Posted in: Disc Reviews by Archive Authors on October 28th, 2006
OK, let's just get this out of the way at the start. Hellbent is a film from a cable network called Here!, which is America's foremost gay and lesbian television network. Consequently, this made-for-TV film is based solely around homosexual couples, as is all of the programming on the network. They make all manner of programming, including feature films, that deal primarily with homosexuality.
Now, here is my complaint. If you want to make programming that has homosexuals in it, I'm fine with that. But when the main focus of your programming business is promoting a certain belief or lifestyle, the stories will inevitably suffer. Every part of the film should serve the story. For those who think I am homophobic, I would say the same thing about movies that are made primarily to promote religion, victims rights, heterosexuality or any other number of beliefs. It has nothing to do with the beliefs or lifestyles themselves, it is the fact that promoting an outside belief moves the film from “interesting story” to “propaganda film”.
Posted in: Disc Reviews by Archive Authors on October 21st, 2006
Written By Jeff Mardo
TNT is slowly becoming the poor man's HBO. Their programing quality has improved dramatically over the past couple of years, and even their original films are starting to look more like features than made-for-TV time wasters. More often than not, they provide quality programming that is a step above what you usually find on cable television.
Posted in: Disc Reviews by Archive Authors on October 17th, 2006
Synopsis
Ariel is the rebellious teen daughter of King Triton. She falls in love with a human prince (whom she rescued from drowning), but her father will not hear of it. So she makes a bargain with the evil Ursula – she will be granted legs for three days (but no voice), and if she has not been kissed by then... well... you know how deals with Evil generally go.
Posted in: Disc Reviews by Archive Authors on October 16th, 2006
Synopsis
A meteor lands in your typical SF/horror movie Small Town (and it could well be the same meteor that brought the original Blob to town). Bullet-headed mug Michael Rooker stumbles over it one drunken night, and promptly becomes infected with carniverous slug-parasites from outer space. He sets about spreading the good news, as it were, and before long the entire town is a chaos of slithering nastiness and zombiefied townspeople.
Posted in: Disc Reviews by Archive Authors on October 11th, 2006
Synopsis
I first thought that Supernatural was a pointless, stupid show that Jared Padalecki was starring in, because I kind of liked his character on the Gilmore Girls (I’m a married male, by the way), and doing this show that I didn’t know that much about smelled like an instant disaster.
Posted in: Disc Reviews by Archive Authors on October 9th, 2006
Peter Bogdanovich’s The All Laughed is a classy, bittersweet film. It’s plot is pretty thin, but here’s the gist: a New York City private detective agency is hired to keep tabs on two women suspected of infidelity. Things get interesting when the gumshoes on the trail begin falling for their lovely targets.
The best part of this film is its cast. Audrey Hepburn, Ben Gazzara, John Ritter, Dorothy Stratten, Patti Hansen, Colleen Camp, Blaine Novak and George Morfogen all fit their parts so well, it’s not surprising to learn in the bonus material that Bogdanovich wrote the parts with exactly these actors in mind. Hepburn and Gazzara anchor this picture with a measure of class that’s so rare in films today. This was Hepburn’s final starring film role, and she’s as effortless as ever. Gazzara is old-school cool, making moments out of so many of his lines.
Posted in: Disc Reviews by Archive Authors on October 9th, 2006
I don’t watch a lot of horror movies, but when I do I want them to be scary or amusing, or both. I found Blackwater Valley Exorcism to be none of the above.
The story centers around the demonic possession of a young woman, and the efforts a group of people make to save her. This group includes her family, her father’s farmhands, a sheriff, a veterinarian and a priest who’s never dealt with this sort of thing before. Luckily, one of those farmhands just happens to be a former priest who has conducted an exorcism.
Posted in: Disc Reviews by Archive Authors on October 8th, 2006
Cedric the Entertainer – Taking You Higher is Cedric’s first solo HBO Comedy Special. He made his mark in the biz as a top-notch, critically acclaimed stand-up comedian, and has also appeared in a series of lackluster films like Be Cool and Big Momma’s House. I don’t think many would argue against the assertion that Cedric is at his best on stage, doing stand-up.
For proof, look to this hour-long HBO Special. Cedric the Entertainer lives up to his name in this show, which offers up about four parts stand-up, one part song and dance. Backed by an eight-piece band and a group of scantily clad dancers Cedric calls “the Cedibles,” he opens the show with a high-energy musical number. Turns out, Cedric can actually sing a little bit. He throws in a few jokes during the song, and it sets the flavor of the show to come.
Posted in: Disc Reviews by Archive Authors on October 8th, 2006
A letter from the filmmakers included with this disc reads, ”I guess some people will find… The King pretty extreme.” I had barely heard of this indy film going in, so I had few presuppositions to influence my experience. But before hitting play I read the letter, and that statement stuck with me as I watched. I wanted to know whether I was one of those people.
It turned out that I was. Sort of. There are aspects to this story that are so dark and twisted that I often found myself squirming as the scenes unfolded. At the same time, though, I found The King mostly the opposite of extreme. I had fully expected to see a blood-spattering climax of emotions fueled by secrets, sin and betrayal. In fact, after reading the filmmaker’s letter, I figured the picture would get messy pretty early on.
Posted in: Disc Reviews by Archive Authors on October 7th, 2006
Sam Elliott is a fine actor, but he is almost always typecast as a cowboy. He is an excellent cowboy, tall and thin with a weathered face and a deep drawl. The thing is, he is a fine actor in more traditional roles as well. While I frequently enjoy his work as a cowboy, I have always felt that he may have turned in his finest performance as White House Chief of Staff Kermit Newman in The Contender.
He breaks out of his traditional role yet again with The Avenger, a TNT original film that stars Elliott as a mercenary hired to find a lost aid worker in Serbia, and discovers much more than he is looking for in the process. The typical plot lines of powerful men in high places plotting in smoke-filled rooms are plentiful, but it is enjoyable trash all the same. There was a time in the not-too-distant past that “made for TV” equaled “don't waste your time”. Networks such as TNT and HBO have tried their best to change that mindset, and I am happy to find that the stereotype is shifting toward the positive.
