1.85:1 Widescreen

We are in Haiti during the late 1970's, under the brutal dictatorship of Pap Doc Duvalier. At a beach resort, we meet three middle-aged women engaged in what amounts to sex tourism. Charlotte Rampling is Ellen, an imperious ex-pat British professor; Karen Young is Brenda, a psychologically fragile American divorcee; and Louise Portal is Sue, an earthy warehouse manager from Montreal. Disillusioned by their romantic prospects back home, they revel in the (paid) sexual attentions of handsome young Haitians, most notably Legba (Ménothy César), with whom both Rampling and Young are in love.

Synopsis

I grew up with Beavis & Butthead, the so stupid it hurts MTV cartoon show that basically would launch MTV programming and put it on the map for future series. Mike Judge was the creator behind that masterpiece. He would go on later to be the guy behind King of the Hill and a few assorted good shows. However, somewhere along the way he decided to direct a couple of movies. His most recent affair, Idiocracy; a feature film staring Luke Wilson (Old...

Certain aspects of Working Girl have not aged well, but the film remains a quality production that showcases Melanie Griffith in her best role, with Harrison Ford and Sigourney Weaver as superb, lightly humorous supporting characters.

Tess McGill (Griffith) is a secretary struggling to rise in the New York business world. After a series of bad experiences with chauvinistic managers, she's transferred to a new secretary role, this time under a female boss (Weaver).

Some films can be intensely personal. Written and directed by one individual, the stories are fairly long in runtime and epic in terms of hopes and dreams, with characters that intertwine either coincidentally or a little bit more directly. They always seem to have a big name marquee star or two in them and always end on a message of hope or optimism.

Take the case of Babel. Written by Guillermo Arriaga and directed by Alejandro Gonzalez Inarritu, who were the creative team behind the Amores Perros and 21 Grams films comes perhaps their grandest idea yet.

In the great tradition of Hollywood rehashes, The Guardian applies a new coat of paint to a tried-and-true formula. In this case, we're talking about the story of Top Gun with Coast Guard rescue swimmers in place of Air Force fighter pilots. Oh, and maybe throw in a little Officer and a Gentleman for good measure.

Stop me if you've heard this one. They're the elite, the best of the best. Their training program is the most difficult in the world, and it will weed out anyone who can't cut it in their dangerous profession.

A group of former college friends (now apparently weathered by life, though they look as if they are CURRENT college friends) gather at beach cottage for a reunion. Stresses and resentments within the various marriages and couplings quickly put a damper on the weekend, and a desultory evening’s conversation leads to a few members of the group playing the party game that consists in reciting “Dead Mary” in front of a mirror. Inevitably, the evil spirit is summoned, and people start being killed off.

It's really hard for me to review films such as this one. On the one hand, I firmly believe in film preservation, and the importance of not shying away from history, no matter how painful it may be. On the other hand, it's difficult for me to enjoy a film that so casually deals with the trade of humans. Band of Angels tells the story of the daughter of a plantation owner who is sent away to school. Her father is a good and kind man, for he has never beaten his slaves. When he falls deathly ill, she rushes back...

There are a few early sequences in Hollywoodland that show two important aspects of the film. First these sequences show us the type of man that George Reeves was trying to become (simply trying to get noticed) and, possibly more important, the type of actor that Affleck is becoming as his career becomes more about making quality films than making sure-fire moneymakers.

Ever write off a movie based solely on the buzz? I did that with Hollywoodland before I'd ever heard the actual title - someone asked, "did you hear about Ben Affleck's new movie? I hear it stinks." Given Affleck's recent string of box office flops, that's all it took for me to avoid the film.

Of course, it's not just an Affleck movie; it also stars Adrien Brody (The Pianist), Diane Lane (Under the Tuscan Sun) and Bob Hoskins (Mrs. Henderson Presents).

Three young couples on a road trip leave their turtled vehicle and march through the dark woods, hoping to find the highway again. (Clearly Mensa candidates, each and every one.) They stumble upon an apparently abandoned secret facility, and naturally blunder in. A psychically powered lunatic uses astral projection to do bad things to them. People start to die. No great loss.

Think through this equation for me, will you? Direct-to-video + walking-around-tunnels-plot + Tara Reid = ?

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