Posted in: Disc Reviews by Gino Sassani on February 18th, 2026
"You know the results of the latest Gallup Poll? Half the country never even heard of the word Watergate. Nobody gives a shit. You guys are probably pretty tired, right? Well, you should be. Go on home, get a nice hot bath. Rest up ... 15 minutes. Then get your asses back in gear. We're under a lot of pressure, you know, and you put us there. Nothing's riding on this except the, Oh, first amendment to the Constitution, freedom of the press, and maybe the future of the country. Not that any of that matters, but if you guys f' up again, I'm going to get mad. Goodnight."
The more things change, the more they remain the same. Most of you were not born when Richard Nixon became the first American president to resign from his office in disgrace. But the truth is that it changed our political culture forever. It's hard to believe that there was a time when most Americans put aside their own ideologies and had a respect for the office of the President of the United States. Even if you did not vote for or particularly like the man, there was a reverence and an almost sacred aura that surrounded the position. All of that has changed, and while it's easy to blame the groups we have fighting each other now, it started a long time ago when a couple of Washington Post journalists stumbled into the biggest story in our nation's political history. Carl Bernstein and Bob Woodward are the reporters who became iconic in their field as they took what appeared to be a routine break-in to an office and rode it to the resignation of a very popularly elected president. They put it in a book and then the movie of the same name. Now Warner Brothers has put All The President's Men on UHD Blu-ray in 4K, and if you haven't seen it, you need to. It's one of the most important films ever made.
Posted in: Disc Reviews by Gino Sassani on January 28th, 2026
“You may only see it once, but that will be enough.”
That was the marketing slogan for the first Friday The 13th film in 1980. Apparently they couldn’t have been more wrong, because most of us have seen the film countless times, and no, it was never enough. The franchise would thrive with over 10 sequels or affiliated films, taking us right up to the present remake/reboot of that very first outing at Camp Crystal Lake. No, my friends, once was never going to be enough. Add to that that this is actually the first Friday The 13th film to include Jason as the killing machine that would keep going and going and going. He became the Energizer Bunny of horror monsters. In the original film it wasn't Jason. He was pretty much considered dead since he was a boy. It was his mother, Mrs. Vorhees, played by Betsy Palmer, who did the slicin' and dicin' the first time around. She got so into killing teens that she rather lost her head. Jason was a small boy creature who gives that original film its big jump-scare finale. We're never quite sure if it was a dream. It must have been, because Jason wasn't a disfigured little boy now. He also doesn't have his iconic hockey mask yet, either. They settle for a burlap bag this first go around. Many fans believe that it was with this film that the mythology was truly created. Now Paramount has given it the upgrade to UHD Blu-ray in the glory of 4K and HDR. Blood and guts are getting real now.
Posted in: Disc Reviews by Gino Sassani on January 7th, 2026
"Two little mice fell in a bucket of cream. The first mouse quickly gave up and drowned. The second mouse wouldn't quit. He struggled so hard that eventually he churned that cream into butter and crawled out. Gentlemen, as of this moment, I am that second mouse.”
Frank, Jr. is that second mouse ... and then some. Before his 19th birthday, Frank Abagnale Jr. posed as a pilot, doctor, lawyer, and secret service agent in an uncanny crime spree that saw him forging millions of dollars worth of fraudulent checks. This film chronicles the fantastic yet true adventure with large doses of fun injected into the two-and-a-half-hour-long chase."
Posted in: 1.85:1 Widescreen, 2160p, Classic, Dolby Digital Atmos, Drama, UHD Blu-ray (4K), Warner Bros. by Gino Sassani on November 14th, 2025
"Well, gentlemen, in my opinion, if we send him back to Pendleton or we send him up to Disturbed, it's just one more way of passing on our problem to somebody else. You know, we don't like to do that. So I'd like to keep him on the ward. I think we can help him."
One Flew Over The Cuckoo's Nest was the first movie I ever saw on HBO. These were the very early days of the cable network. It was before the dawn of any real home video. It was at my Aunt Shirley's house that several members of the extended family gathered in dining room chairs around a 19-inch television to watch a movie uncut and without commercial interruption for the first time in our lives. A lot has changed since that 1970's afternoon at my aunt's house. Today we have hundreds of such choices on our television dials. I've seen a huge wave of home video technologies since that day that have included CED video discs, VHS/Beta, laserdisc, DVD, high-definition Blu-ray and now on UHD Blu-ray in glorious 4K The entire game has changed since that gathering 50 years ago. One thing has not changed a bit. One Flew Over The Cuckoo's Nest was a dynamic and compelling film that day. It remains so today.
Posted in: Disc Reviews by Gino Sassani on March 27th, 2025
"What my associate is trying say is our new brake pads are really cool. You're not even gonna believe it. Like, let's say you're driving along the road with your family. You're drivin' along, la-de-da, woo. All of a sudden there's a truck tire in the middle of the road. And you hit the brakes. Eeee. Whoa, that was close. Ha-ha. Now let's see what happens when you're driving with the "other guy's" brake pads. You're drivin' along, the kids start shouting from the back seat, "I gotta go to the bathroom, Daddy!" "Not now, damn it!" Truck tire. I can't stop! There's a cliff. Aaahh! And your family's screaming, oh my God, we're burning alive!" "No! I can't feel my legs!" Here comes the meat wagon. And the medic gets out and says, "Oh my God." New guy's around the corner puking his guts out. All because you want to save a couple extra pennies."
There are a ton of parallels between the Chris Farley/David Spade comedy team and that of John Belushi/Dan Aykroyd. Both teams began in the Saturday Night Live arena. It was that physical big/little guy combination that has its roots with Laurel and Hardy, and Abbott and Costello. Both teams were at the height of their careers when a drug overdose would claim the wilder member of the team. Both of the deceased comedians left behind at least one successful brother to carry on the name in show business. Tommy Boy was by far the best of the films this duo made before Farley’s tragic overdose in 1997. It's now the 30th anniversary for the film, and Paramount has released a nice steelbook UHD Blu-ray (4K) version of the film to celebrate.
Posted in: Disc Reviews by Gino Sassani on March 20th, 2025
"Ever since I was a young boy, I played the silver ball, From Soho down to Brighton, I must have played them all, But I ain't seen nothin' like him, In any amusement hall, That deaf, dumb and blind kid, Sure plays a mean pinball."
I was first introduced to The Who through the original Tommy album. It was one of my mother's favorites when I was young, and she had actually written out by hand her interpretation of the story the rock opera appeared to tell. I can't remember those scribblings, and I'm not even sure if they're still tucked away in that Decca album I have around here somewhere. But the music always stayed with me. Now, I didn't ever become a huge fan of the band. I always liked them and collected a couple of their albums over the years. I did play a lot of pinball, however. I fell more in with the likes of Elton John. So you can imagine how excited I was in the summer of 1975 when my favorite musician was cast to play the Pinball Wizard in a movie from the music that had been stuck in my head for years. And while the soundtrack version has been the version I've often found stuck in my head, the original album was never far away either. Apparently that's also the case with Pete Townsend and Roger Daltrey. They would reunite and perform the rock opera live celebrating the release's 50th anniversary. Now the film is also celebrating 50 years. I sure feel old. But watching Tommy again sure brought a childhood of memories flooding back in. Shout Factory delivered.
Posted in: Disc Reviews by Gino Sassani on November 21st, 2024
"You know the Butcher? That freakin' nutjob that goes around just chopping people up? Well, the feds or whatever heard that he's gonna be here today, so they set up a trap for him. This whole concert? It's a trap. They're watching all the exits, checking everyone that leaves. There's no way to get out of here. It's kinda dope, right?"
The idea is actually based on a true story, with a lot of differences. In 1985 the FBI managed to round up over 100 high-profile criminals with a ruse that involved tickets to an NFL game. There have been plenty of other scams where promises of prizes have attracted otherwise cautious wanted people. I was at a promo for some home improvement club store, and while there, a couple of folks were nervous that it was a sting because they had outstanding warrants. It wasn't, but these things can and do indeed happen. The way it's done here leaves one to stretch credibility a bit more than I'm usually willing to go.
Posted in: Disc Reviews by Gino Sassani on November 21st, 2024
"The machines rose from the ashes of a nuclear fire. Their war to exterminate mankind had raged for decades, but the final battle would not be fought in the future. It would be fought here in our present ... tonight."
The idea for The Terminator came to James Cameron in a feverish dream as he was struggling and about to get fired from Piranha II: The Spawning. He was overworked and stressed and ended up in bed. He immediately wrote a treatment with then-wife Gale Ann Hurd, and they approached Arnold Schwarzenegger quickly to make sure they retained control over the property. Eventually he lost it anyway, and that's why so many franchise films that were out of his control.
Posted in: Disc Reviews by Jeremy Butler on November 19th, 2024
“The juice is loose.”
Michael Keaton is on quite the reunion tour of reprising his old roles, and for most actors, stepping back into the role isn’t always easy. However, for Keaton, it is as if no time has passed whatsoever. Over thirty years since portraying this iconic role, Keaton returns as Beetlejuice, the trickster spirit who attempted to manipulate a marriage to Winona Ryder’s Lydia Deetz in order to gain a permanent foothold in the living world. Keaton isn’t the only one who returns in this well-done addition to the ongoing trend of continuation series; Ryder returns as Lydia Deetz, Catherine O’Hara is back as Delia Deetz, Lydia’s stepmom, and most notably Tim Burton is back in the director’s seat for the sequel. Burton’s return is most pivotal addition in my opinion, as the first film was full of his unique style that would be impossible for another director to emulate. Also joining the franchise are Justin Theroux, Monica Bellucci, Danny DeVito, albeit too briefly, and most appreciatively, Jenna Ortega, who previously and actively collaborates with Burton on the Netflix Series Wednesday, whose upcoming season I am anxiously awaiting.
Posted in: Disc Reviews by Gino Sassani on November 5th, 2024
" I think their whole family's like some weird medical experiment. I think they're, like, circus people."
Be honest, who hears the theme music when anyone even mentions The Addams Family? I know I do, and then I have to resist the urge to do the finger snaps. Just in time for 31 Nights of Terror as well as the release of the animated version comes the of The Addams Family: Family Values on UHD (4K), featuring Raul Julia and Angelica Huston as Gomez and Morticia Gomez, and let’s not forget Christopher Lloyd and Christina Ricci as Fester and Wednesday Gomez respectively. Based on the wildly popular cartoons that appeared in the New Yorker that went on to find success as television series, the The Addamses are a satirical inversion of the ideal 20th-century American family: an odd, wealthy, aristocratic clan who delight in the macabre and are seemingly unaware, or do not care, that other people find them bizarre or frightening. For me, these movies were my introduction to this family, as the TV series was bit before my time, but a gothic family unaware of their difference from other people.
