Posted in: Disc Reviews by Archive Authors on January 28th, 2003
Well, the era of mass market “indie” films is upon us. In spite of its manufactured artfulness, "One Hour Photo" does have appeal: Robin Williams portrays a stereotypical damaged post-modernist psychopath with a flourish of reality that does him credit as an actor, and writer/director Mark Romanek is a fresh face on the Hollywood scene. Supporting cast Paul Kim and David Moreland step out of Wal-Mart and onto the screen – spectacular characterizations. Connie Neilsen and Michael Vartan, however, give at best stilted ...erformances as the objects of Robin William’s obsession. Which brings us to a synopsis…
Robin Williams plays “Sy the photo guy,” who is a “SavMart” employee that’s developed an unhealthy obsession with a particular family whose film he develops. Without spoiling the film, Sy ends up seeking to exact justice on the father, attempts to befriend the child, and generally goes nuts as I’ve always expected someone at a big box discount retailer to eventually do. The upshot is that a creative premise (the photo guy doing arm’s length stalking) is bludgeoned to death by a screen play that leaves little to the imagination, and plot twists that are so “done” and clichéd as to completely erase any credibility the movie had. The film is worth seeing for Robin William’s work – he is fantastic at humanizing Sy in sad and pitiful ways, and its one of the film’s greatest ironies that damaged Sy is the must “human” thing among the sterile ranks of SavMart.
Posted in: Disc Reviews by David Annandale on January 27th, 2003
Synopsis
The Miss Daisy of the title is played by Jessica Tandy. After she wrecks her car, her son (Dan Aykroyd) hires a chauffeur (Morgan Freeman) for her. Miss Daisy is fiercely resistant to the supposed loss of independence this represents, but she eventually lets Freeman do his job. A strong friendship grradually develops between the two. In the background, we catch glimpses of the changing American South as the film moves from 1947 to 1972. Prejudice, both racial and anti-semitic, lurks just und...r the surface of the polite society the two characters move through.
Posted in: Disc Reviews by Gino Sassani on January 26th, 2003
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Posted in: Disc Reviews by Gino Sassani on January 23rd, 2003
I wouldn’t say The Last Man was the worst film I ever saw, but that’s only because I did see Battlefield Earth and Event Horizon. If there’s a category below B film this is a great example. The whole film has the feel of community theatre at its worst. Dan Montgomery delivers such a bad performance that it would be funny if it didn’t hurt so much to watch. The story rambles on for 93 minutes that will feel more like 3 hours.
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Posted in: Disc Reviews by David Annandale on January 21st, 2003
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Posted in: Disc Reviews by Gino Sassani on January 19th, 2003
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Posted in: Disc Reviews by David Annandale on January 19th, 2003
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Posted in: Disc Reviews by Gino Sassani on January 18th, 2003
You almost expect to see Robert DeNiro and Joe Pesci at any time during State Of Grace. The influence of Martin Scorsese is everywhere, from the tight shots on character interactions to the slight angles during the more violent scenes. Even the clever use of source music more often than Ennio Morricone’s subtle score is reminiscent of Goodfellas. The prize of this feature is the cast. Ed Harris, Sean Penn, and Gary Oldman add much needed tension and realism to a mediocre and predictable script. Stereotypes and clichés abound. The interwoven elements of violence and pageantry in the film’s climax conjure the ghost of Fannuci from The Godfather Part II.
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Posted in: Disc Reviews by Archive Authors on January 17th, 2003