1.85:1 Widescreen

Synopsis

Roxy Hart will do anything to get famous; she cheats on her husband (John C. Riley) with a furniture salesman because he tells her that he can get her a jazz act in a club. When he admits that he was lying about his contacts at the jazz club she kills him in a fit of rage. She convinces her somewhat dim husband to lie to the police and take the blame but as he is telling his story to the police he puts one and one together and figures and tells the cops the truth. She finds herself on Chicag...’s famed murderess row with nightclub sensation Velma Kelly. Velma is in jail for murdering her husband and sister after catching the two of them together. Billy Flynn is the most famous lawyer in town and can get anyone off, he manipulates the media and is just as concerned with his own fame as he is with helping his clients.

It’s hard to imagine that it’s been 20 years since the Griswald family packed up the Family Truckster and stumbled their way halfway across the country to Wally World.Truth be told, I am not much of a Chevy Chase fan. I often find his buffoon act trying and old, but the Vacation films are a notable exception. With today’s political correctness it’s doubtful that the family dog would meet such a horribly funny end (Before you write to tell me how cruel I am, I own a Siberian husky who is loved no matter how much trouble she gets into). I suspect the equally hilarious treatment of the dearly departed Aunt Edna might not cause quite as much stir. I live near the “mouse house” in Florida, so the tourism jokes work exceptionally well on me. Harold Ramis has a reputation for uneven comedy, and Vacation fits that pattern all the way. While much of the film plays like a Saturday Night Live skit, the film can be very funny when it hits.

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Don’t be fooled into thinking that Y Tu Mama Tambien is just another trite love triangle movie, one that would have some catchy Sum 41 or Weezer song in all the promos. This movie is about far more than that. It’s about the nature of friendship, the consequence of action, teenage machismo, self-realization and learning what it means to enjoy life. This isn’t the Mexican version of Road Trip, either. They don’t get into wacky hijinks or the comedy of the absurd. Almost everything about Y Tu Mama T...mbien elicits audience reaction through its genuineness, its ability to get viewers to recognize the reality in the sometimes unorthodox relationships. It’s also got one of the most smoldering sexy women I’ve seen on the big screen talking about some seriously caliente subject matter (and at least according to female viewers I’ve spoken two, the two young men are attractive, too).

Y Tu Mama Tambien proves that no matter what language is being spoken, no matter what country a story takes place in, teenage boys are teenage boys. Such is the case with Julio (Gael Garcia Bernal) and Tenoch (Diego Luna). They’re typically immature, sort-of adhering to a “boys club” manifesto (advocating such values as smoking pot and masturbating), splitting their sides over farting in a car and describing the bouquet. To each other, they put up a brave front at the idea that their women are heading abroad for the summer, shrugging it off as their chance to dip their beaks in other wells. When left alone with them, though, they’re sentimental and weepy (though that might just be to get them laid one last time, another sign of their age). They sit around, smoking pot and using the local country club when it’s closed on Mondays, and their summer starts slipping away from them, in relative ho-hum fashion. Even through some of their stranger behavior, they remain imminently identifiable, which is one of the many factors that make the film accessible to even the casual movie fan; one doesn’t have to have an interest in foreign movies to appreciate it. Moreover, it gives the audience a real chance to care about the boys, a credit to Garcia and Luna’s polished, authentic (and more than a little brave at this point in their careers) performances. They encounter the stunning Luisa (Maribel Verdu) at a family party. She’s stunning, and the two instantly try to ply her with their “charms.” Not long after the party, they convince her (or she decides) to go with them to a surfside paradise, a place only they know, a beach called “Boca del Ciel” (Heaven’s Mouth). The catch: it doesn’t exist. They made it up while trying to entice her, and now, they have to find such a place. Tenoch and Julio are resourceful young men, and eventually will set off in a beat up station wagon on a quest for the perfect beach. Along the way, they hope to have sex with Luisa…though neither of them are sure how, much less even thought of what that might do to their trip.

Decades before The Blair Witch Project drew attention to the small independent filmmaker, George Romero and a small band of Pittsburgh natives took the horror genre by surprise with the stunning and atmospheric Night of the Living Dead. Day of the Dead was the third and (so far) final entry into the Romero zombie trilogy. Romero admits that this is the least acclaimed film in the series while professing that it is his own favorite. There is absolutely no question that makeup magician Tom Savini did some of his greatest work in this film. The gore effects are as realistic as they are gruesome. Tom has told me countless times that he carries a certain extra pride about the work he did on the film. The problem is the story is just too over the top to be taken at all seriously. Most of the acting is really B grade with the notable exception of Howard Sherman’s brilliant portrayal of Bub the mascot zombie.

Synopsis

Extreme sports films come in two flavors first there are the sport specific show off films and then there are the documentary like Ultimate X that show what extreme sports are about. Keep Your Eyes Open rides the line between these two types of films, it looks at six of the wildest sports out there by looking at the athletes. We get an understanding of what motivates them, how they got into it and we also get lots of footage of them doing what they do. Starring Marc Frank Montoya and Mike and Tina Basich (snowboardin...), Sunny Garcia and Andy and Bruce Irons (surfing), Eric Koston and Steve Berra (skateboarding), Seth Morrison (Skiing), Mat Hoffman (BMX) and Travis Pastrana (motocross) this is a well done film that holds your interest as you learn what really makes these people tick is the same as any Pro athlete and that is too be the best at what they do. There are also some very sobering moments in the film when we get to the subject of injuries, watching Matt Hoffman kiss his baby and his wife just before trying to break a record by hitting a quarter pipe at 60 miles an hour and then seeing if he can get 50 feet above a 42 foot quarter pipe, watching him crash and almost die shows that these are dangerous sports involving calculated risks that like any sport can go wrong.

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