Posted in: Disc Reviews by Gino Sassani on July 3rd, 2005
Synopsis
I’m a very white guy. But in growing up, one of my first music gods was Jimi Hendrix. Then, one day I saw Bustin’ Loose with Richard Pryor and Cicely Tyson (a.k.a., Miles Davis’ punching bag) when I was 10, so I wanted to see any comedy Richard Pryor had made. And I did, from Car Wash to Uptown Saturday Night. These were my first real lessons or experiences, watching a cast (or film) with African Americans in it. It wasn’t Star Wars or anything, it was memorable for its ...wn reasons.
Posted in: Disc Reviews by David Annandale on June 29th, 2005
Synopsis
Lauren Ambrose is a Candide-like figure, wide-eyed in her approach to the world, and she really doesn’t want to go to college, so her interviews are disasters. She reads her poems to her mentally handicapped sister and no one else, and when this sister starts spouting the poems (she memorizes very well), her mother (Amy Madigan) thinks something wonderful has happened. Ambrose doesn’t clear things up, and events soon spiral out of control.
Posted in: Disc Reviews by Gino Sassani on June 29th, 2005
Synopsis
When it comes to 80’s films, you can talk about Spielberg, Lucas, or whomever, but those in the know will always put John Hughes at, or near, the top of influences of that era. Take a look at the 7 year run that he had in the 80’s when it came to writing movies in that era. From 1983 to 1990, the list brings up a flood of kitsch and nostalgia for any movie going kid during that time – Mr. Mom, Vacation, The Breakfast Club, Sixteen Candles, Pretty In Pink, Ferri... Bueller’s Day Off, Some Kind of Wonderful, Planes, Trains and Automobiles, Uncle Buck and Home Alone. Aside from getting a good dose of Anthony Michael Hall, Molly Ringwald and John Candy, one, some or all of those films have a soft spot in anyone’s heart if they’re under 30. So much was experienced from his films, hell, the guy served as a surrogate parent to a lot of people! For good or bad, he had an influence on a lot of lives, and if you take a look at the high school comedies that come out now, there’s no comparison. They just don’t have the same kind of originality. Hughes may not have done the high school comedy first, but very few have come close to achieving the combination of unique characters, quotable lines, touching emotional moments and hilarious scenes that have resulted in the Hughes films of the 1980’s. Universal put out an inexpensive boxed set of 3 of his films; The Breakfast Club, Sixteen Candles, and the "other" movie in the set, Weird Science, which I’m reviewing for your dining and dancing pleasure.
Posted in: Disc Reviews by Archive Authors on June 27th, 2005
Staying Together is one of those small town family stories. Growing up is hard, especially when you own a chicken restaurant. Dad, unfortunately, gives in to "big business", and sells his restaurant to a chain franchise. This sale puts the family into turmoil and makes the family members reevaluate their relationships with each other. The brothers of the McDermott family are featured most prominently. The three brothers, in typical movie fashion, are distinctly different. Dermot Mulroney plays Kit, the ro...antic brother, Tim Quill plays Brian, the hot-tempered one, and Sean Astin (Sam from Lord of the Rings) plays Duncan, the goofball. The film is rounded out by some good character actresses like Stockard Channing and Melinda Dillon. Unfortunately, the script by Monte Merrick is riddled with cliches and gives us everything we expect. The film is directed by Oscar winning actress Lee Grant, but her tone is dead serious. She plays the material without a hint of irony. Staying Together is like Mystic Pizza without the charm.
Audio
Posted in: Disc Reviews by Archive Authors on June 26th, 2005
Synopsis
If anything, the third part of the Godfather series of films is symbolic of when too many sequels are greenlighted, and consequently, the film is doomed to fail. More often than not, the reason why these films crash and burn are because of major studios acting like Adelphia executives and wanting more money, and in using the previous films’ successes as leverage, they lose sight of things like quality. It’s happened to other trilogies.
Posted in: Disc Reviews by Archive Authors on June 24th, 2005
What happens after a physics student works on the Manhattan Project? Well, at least for this person, he becomes the most influential recording engineer in music history. This man is Tom Dowd. In Mark Moorman's fascinating documentary, Tom Dowd and the Language of Music, we are taken through the development of modern music through one of its most famous guides. The film is a mixture of interviews with Tom Dowd, as he also takes us to various biographical and musical locales in New York cities, and testament... from the musical acts he worked with. The people Dowd worked with is a who's who of musical icons: Ray Charles, John Coltrane, Otis Redding, Eric Clapton, the Allman Brothers, Aretha Franklin, and the list goes on. Quite a list, quite a film.
Audio
Posted in: Disc Reviews by David Annandale on June 23rd, 2005
Synopsis
The setting is a prestigious black college, and the set-up is along the lines of what you would expect in a college-set musical: conflicts between the black-uniformed frat brothers and the political activists (of which the leader is a young Laurence Fishburne), gender wars and misunderstandings right, left and centre, and plenty of music. It’s all very lively, but not nearly as funny as Lee clearly thinks it is (see notes on commentary below). The bigger question is whether the satire and po...nted politics are able to survive the knockabout gags, and whether the movie actual works as a cohesive whole.
Posted in: Disc Reviews by David Annandale on June 22nd, 2005
Synopsis
Two girls meet on the beech, and a lifelong friendship is formed. Hilary is the shy rich girl (horse riding and the whole thing, don’t you know) and she grows up to be Barbara Hershey. CC is the working class extrovert, and becomes Bette Midler. As adults, they become roommates, and we follow the entire arc of their friendship through their lives, with conflicting romances, plenty of ups and downs, and then, in the last act, the inevitable Hollywood Fatal Illness.
Posted in: Disc Reviews by David Annandale on June 21st, 2005
Synopsis
Diabolik (John Phillip Law) is a master criminal, pulling off one spectacular robbery after another to the endless frustration of the police. Ruthless and amoral, he nonetheless deeply loves Eva (Marisa Mell), and will risk everything to protect her. As his crimes become ever more spectacular, and the government teeters on the brink of chaos, even organized crime is pressed into service in order to capture the man.
Posted in: Disc Reviews by David Annandale on June 20th, 2005
Synopsis
Troy Duffy, bartender, writes a script and suddenly is given a lucrative deal by Miramax to make this film, and his band is promised a recording contract. The script is for The Boondock Saints, that stunning little word-of-mouth success that has found quite a life of its own on DVD. But this is what happened before the film became a cult hit, as filmed by two of Duffy’s then-friends who were hired to do a making-of documentary. What we see is a man whose talent, though (on the basis o... the film) real, is hugely exceeded by his arrogance and general disregard for anyone other than himself. A fascinating character study, all the more so because I guarantee you KNOW someone just like this jerk.
