Posted in: Disc Reviews by Archive Authors on October 15th, 2006
This remake of the 1976 horror classic The Omen is a solid psychological thriller. I should admit that I have never seen the original, so I can’t make a comparison. For opinions from that perspective, I imagine an Internet search will find more than enough.
I can, however, weigh in on whether I think this move should have been made, a question always asked about Hollywood remakes. My answer? Yes, because it offers the film to a new audience, of which I’m a part. And now that I’ve seen and enjoyed this new version of The Omen, I’m also interested in checking out the original.
Posted in: Disc Reviews by Archive Authors on October 15th, 2006
Synopsis
What still surprises me when seeing Fast Times at Ridgemont High almost a quarter century after the film was initially released is the impressive casting. Some veterans did contribute to the film, but check out the laundry list of relative unknowns, and where they’ve gone onto. You’ve got Academy Award nominees (Jennifer Jason Leigh, Sean Penn and Martin Brest, who received Directing and Best Picture nominations for Scent of a Woman), an Emmy nominee/Golden Globe winner (Anthony Edwards), a ...
Posted in: Disc Reviews by Archive Authors on October 8th, 2006
One of the nice side effects of the popularity of DVD is that the general public is seeing many films that they would not have seen before. The more people that have DVD players in their homes, the more budget titles hit store shelves. Therefore, people are more apt to pick up a title sight-unseen, and some pretty descent direct-to-video films that would never have made it into theaters have found new life in the home theater market.
Warner Brothers knows a good thing when they see it, so they have created a company that produces horror movies with the specific intention of releasing them in the direct-to-DVD market.
Posted in: Disc Reviews by Archive Authors on October 6th, 2006
Synopsis
I thought I knew all about Stick It based on the cover of the disc: “From the Writer of Bring It On”. That’s it, game over. What I could expect was a film where the girls ruled the show, the adults, if they could be found, were pretty marginal, and there would be a lot of ass shots. But despite all the semi-glorified ass shots, Stick It isn’t necessarily a bad movie. In fact, I kinda liked it. Maybe it’s all the ass exposure, I don’t know. Whatever the reason, the 103 minutes ...
Posted in: Disc Reviews by David Annandale on October 6th, 2006
Tinto Brass, reigning high priest of the handsomely mounted skin flick, returns with this portmanteau feature. Six couples spice up their sex lives as the women have sex with other people and their menfolk watch/hear about it/join in too.This is the most explicit film from Brass to come out on the Cult Epics label, in that a fair bit of the sex here is not simulated. The tone is consistently cheerful, and there are some quite funny moments. The performers look more like real people than one might expect, and so, all in all, this ain't deep, but it's better than most efforts of its kind.
Posted in: Disc Reviews by Archive Authors on October 4th, 2006
Synopsis
Everything I needed to know about why there was a double-dip of Save the Last Dance was answered within the first five minutes, when I saw a trailer for what appears to be the straight-to-video sequel for the film. So from there, the strategy appears to be to throw two or three semi-current extras onto the existing disc and call it a special edition. My favorite. Like green vegetables first thing in the morning. Now don’t get me wrong, the movie itself I like, but I would guess that there ar...
Posted in: Disc Reviews by Archive Authors on October 1st, 2006
Synopsis
As one who has a brother that is (or was) a bit of a Stephen King fanatic and loves goofy King adaptations like Pet Cemetery, I’d never seen The Dead Zone, and I’m a Christopher Walken (True Romance) fan. I’m also a David Cronenberg (Dead Ringers) fan. And now that I’ve finally seen The Dead Zone, I can consider myself having a fairly complete existence now.
Based on King’s novel and adapted for the screen by Jeffrey Boam (The Lost Boys), Johnny S...
Posted in: Disc Reviews by Archive Authors on September 27th, 2006
Synopsis
Adam Sandler plays Michael Newman, stressed-out workaholic who, overwhelmed by his job though he is, is allowing it to interfere with his family life. At the end of his tether one night, he sets out to buy a universal remote, but Christopher Walken (apparently playing Christopher Lloyd) sells him a truly universal remote.
All sorts of gags involving giving the real world the rewind, pause, fast-forward and slow-motion treatment ensue, and a number are funny. But as sure as night f...
Posted in: Disc Reviews by Archive Authors on September 25th, 2006
Steven Soderbergh’s Traffic tells so many stories intertwined into one unique story that one can’t help but be drawn into what we’re viewing. The story involves many different characters including, Javier and Manolo (Benicio Del Toro and Jacob Vargas), newly appointed Presidential Drug Czar Bob Wakefield (Michael Douglas), daughter Caroline (Erika Christensen), Drug Enforcement agents Castro (Luiz Guzman) and Gordeon (Don Cheadle), drug kingpin Carlos Ayala (Steven Bauer) and his wife (Catherina Zeta-Jones). < ...
Posted in: Disc Reviews by Gino Sassani on September 22nd, 2006
Fortunately, American Gun does not appear to be about the debate on owning guns. It’s a trap, and I doubt there will be much movement on either side of the issue. The film instead mostly deals with members of a community where three years earlier a Columbine-like school shooting occurred. The story slowly plods through the lives of several families, most notably the mother and brother of one of the deceased gunmen. This is where the title and its advertised premise confuse me.
