1.85:1 Widescreen

The story of Jesse James has been told many times over the years. There isn't a medium in the world that hasn't seen its share of tales concerning the infamous outlaw. You could find radio dramas, plays, television shows, films and even songs that recount his exploits. Some of these have been honest and brutal depictions of a lawless man and his gang of thugs who terrorized the West by robbing trains and banks, leaving corpses in their wake. Then there's the romantic telling that picks up on the folk heroes that Jesse and his boys have become over the years.

The setting is a comfortably large house in the English countryside. Kin and friends have gathered for the funeral of the family patriarch bringing with them their foibles, eccentricities, and disasters waiting to happen. At the centre are the two brothers, Daniel and Troy (Matthew MacFayden and Rupert Graves). The former struggles under the shadow of his famous brother’s success as a writer, his plight encapsulated by the fact that everyone in attendance is disappointed that Troy will not be giving the eulogy. But his problems are about to become much, much greater, as the funeral descends into a chaos of unwelcome revelations, blackmail, drug freak-outs.

Most film-goers could identify a Michael Bay film just by the techniques he uses — quick edits, sun drenched color palette, and lots of action. This usually means that Bay is suited more for low-brow action movies as opposed to high-concept films. In Pearl Harbor, Bay proved that he couldn’t handle anything that didn’t explode — resulting in a lopsided film. The first hour was a tedious love story; the last 90 minutes were better — including an excellent recreation of the surprise attack.

One of the most commonly asked what if questions, is the question about superpowers. If you were a superhero, what would be your superpower? My initial reaction is X-Ray vision because I am after all a dirty old man. After some thoughtful moments, I do however come up with the ability to instantly adapt. There are many moments where I might feel out of place or unable to help. But with that power, I could change that. Or maybe I will just wear a green amulet and fight bad guys like Callan in the film: Cross.

It is that time again boys and girls for the movie of the week. This week, we visit a genre that is staler than your grandmother Edna’s cookies: the romantic comedy. *boo* *hiss*. Okay, okay before you start throwing those almond cookies, I think I need to let you know that there is a $5 bill in it for each of you. *whisper from editor* “Do we have that in our budget?” “No silly, just go with it.”. Audience – “What was that?” Why, our movie today is the Adam Sandler and Jennifer Aniston picture: Just Go With It. Roll the film!

"My father said the army makes all men one, but you never know which one."

There have been a lot of movies about Vietnam over the years. Some are quite political, while others try to capture the sheer horror of war...any war. It's been long enough now that there are even lighter works about the conflict. But this might just be the smartest film about the war ever made, because it never actually goes to Vietnam.

Looking for a something a bit different for you gangster flick fix? Then look no further than this box set of gritty, thematically linked Italian crime pictures from director Fernando Di Leo. Things don't get much more delightfully 70s than this.

There are a good number of people who have labeled Oliver Stone as a fan of conspiracy theories, out to destroy foundations of conservative ideology, while at the same time re-visiting 60’s nostalgic icons. Despite the jokes and the stereotyping, one has to admit that, as a filmmaker, he has helped bring to screen some of the most talked-about cinematic experiences of our time, including Midnight Express, Scarface, not to mention Conan the Barbarian. As a director, his works, such as The Doors, Nixon, JFK and Natural Born Killers, have generated discussion both within and aside from the technical merits

I remember when I first heard that Dead Man Walking was coming out. The first news was that it was a death penalty film that involved Tim Robbins, Sean Penn and Susan Sarandon. I was not very keen to see the movie at that time. All three of these actors are known for their over-the-top liberal antics, and I just knew this was going to be nothing but a rant against the death penalty in the United States. But you see, that's why you just have to watch the movie sometimes.

Unlike most people my age, I still have a surreal view of love despite a plethora of failed relationships and a horrendous first marriage. Sometimes, I feel like I am the only person who doesn’t have a screwed up concept of love. But thankfully I did find my true love before anything happened to my ideology. Enter the movie Year of the Carnivore, a movie that disguises itself to be about sex when in reality it is more a statement about good old fashioned love.