Posted in: Disc Reviews by Archive Authors on October 15th, 2006
Synopsis
What still surprises me when seeing Fast Times at Ridgemont High almost a quarter century after the film was initially released is the impressive casting. Some veterans did contribute to the film, but check out the laundry list of relative unknowns, and where they’ve gone onto. You’ve got Academy Award nominees (Jennifer Jason Leigh, Sean Penn and Martin Brest, who received Directing and Best Picture nominations for Scent of a Woman), an Emmy nominee/Golden Globe winner (Anthony Edwards), a ...ony nominee (Eric Stoltz) a Emmy and Tony winner in Mr. Hand himself, Ray Walston, a Cannes Best Actor and likely Best Actor nominee this year (Forest Whitaker), and to round things out, two Oscar winners in then-Nicolas Coppola, later Nicolas Cage, and for the twenty-something screenwriter/director who turned out to be Cameron Crowe.
Posted in: Disc Reviews by Archive Authors on October 8th, 2006
One of the nice side effects of the popularity of DVD is that the general public is seeing many films that they would not have seen before. The more people that have DVD players in their homes, the more budget titles hit store shelves. Therefore, people are more apt to pick up a title sight-unseen, and some pretty descent direct-to-video films that would never have made it into theaters have found new life in the home theater market.
Warner Brothers knows a good thing when they see it, so they have created a company that produces horror movies with the specific intention of releasing them in the direct-to-DVD market. The first film in the three-picture package is Rest Stop: Dead Ahead This is the story of Nicole, a young girl that runs away from home with her boyfriend to make it big in Hollywood. On the way, the couple pull over at a rest stop. As it turns out, this is a very bad idea.
Posted in: Disc Reviews by David Annandale on October 6th, 2006
Tinto Brass, reigning high priest of the handsomely mounted skin flick, returns with this portmanteau feature. Six couples spice up their sex lives as the women have sex with other people and their menfolk watch/hear about it/join in too.This is the most explicit film from Brass to come out on the Cult Epics label, in that a fair bit of the sex here is not simulated. The tone is consistently cheerful, and there are some quite funny moments. The performers look more like real people than one might expect, and so, all in all, this ain't deep, but it's better than most efforts of its kind.
Audio
Posted in: Disc Reviews by Archive Authors on October 6th, 2006
Synopsis
I thought I knew all about Stick It based on the cover of the disc: “From the Writer of Bring It On”. That’s it, game over. What I could expect was a film where the girls ruled the show, the adults, if they could be found, were pretty marginal, and there would be a lot of ass shots. But despite all the semi-glorified ass shots, Stick It isn’t necessarily a bad movie. In fact, I kinda liked it. Maybe it’s all the ass exposure, I don’t know. Whatever the reason, the 103 minutes ...f Stick It start with Haley Graham (Missy Peregrym, Catwoman), your proverbial rebel with a load of talent who keeps pissing it away by rebelling on anything and anybody. And as punishment for vandalizing a house, her father (and yes, that is Uncle Rico himself, Jon Gries, from Napoleon Dynamite) gets her to rejoin a gymnastics academy she dropped out of as part of her restitution, community service, etc.
Posted in: Disc Reviews by Archive Authors on October 4th, 2006
Synopsis
Everything I needed to know about why there was a double-dip of Save the Last Dance was answered within the first five minutes, when I saw a trailer for what appears to be the straight-to-video sequel for the film. So from there, the strategy appears to be to throw two or three semi-current extras onto the existing disc and call it a special edition. My favorite. Like green vegetables first thing in the morning. Now don’t get me wrong, the movie itself I like, but I would guess that there ar...n’t too many hard-core devotees that are complaining about a double dip.
Posted in: Disc Reviews by Archive Authors on October 1st, 2006
Synopsis
As one who has a brother that is (or was) a bit of a Stephen King fanatic and loves goofy King adaptations like Pet Cemetery, I’d never seen The Dead Zone, and I’m a Christopher Walken (True Romance) fan. I’m also a David Cronenberg (Dead Ringers) fan. And now that I’ve finally seen The Dead Zone, I can consider myself having a fairly complete existence now.
Posted in: Disc Reviews by Archive Authors on September 27th, 2006
Synopsis
Adam Sandler plays Michael Newman, stressed-out workaholic who, overwhelmed by his job though he is, is allowing it to interfere with his family life. At the end of his tether one night, he sets out to buy a universal remote, but Christopher Walken (apparently playing Christopher Lloyd) sells him a truly universal remote.
Posted in: Disc Reviews by Archive Authors on September 25th, 2006
Steven Soderbergh’s Traffic tells so many stories intertwined into one unique story that one can’t help but be drawn into what we’re viewing. The story involves many different characters including, Javier and Manolo (Benicio Del Toro and Jacob Vargas), newly appointed Presidential Drug Czar Bob Wakefield (Michael Douglas), daughter Caroline (Erika Christensen), Drug Enforcement agents Castro (Luiz Guzman) and Gordeon (Don Cheadle), drug kingpin Carlos Ayala (Steven Bauer) and his wife (Catherina Zeta-Jones). < ...p>
Traffic deals with the issue of drug trafficking, and drugs in general. Soderbergh presents all the aforementioned characters in this drug world giving each character their own story resulting in each story containing a purpose and a point that makes us get involved. What we eventually learn is that the film isn’t necessarily about drug lords like Carlos Ayala trafficking drugs, but rather trafficking a part that belongs in everyone’s life, as we find out in the film.
Posted in: Disc Reviews by Gino Sassani on September 22nd, 2006
Fortunately, American Gun does not appear to be about the debate on owning guns. It’s a trap, and I doubt there will be much movement on either side of the issue. The film instead mostly deals with members of a community where three years earlier a Columbine-like school shooting occurred. The story slowly plods through the lives of several families, most notably the mother and brother of one of the deceased gunmen. This is where the title and its advertised premise confuse me. The story is more about the emotional toll any tragedy takes on a small town. Except for a paranoid obsession of a principal trying to keep the school free of guns, the weapons have less to do with the stories than one would expect. The most confusing factor in the film is the B story of a girl who works in her grandfather’s gun shop. This sidetrack takes place across the country and seems unrelated to the main plot. We never get a satisfying answer as to the connection. She has supposedly moved there from the West coast, and while it is never explained, one might guess she was at the school during the shooting. The film tries to stay away from the hit you over the head emotional plea to ditch all guns… that is, until a shocking and quite unnecessary convenience mart scene at the film’s end.
There are a ton of speaking parts in the film. It’s estimated at over 50 in the making of feature. The cast is quite good. I don’t only mean the obvious heavy hitters in Forest Whitaker and Donald Sutherland. Chris Warren, Jr. is marvelous as a kid who doesn’t really like guns but feels forced to carry because of his neighborhood. He considers walking around without a gun as being “naked”. Chris Marquette also has a strong role as the brother of one of the killers. I can’t even imagine what it must be like to be forced to attend a school where your brother killed students and teachers three years prior.
Posted in: Disc Reviews by Archive Authors on September 20th, 2006
Synopsis
Anthony “Treach” Criss of Naughty By Nature plays the title character, a one-man army as part of a vaguely defined intelligence agency. He is the midst of rescuing the President’s wife from a hostage situation when bungling by the Secret Service results in an explosion that blinds him. Three years later, his old boss lures him back to the field with the promise of regained sight. This he gets, but now he can see in the dark. The plan is apparently to steal a satellite component in order to p...ove that old-fashioned agents are still the best, but there is more afoot than, ahem, meets the eye.
