Posted in: Disc Reviews by David Annandale on February 19th, 2007
We are in Haiti during the late 1970's, under the brutal dictatorship of Pap Doc Duvalier. At a beach resort, we meet three middle-aged women engaged in what amounts to sex tourism. Charlotte Rampling is Ellen, an imperious ex-pat British professor; Karen Young is Brenda, a psychologically fragile American divorcee; and Louise Portal is Sue, an earthy warehouse manager from Montreal. Disillusioned by their romantic prospects back home, they revel in the (paid) sexual attentions of handsome young Haitians, most notably Legba (Ménothy César), with whom both Rampling and Young are in love.
Director/co-writer Laurent Cantet observes his leading ladies with an eye that, while caustic, avoids easy judgments. He does not in any way let them off the hook for what amounts to a new form of predatory colonialism, and we see them engage in activities they would never consider in their home countries. So, for instance, we learn that Brenda had her first sexual encounter with Legba three years ago, when he was 15, and we see her being tempted to take advantage of a boy who can’t be a day over 12 (something Legba witness, and nips in the bud). But neither does Cantet engage in easy condemnation. He makes all of his characters fully developed human beings, and encourages us to understand these women, even if we do not sympathise. The film is not an unqualified success, however. Once the characters and the setting have been established, the film tends to meander, taking too long to tell us not much more than we knew at the start.
Posted in: Disc Reviews by Michael Durr on February 18th, 2007
Synopsis
I grew up with Beavis & Butthead, the so stupid it hurts MTV cartoon show that basically would launch MTV programming and put it on the map for future series. Mike Judge was the creator behind that masterpiece. He would go on later to be the guy behind King of the Hill and a few assorted good shows. However, somewhere along the way he decided to direct a couple of movies. His most recent affair, Idiocracy; a feature film staring Luke Wilson (Old...School, Anchorman) & Maya Rudolph(Saturday Night Live) is the story of an Army grunt & a prostitute who participate in an army experiment to be frozen for a year and then returned to live their lives. The problem is the experiment goes awry and they end up frozen for 500 years and hilarity ensues.
Posted in: Disc Reviews by Archive Authors on February 15th, 2007
Certain aspects of Working Girl have not aged well, but the film remains a quality production that showcases Melanie Griffith in her best role, with Harrison Ford and Sigourney Weaver as superb, lightly humorous supporting characters.
Tess McGill (Griffith) is a secretary struggling to rise in the New York business world. After a series of bad experiences with chauvinistic managers, she's transferred to a new secretary role, this time under a female boss (Weaver). At first relieved to be working for someone who understands the female struggle, Tess is hurt when she learns that her new boss is a backstabbing cutthroat who only listens to her to steal ideas. When her boss is hospitalized after a vacation accident, Tess takes action - by taking control of her boss' office, title and even her wardrobe. In her new guise, Tess gets right to work on brokering a deal with an investment banker, Jack Trainer (Ford), risking her career on one hail-Mary play.
Posted in: Disc Reviews by Archive Authors on February 14th, 2007
Some films can be intensely personal. Written and directed by one individual, the stories are fairly long in runtime and epic in terms of hopes and dreams, with characters that intertwine either coincidentally or a little bit more directly. They always seem to have a big name marquee star or two in them and always end on a message of hope or optimism.
Take the case of Babel. Written by Guillermo Arriaga and directed by Alejandro Gonzalez Inarritu, who were the creative team behind the Amores Perros and 21 Grams films comes perhaps their grandest idea yet. The film follows four storylines. The most notable for a lot of people was the one involving Richard (Brad Pitt, 12 Monkeys) and Susan (Cate Blanchett, The Aviator), who are spending some time in Morocco when tragedy strikes. Back at home, their children are being tended to by a kind immigrant named Amelia (played by Adriana Barraza, La Primera Noche), who decides to bring the kids across the border to Tijuana to attend her son's wedding, but when her cousin Santiago (Gael Garcia Bernal, The Science of Sleep) reacts poorly to a border officer's interrogation on their return to America, Amelia is forced to do something she doesn't want to do. Going back to Morocco, two young brothers who help with farming and goat herding, decide to play with a gun that their father gave them (which turned out to be a gift from a friend). And when the playing has some ramifications, the boys head down a road where there's no going back. The last one goes to Tokyo, where Chieko (Rinko Kikuchi, Tori) is a teenage deaf-mute girl who witnessed her mother's suicide as a child, and she looks to try and discover the joy of pleasure despite having to deal with her handicaps.
Posted in: Disc Reviews by Archive Authors on February 14th, 2007
In the great tradition of Hollywood rehashes, The Guardian applies a new coat of paint to a tried-and-true formula. In this case, we're talking about the story of Top Gun with Coast Guard rescue swimmers in place of Air Force fighter pilots. Oh, and maybe throw in a little Officer and a Gentleman for good measure.
Stop me if you've heard this one. They're the elite, the best of the best. Their training program is the most difficult in the world, and it will weed out anyone who can't cut it in their dangerous profession. One man is a legend in the profession, now the lead instructor at the school. The other is a cocky young recruit, with tons of raw talent but always "this close" to throwing it all away. The instructor recognizes the recruit's ability, but questions whether he can be trusted in a real life or death situation. Their relationship starts out antagonistic, but before the tale is finished, they'll find a common ground and shared respect, and the teacher will pass his torch on to the student.
Posted in: Disc Reviews by David Annandale on February 13th, 2007
A group of former college friends (now apparently weathered by life, though they look as if they are CURRENT college friends) gather at beach cottage for a reunion. Stresses and resentments within the various marriages and couplings quickly put a damper on the weekend, and a desultory evening’s conversation leads to a few members of the group playing the party game that consists in reciting “Dead Mary” in front of a mirror. Inevitably, the evil spirit is summoned, and people start being killed off. Victims have the unfortunate habit of reanimating, however, which leads to mounting paranoia, as no one knows who can be trusted to still be human.
So the rather odd cross-fertilization that we have here is Friday the 13th with John Carpenter’s version of The Thing. Miraculously, an abrupt ending with several loose ends aside, the mix works, thanks in no small part to a strong cast and sharp dialogue that make our group far more believable (and thus sympathetic) than one has come to expect in films of this kind. It ain’t perfect, but it sure ain’t bad, either.
Posted in: Disc Reviews by Archive Authors on February 12th, 2007
It's really hard for me to review films such as this one. On the one hand, I firmly believe in film preservation, and the importance of not shying away from history, no matter how painful it may be. On the other hand, it's difficult for me to enjoy a film that so casually deals with the trade of humans. Band of Angels tells the story of the daughter of a plantation owner who is sent away to school. Her father is a good and kind man, for he has never beaten his slaves. When he falls deathly ill, she rushes back...to the plantation to be by his side. Upon his arrival, she finds her father dead, and slave traders waiting for her. As it turns out, her mother, which she has never met, was a “negro”, which means that she is to be sold at market with the rest of the slaves.
Starting to see why I was so uncomfortable now? The thing is, I can see the noble intentions behind this film, originally released in 1957. Clearly, this is a film that means to convince audience members that slavery and racism are wrong. However, it's hard for me to hear that message when the dreaded “n” word is being thrown around so much. To be fair, the second half of the film is much more friendly for modern audiences, but I just can't say that I felt right about watching this thing. It's a shame too, because both Clark Gable and a very young Sidney Poitier have major roles which they handle quite well.
Posted in: Disc Reviews by Archive Authors on February 8th, 2007
There are a few early sequences in Hollywoodland that show two important aspects of the film. First these sequences show us the type of man that George Reeves was trying to become (simply trying to get noticed) and, possibly more important, the type of actor that Affleck is becoming as his career becomes more about making quality films than making sure-fire moneymakers.
Based on the true story of the Hollywood unsolved murder of TV�s George Reeves, Hollywoodland stars accomplished actors Ben Affleck, Diane Lane, Bob Hoskins and Adrien Brody. Each plays a rather pivotal role in the film either as Reeves� lover (Diane Lane), her estranged husband (Bob Hoskins), a private investigator (Adrien Brody) or the man himself George Reeves (Ben Affleck in quite possibly his finest peformance to date).
Posted in: Disc Reviews by Archive Authors on February 8th, 2007
Ever write off a movie based solely on the buzz? I did that with Hollywoodland before I'd ever heard the actual title - someone asked, "did you hear about Ben Affleck's new movie? I hear it stinks." Given Affleck's recent string of box office flops, that's all it took for me to avoid the film.
Of course, it's not just an Affleck movie; it also stars Adrien Brody (The Pianist), Diane Lane (Under the Tuscan Sun) and Bob Hoskins (Mrs. Henderson Presents). As expected, these actors turn in fine performances, creating characters that keep viewers' interest while the film meanders its way through one of Hollywood's unsolved mysteries. The nice surprise here, though, is that Affleck (Surviving Christmas) more than holds his own with a superb performance as George Reeves. It's easy to forget that Affleck is a talented actor, but if you think back to films like Shakespeare in Love and Good Will Hunting, his performance here is less of a surprise.
Posted in: Disc Reviews by David Annandale on February 5th, 2007
Three young couples on a road trip leave their turtled vehicle and march through the dark woods, hoping to find the highway again. (Clearly Mensa candidates, each and every one.) They stumble upon an apparently abandoned secret facility, and naturally blunder in. A psychically powered lunatic uses astral projection to do bad things to them. People start to die. No great loss.
Think through this equation for me, will you? Direct-to-video + walking-around-tunnels-plot + Tara Reid = ? What do you think? That the movie is not a COMPLETELY incompetent mess at the technical level is a minor miracle. That it would be anything other than tedious, however, would have required a major one.
