Posted in: Disc Reviews by Archive Authors on March 29th, 2008
In The Mist, Frank Darabont returns to familiar territory, directing another movie based on a short story by Stephen King. Darabont struck gold in 1994 with The Shawshank Redemption and then came close to, but did not equal, that magic with 1999's The Green Mile.
Is the third time a charm for Darabont working with King material? The answer is a resounding "yes".
Posted in: Disc Reviews by Archive Authors on March 28th, 2008
Tyler Perry burst on the scene in 2005 with Diary of a Mad Black Woman. It was one of the worst reviewed movies of the year, but when it raked in over $50 million dollars at the box office, Tyler Perry silenced critics and became a force to be reckoned with in Hollywood.
Before his movie-making career, Perry was already a huge success in the African-American community, having written several Christian and family oriented plays upon which many of his movies are based.
Posted in: Disc Reviews by Archive Authors on March 27th, 2008
From the Oscar ceremony, the only thing to speak of when it came to the quaint Irish charmer Once is that the girl was going to speak after the song "Falling Slowly" won the award for Best Original Song, and she was cut off, but she got a chance to thank everyone after the commercial, so points for trivia in case you stuck in there for that long (I know I didn't). For those who hadn't seen the film before that, they were certainly missing a slightly profound and moving experience.
Written and directed by John Carney, the film's lead characters are simply named "Guy" and "Girl". The guy is played by Glen Hansard, who is better known to some as singer for the Irish rock bank The Frames, and he and Carney were once bandmates in the early '90s. He's playing guitar on a street, making some additional money, when he runs into a woman who is curious by his playing. The woman, or "Girl" if you will, is played by Marketa Irglova, who wants to see him get what he wants, which is specifically a record deal in London. The guy takes her home to meet his Dad, who runs a vacuum cleaner repair shop, and she takes him home, to meet her mother and child. Her husband split awhile back. But the film is I think less about the relationship (although one could make the case of really really wanting to see one) and more about their creative similarities. She plays piano, and the two hit it off together creatively, and perform a song together that the guy had written early in the film. That creative synergy, and the feelings they share for it, speaks volumes for the rest of the film.
Posted in: Disc Reviews by Archive Authors on March 27th, 2008
The Nines truly is a film that defies description, albeit in not an entirely new and convincing manner. For instance, I could tell you that I just got done eating a chicken sandwich after consuming several mojitos and a beer, and at least with that statement, you could tell what it is that I’ve done, you know? But to be fair, The Nines decides to take on some daring filmmaking and storytelling, and does it in a way that you can’t help but want to watch it again, even a little.
Written by John August, who had been notorious for penning such films like both Charlie’s Angels films and several Tim Burton outings, August directed it in his initial effort. The film is actually three parts, all slightly tied into one another, though in no linear fashion to speak of, and the main cast inhabits roles in all three parts. Part one finds Gary (Ryan Reynolds, Smokin’ Aces), a successful television actor, engaged in a drug-soaked frenzy that leads him to crash his car and go under house arrest; Margaret (Melissa McCarthy, Gilmore Girls) is his handler designed to keep him on the straight and narrow during this time. Gary finds Sarah (Hope Davis, About Schmidt), a neighbor next door as his connection to the outside world in more ways than he can anticipate. In part two, Reynolds is Gavin, an aspiring television show creator, Davis plays Susan, a network television producer, and McCarthy plays herself as the focus of the show. And in part three, Reynolds is Gabriel, a video game producer, McCarthy plays his wife Mary, while Elle Fanning (Déjà vu) plays their daughter. What, no Davis? That’s what you think! She plays Sierra, a woman who helps Gabriel try to find help for his family on a deserted mountain road.
Posted in: Disc Reviews by Gino Sassani on March 19th, 2008
Bee Movie is almost completely a Jerry Seinfeld creation. The idea apparently came out of a conversation the comedian had over dinner with Steven Spielberg. From the simple concept of a film about bees called Bee Movie, Seinfeld teamed with his long-term collaborator Spike Feresten. Together they created a rather amusing world where bees can talk and live in a human-like society dedicated to the production of honey. I’ll admit that while I often enjoyed the Seinfeld television series, I was one of those that never really got it. On the surface a lot of it was funny, so I watched it, but I can’t really call myself a true fan of the series or the comedy of Jerry Seinfeld. Pretty much however you might have felt about the show will carry over to Bee Movie. The entire film reflects pure Seinfeld in the characters and his somewhat trademark observations on life. It is that element that might have lessened the overall enjoyment for me. Seinfeld’s bee world is so much like his television or stand-up world that I found it hard to immerse myself into the story. No question there were some clever ideas at work here, but it sure seemed like somewhere along the way someone settled for mediocrity.
Posted in: Disc Reviews by Archive Authors on March 18th, 2008
Two couples, each with their own intimacy issues, set out to spice up their love life by attending a sex therapy seminar. After navigating through their problems for about forty minutes, they each settle on group sex to solve their problems, because that's always the best solution to everything, right?
The first couple is James and Heather (Culkin and Alexis Dziena). James is madly in love with Heather, but she can't have an orgasm when they have sex. That, my friend, is a problem. The second couple is Ellis and Renee (Kuno Becker and Dushku), who seek thrills to liven up their bored sex life. That, is a problem too... but not as bad as the first.
Posted in: Disc Reviews by Archive Authors on March 17th, 2008
“Greed is Good.”
No other cinematic phrase described the 1980’s better. And no other movie captures the financial corruption of the 80’s better than Oliver Stone’s Wall Street.
Posted in: Disc Reviews by Archive Authors on March 9th, 2008
Without knowing if he is or not, I’m willing to bet that director James Gray is a fan of The Godfather. His previous films, The Yards and We Own the Night show flashes and flourishes of The Godfather so familiar, it’s uncanny. Also, while The Yards featured Sonny Corleone, We Own the Night features Tom Hagen.
Funny, huh?
Posted in: Disc Reviews by Archive Authors on March 4th, 2008
"The Invasion" is a remake of the classic "The Invasion of the Body Snatchers". This time around, Nicole Kidman and Daniel Craig are the heroes that uncover the diabolical truth behind a secret plot to take over the world. This is a film that has been re-made several times before, in various forms. Each time, the film is turned into a heavy-handed metaphor for the current political climate. That is most certainly the case this time around as well, as the oblivious citizens are expected to accept everything their leaders tell them, no matter how implausible that information might be. I'll spare you the pop politics, but the parallels between the Bush administration and the story are rampant.
I don't have the slightest problem with films that use metaphors as long as they are done in a subtle and graceful way. Unfortunately, there is absolutely nothing subtle and graceful about this film. Forty minutes in, there is a montage scene that is meant to shock the viewer, "The Usual Suspects" style, by showing a series of fast cut images to help the viewer put together the plot in their own minds. The real problem is, by the 15-minute mark, the whole of the plot is obvious to even the most oblivious viewer, and the remaining hour-and-a-half are spent laboriously trudging through to the inevitable conclusion.
Posted in: Disc Reviews by Michael Durr on February 26th, 2008
Dorky romantic comedies have been around forever. Usually there is nothing I can't stand more than some movie telling me how people fall in love when it never happens like that. Like a street walker falling in love with a rich guy or the nerd getting the cheerleader or a dozen people having sex with some girl named Jenna. (well maybe on the last one) Love is mystical and special but it rarely has any set pattern that makes sense. So what would happen when I watched a dorky little New Zealand romantic comedy that featured two people in animal costumes? Hopefully not the norm.
Lily (played by Loren Horsley) is in love with Jarrod (played by Jemaine Clement). She works at a local burger joint (Meaty Boy) asc a cashier. Jarrod comes in everyday at lunch but Lily rarely gets to wait on him since he has a crush on another employee. Opportunity knocks when Jarrod gives Lily an invitation to go to an animal costume party. She decides to go as a shark. There at the party she participates in the "Fight Man" tournament which is a video that vaguely looks like Way of the Warrior (an old 3do fighting game) and Mortal Kombat. Somehow she makes it to the final where she faces Jarrod (dressed as an eagle) in the final challenge. However, she becomes lost in Jarrod's eyes and loses out to him.
