Posted in: Disc Reviews by Archive Authors on November 9th, 2005
Synopsis
Alain Delon is a cool-as-ice contract killer. After pulling off his latest contract, he is picked up by the police on suspicion, but is released for lack of evidence. The gangsters who hired him consider him a liability, however, and attempt to have him killed. He must now evade the police long enough to track down his killers before they get him.
Posted in: Disc Reviews by Archive Authors on November 8th, 2005
Synopsis
A series of meteor strikes hits a small town in Australia, turning its citizens into ravening zombies. A handful of survivors gather in the home of a survivalist who has previously encountered zombie fish and been abducted by aliens. The fight to survive begins.
Posted in: Disc Reviews by Archive Authors on October 30th, 2005
The Girl in the Café is an interesting idea for a movie. It’s a blend of romantic comedy with a political agenda. The film doesn’t really work, but it’s nice to see something different. The romantic pair is played by Bill Nighy and Kelly MacDonald. Both are fine actors, and they have an awkward, engaging chemistry. Nighy plays a lonely civil servant and MacDonald plays a damn sexy woman. They “meet cute” in, you guessed it, a café, and they end up going to the G8 summit in Iceland (go figure). The scri...t is written by Richard Curtis (of Love Actually). Curtis seems to have a flair for the unconventional in his scripts. He doesn’t quite pull off the last act, but (for most of the ride) The Girl in the Café is worth a look.
Audio
Posted in: Disc Reviews by Archive Authors on October 27th, 2005
Synopsis
In between the other new stuff that’s come out (and the older stuff I’ve picked up), I wanted to try and whittle down the archives, so huzzah for small victories.
Posted in: Disc Reviews by Archive Authors on October 24th, 2005
It is always a shame when unknown filmmakers take a page fromthe popular filmmaking techniques of the day. For this film, the model is part Run Lola Run, part Bend it Like Beckham. The similarities to Lola are plentiful, complete with the rapid still-frame snapshots that were that film's trademark. The plot is Beckham-esque, featuring a small-town soccer team, a new star player, and love.
This film is the very definition of “low budget”. It seems to me that if you are going to have...a film about a soccer star, you should actually be able to afford to shoot some shots of a game or two. The sad thing is, there are games depicted in the film, but instead of going to all the hassle of gathering together multiple players and uniforms, the games consist of showing the same couple of abstract jumping scenes over and over again. Even the film's start looks like a poor man's Seal, complete with giant gap teeth and markings on his cheeks.
Posted in: Disc Reviews by Archive Authors on October 24th, 2005
I was dreading watching this DVD. Hmmm...indy film, Sundance film, a woman "coming out" to her family film. This had all the hallmarks of arty and annoying. Thankfully, Saving Face is not like that at all. Michelle Krusiac plays "Wil", a surgeon, who falls hard for Vivian (Lynn Chen), a ballet dancer. Complications arise because Vivian is the daughter of Wil's boss. Yes, there are some screwball comedy elements. But it's all tastefully done. Joan Chen (what has she done since Twin Peaks) does a n...ce turn as Ma.
Alice Wu writes and directs the film. She shows a steady hand in both areas. The movie verges over into "feel good" territory, but this seems to be on par for the genre. Saving Face has a certain charm, and garners strong performances from the lead actors. Well done
Posted in: Disc Reviews by Archive Authors on October 21st, 2005
When comic book movies started becoming popular in the 90's with Batman, The Punisher, Dick Tracy and the like, directors weren't really sure how to handle the subject. The most popular methods involved making the film look like a comic, to help to tie the narratives together. Unfortunately, audiences soon discovered that the result of this mash-up of styles was a heavy-handed, overblown color explosion that just looked hokey (Batman Forever, anyone?) Finally, in recent years, it has been ...iscovered that the best way to tell these stories is to make them look just like normal films. If you focus on the story first and foremost, and real emotions, the supernatural aspects will be readily accepted by the viewer. As a result, audiences have now been treated to such fine films as Spiderman, Hellboy and X-Men.
Now that movies based on old TV shows have come into popularity, it seems this is a lesson that has to be learned all over again. The Mod Squad, Starsky and Hutch and The Dukes of Hazard have all been miserable failures, with the first Charlie's Angels being the only possible exception to this trend. All of these films tried way too hard to cram in all of the elements from the original TV show, instead of focusing on creating an excellent story first and foremost. Sure, it is pop candy to hear that clever narrator trick in Dukes, or the "fade to commercial" music cue in Angels, but the cleverness easily wears off over two hours, and in the end, it is a strong story that matters the most to the film.
Posted in: Disc Reviews by Archive Authors on October 20th, 2005
Synopsis
Two playwrights argue over whether life is inherently tragic or comic. To illustrate their point, they each tell the tale of Melinda (Radha Mitchell) who unexpectedly bursts in on a dinner party, creating all kinds of romantic complications. The film then alternates between the two stories. The set-up could hardly be more utterly Woody Allen, simultaneously pretentious and shallow. One story is comic (with Will Ferrell taking Allen’s usual role), the other is tragic, but you’d be hard-presse... to tell the difference. All the characters spout the same kind of incredibly stilted and self-conscious dialogue, which is neither funny nor revealing. The result is a halfway interesting idea with a talented cast outgunned by their God-playing director. Based on the evidence at hand, it turns out that life is, in fact, inherently boring.
Posted in: Disc Reviews by Archive Authors on October 12th, 2005
Synopsis
Donald Pleasence (doing a bad Peter Lorre impression) is a university professor convinced that he can create plant/human hybrids that have the benefits of both species. He acquires unwilling human subjects thanks to erstwhile Doctor Who Tom Baker, here the deformed leader of a freak circus, who kidnaps young men and women, having been promised a cure for his condition.
Posted in: Disc Reviews by Archive Authors on October 11th, 2005
Synopsis
Two years after one of their number has committed suicide, a group of friends are still very much into playing Hellworld, an internet game based on the Hellraiser mythology. They score invitations to the big Hellworld party, where they meet host Lance Henriksen, and then they start being killed off one by one.
