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The series was previewed in a two-part episode of NCIS entitled Legend. A dead Marine in Washington led to a terrorist cell in LA, where Gibbs and McGee join the LA branch to bring down the bad guys. Here we meet the new characters and get a chance to get comfortable with them. However, by the time the show aired its first episode, there were some pretty major changes for the show already. It's not uncommon, and the Legend episode was really a back-door pilot. The location would be completely scrapped. The show would get new digs in a covert building that appears to be a condemned water plant on the outside. I'm not quite sure why a public agency needed a secret hideout, but there it is. The show retained its high-tech look. They have a Minority Report-style computer system which remained the centerpiece of their operations room.

The show differed in several ways from its sister show. While LA was still a military show, that angle is downplayed here. The atmosphere for the team is more civilian-looking all the way around. There are seldom folks walking around in uniforms. The operations utilize more of the standard surveillance and undercover work. In the back-door pilot, the leader of the group was an agent who had history with Gibbs. Her name was Macy, and she was played by CSI alum Louise Lombard, who was gone when the series premiered in its own right. Later we are told she was killed. There's a lot more street work to be found here. That means car chases and lots of shootouts. The cases often deal with terrorists, so these guys break a lot of the rules. They don't let any silly Constitution stand in their way.

“Unlike the rest of us, sex, lies, and scandal never take a vacation. Instead they take the Long Island Expressway and head East to the Hamptons. Some would say summer is their busiest season. Think Park Avenue, but with tennis whites and Bain de Soleil. The players change, but the game remains the same.”

Baby here again. No, you're not seeing double unless you're seeing two of me. That would be very bad since you're reading this and I'm not really there at all. No, you're not seeing double. But, thanks to the guys at Disney and a little bit to the guys at UPS who somehow got this thing through my tight security net, we get not one but two classic Disney animated movies on one Blu-ray release. This thing has so much canine content that you're gonna need a doggie bag for all the leftovers. Speaking of leftovers, you can send any of that stuff to us here at Upcomingdiscs in care of Baby. Now, how many paws am I holding up?

Of course, the movie should have been called The Hound And The Fox, because we know who should get top billing here. But don't blame the guys at Disney for that one. That blame belongs to a guy named Daniel P. Mannix. You see, he wrote a children's book a while before, and this was another one of those Disney versions of a classic story. I guess that means I should tell you the story.

NCIS is a spin-off, of sorts, from the popular military lawyer show JAG. You could say that NCIS is the Order to JAG’s Law. The NCIS is a real government agency that deals with criminal activity inside or involving the US Navy or Marine Corps. The series has an incredibly global feel and honestly looks damn good for television. Production values are high, and the location stuff is out of this world, or at least all over it.

Special Agent Gibbs (Harmon) heads up this group of criminal investigators. Harmon has always been good, but I dare you to find a character he’s played better. He just eats up the part. You won’t have any trouble believing that Gibbs is the seasoned veteran investigator leading this team. Special Agent DiNozzo (Weatherly) is a former Baltimore homicide detective who often lets his determination run his investigation into trouble. He’ll bend a rule or throw a punch, whatever it takes to bring down the bad guy. The newest member of the team is Israeli Mossad Agent Ziva David, played by Cote de Pablo, a newcomer to television. She has the unenviable task of replacing popular actress Sasha Alexander, who exited the show after two seasons. She is, perhaps, one of the most complicated characters I’ve yet to encounter in ensemble television. She’s difficult to read and shows a performance level beyond the scope of a beginner. Rounding out the cast are two very nice characters. Pauley Perrette plays the goth chick/forensic specialist Abby Sciuto. She reminds me a ton of the Penelope Garcia character from Criminal Minds. She’s flirty, far too informal for Gibbs, but is a lot smarter and tougher than she appears. Making himself more visible in this series is David McCallum as pathologist Ducky Millard. Ducky is the Quincy of the group as he checks out the bodies. His dry wit makes him my favorite character on the show.

"I never thought we'd get back to this table. I can't tell you how good it felt to have dinner together again. We hadn't done that since the accident. To be honest, sometimes it felt like we'd never get over it. But somehow we did."

But will we ever get over the Walker family? This was to be the final season of the series, and the network wasn't exactly kind in its last days. The budget was slashed so that most of the characters appear in limited episodes. You won't find near so many of the Walker family gatherings as you did in previous years. This plays out very much like a series that is winding down. There are still some nice moments, and most characters get closure.

“The Hamptons are like a zombie movie directed by Ralph Lauren.”

Although I prefer genre films, chick flicks can prove a guilty pleasure. I can get in touch enough with my feminine side to shed a tear at a powerful love story, laugh at romantic misadventures, and embrace the belief in soul mates. So I slipped on my pink silk pajamas, grabbed a box of tissues, curled up on my chaise lounge and approached Something Borrowed with an open mind. OK, I might not have pink pajamas or a chaise lounge, but, in all fairness, this romantic comedy, based on the bestselling novel by Emily Griffin, doesn’t have anything particularly romantic or very funny in it. What it does have are vapid, banal, selfish caricatures trapped in a forced premise which could be resolved in minutes if anyone acted in a remotely adult manner; as well as something borrowed from just about every bad rom-com movie that came before it.

After reviewing the entire first season of Batman: The Brave & the Bold, it looks like I am back for another season of that Silver Aged Guardian of Gotham. Outrageous adventure and more kooky villains await this reviewer every episode. We get twelve episodes to sink our teeth into and it looks like there will be some interesting plots for us to tackle this time around. Let’s go Boy Wonder, to the Batcave!

These twelve episodes of the Batman, Brave & the Bold are all over the map. As explained before, there is some minor continuity but pretty much we can jump into any episode we darn wish and not feel like we have missed anything. Remember, the setup is one two minute teaser, followed by a roughly twenty minute full length cartoon. Without further adieu, let’s look at this half of season two with four episodes of my choosing.

Animation is traditionally geared towards kids. From Bugs Bunny to Monsters, Inc, cartoons have been a staple of kid’s viewing experience for decades. However, as time wore on, more and more adults have craved for animated experiences that not only are kid friendly but have adult nods so that the older audience can enjoy it. Shrek is probably the most famous of these types of pictures. Perhaps the sequel to Hoodwinked! can provide an equal passion to please both audiences.

Boingo the Bunny is locked up in the pen and the Happily Forever After agency is up and ready for business. The team is comprised of Red Riding Hood (or “Red” for short), Granny (Red’s grandma), Wolf W. Wolf, and Twitchy the Squirrel. They are overseen by Nicky Flippers, a very tall frog. At the time of the opening scene, Red is busy training with the Sisters of the Hood, a clan of Kung Fu Bakers. But the other three members of the group are more than ready to take on the evils of this fairy kingdom.

“This family thinks they are better than us!”

If you think the wedding “rom com” has been done to death, Jumping the Broom won’t change your mind. It covers much the same ground you’ve seen again and again, but one cannot deny director T.D. Jakes has crafted a charming if clichéd film.

Though others might not share my same vision, I have had my share of serious cop movies and television shows. Every time I turn on the television, it seems like everybody wants authentic police work in the form of crime scene investigation, special victims unit, and even a SWAT team or two. Even though this has spawned a few excellent shows like Flashpoint and the Shield, I wished for something lighter. Enter the direct to disc film, Tactical Force.

It is just another day in Los Angeles. We visit a grocery store where normal activity is occurring. All of the sudden, a clown, Bill Clinton, and Obama show up (masks of course). If that is not the setup for a joke, I don’t know what is. Anyway, they hold up the place. As people are gripped in fear, the police are called in to negotiate the safe return of the hostages. But there is only one team that can take care of this situation, and that is the SWAT team.