Durr on November 5th, 2007
A woman scorned is a dangerous thing. They will break you, hurt you and leave you for dead in the most unimaginable ways possible. In fact, it might be best for most men to sleep underneath their covers with a flashlight, a security system and no contact with the outside world. It probably wouldn't help. So it makes only sense that one would make films that deal with this subject. However, they had to make it believable even if a scorned woman sometimes does the unthinkable.
A plethora of tv monitors fill into the screen and we see Jackie (played by Kate Dickie ) fulfilling her role as a CCTV operator by watching a particular part of the Scotland streets. She watches for crimes or other point of interest as part of her workday. On the outside, her life is very simple and she keeps to herself except to meet a guy every couple of weeks or going to see her parents for special occasions. One day while on the job she spots a man, one that she never expected to see ever again or at least so soon. That man is Clyde Henderson (played by Tony Curran ). From what we can find out Clyde was in jail for a crime and is out on good behavior. We suspect that it has something to with Jackie but we aren't sure on the role she plays. As the story unfolds and Jackie gets to the point where she confronts him, more of the story is given away until we reach a shocking finale that tells it all.
Posted in: Disc Reviews by Archive Authors on November 2nd, 2007
The Sopranos, called by some the greatest TV show in history, is over. With a much-publicized fade-to-black finish, the series finale aired June 10, 2007, leaving fans to forever speculate about the fate of Tony Soprano. Many were disappointed at this ambiguous ending, but I'm sure a similar number enjoyed having some major loose ends.
It's all academic for me, because I hadn't watched the series since its season three finale, and only caught the end when this DVD set came my way for review. After catching up on seasons four, five and six (part one) through synopses, I sat down to experience The Sopranos' closing act.
Posted in: Disc Reviews by Gino Sassani on October 29th, 2007
I love CSI and have been an avid fan from day one. I think it brought a fresh look to the procedural crime dramas that have long ago become just a little stale and predictable. The problem is that the series has gone the Dick Wolf route of branching out so that the final product might be a little diluted. Unlike the Law & Order franchise, each version of CSI has attempted to take on a unique look and style to reflect the location without giving up those elements which are the tradition of the series. CSI:
