Posted in: Disc Reviews by Gino Sassani on May 9th, 2024
"People scare better when they're dyin.'"
Mention the name Sergio Leone and you immediately think of Clint Eastwood and their Man With No Name trilogy. The truth is that Leone was the master of the spaghetti western and largely responsible for making Clint what he is today. When the Italian director decided to try his hand at Hollywood, he was welcomed with open arms, except they weren't interested in anything but an American copy of a spaghetti western. Leone had something else in mind. He had a "been there, done that" attitude about the westerns and wanted to do an epic called Once Upon A Time In America. But Hollywood was hearing none of that. So they compromised. If Leone delivered a stylistic western, the studio would spring for the epic he wanted to make. The result of that parlay turned out to be Once Upon A Time In The West.
Posted in: Disc Reviews by Gino Sassani on March 14th, 2024
"You know your weapons. It's a lever-action breech-loader. Usual barrel length's thirty inches. This one has an extra four. It's converted to use a special forty-five caliber, hundred-and-ten-grain metal cartridge, with a five-hundred-forty-grain paper patch bullet. It's fitted with double-set triggers, and a Vernier sight, marked up to twelve-hundred yards. This one shoots a mite further."
It almost happened again. Lightning almost hit Tom Selleck for a second time, and I don't mean in a good way. Tom Selleck was having fun and a tremendous amount of success playing Magnum P.I. on television. It was a character he got on the strength of a recurring character on The Rockford Files, and it was a huge hit. But in 1981 it didn't seem so much like a blessing. Casting calls went out, and he was approached to play an archaeologist trying to beat the Nazis to some kind of a McGuffin or another. The Magnum commitment kept him from taking the role, and it went to Harrison Ford, who turned it iconic.
Posted in: Disc Reviews by Gino Sassani on January 19th, 2024
"You are now the property of Erewhon Prison. A citizen of nowhere. The Geneva Convention is void here; Amnesty International doesn't know we exist. When I say your ass belongs to me, I mean exactly that."
I am a huge John Woo fan, especially his earlier classics like Hard Boiled. I’ll admit it’s been several years since I last seen Face/Off, but I don’t have a reason why, as I remember really liking this movie then. At either rate now I have a copy of the movie to call my own, and a special two disc release at that. Let’s just hope that it is what I remember, but as a big fan of Nick Cage I don’t think I’ll be let down. In order to catch him, he must become him. I couldn’t put it any better myself, Face/Off tells quite the eccentric story of revenge, devotion, and of course crime. Sean Archer (John Travolta, Wild Hogs) is an extremely devoted FBI agent, obsessed with catching terrorist Castor Troy (Nicholas Cage, Ghost Rider).
Posted in: Disc Reviews by Gino Sassani on January 17th, 2024
"I know what you're thinking. "Pain is coming. Will I take it like a man?" Well, let me put you at ease. You won't -- but none of them do. Men, women, children, they all weep, they all beg, they pass out, they piss themselves, they attempt negotiation. You wouldn't believe how many men I've seen lying right where you're lying right now, grown men with wives and children at home, offering all kinds of sexual gratification for a five-minute reprieve. It's pathetic."
Suspect Zero follows the contradictory teacher/student relationship between serial killer Benjamin O’Ryan (Ben Kingsley)
Posted in: Disc Reviews by Gino Sassani on October 11th, 2023
"I met him fifteen years ago. I was told there was nothing left. No reason, no conscience, no understanding, even the most rudimentary sense of life or death, good or evil, right or wrong. I met this six-year-old child, with this blank, pale, emotionless face and the blackest eyes ... the devil's eyes. I spent eight years trying to reach him, and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply ... evil."
Blumhouse and David Gordon Green recently finished a sequel/reboot of John Carpenter's Halloween with mixed results. He got Jamie Lee Curtis to return for all three films in the trilogy. Most of the various sequels and reboots did not include the original film's star, but Green was not the first one to get her to return to the role of Laurie Strode.
Posted in: Disc Reviews by Gino Sassani on September 20th, 2023
“Don’t expect too many mistakes from this man. After all, he does seem rather more interesting than just another reader researcher. For example; has he gone into business for himself? Was he turned around? Does someone operate him? Is he homosexual? Broke? Vulnerable? Could he be a soldier of fortune? Did he arrange the hit? Is that why he’s still in flight? Still, he may be innocent. But why didn’t he come in gently?”
Sydney Pollack might have been channeling the essence of Alfred Hitchcock when he directed 3 Days Of The Condor. It’s hard not to see the similarities to some of Hitch’s work. But he might also have been having a bit of precognition at the same time. The later novels and films about Jason Bourne bear a striking resemblance to this 1975 thriller.
Posted in: Disc Reviews by Michael Durr on August 29th, 2023
Typically, I avoid World War II period films like the plague. I literally see the word Nazi or German occupation and usually find a reason not to see the movie. I have nothing against the pictures; the problem is that so many of these films are surrounded in clichés that it feels like an old hat with nothing new to offer. However, when I saw The Day and the Hour in my review pile, I was intrigued by the notion of it being in France with a female lead and something of a romance. Far different from the usual pow pow, war is heck, or a film that's going to have buckets and buckets of tears and worrying about the human condition. Though from the looks of things, this one might have some waterworks too. Let's take a look.
Posted in: No Huddle Reviews by Michael Durr on May 24th, 2023
I think all of us want to be on stage, at least in theory. For me, it started with some plays in high school. But from there, those aspirations were cut short due to my father telling me that I needed a real job (which was his favorite thing to tell me in high school and college). I don't think the decade I spent in karaoke bars (and actually singing) really counts for anything either. So I've always been fascinated with theater, particularly when it comes to comedy. When I saw King of Laughter as a possible review title, I took a peek at the trailer and decided to give it a shot. After all, what's not to like about a story featuring the famous actor/playwright Eduardo Scarpetta in a battle with the courts over the concept of parody? Let's take a look.
Posted in: Disc Reviews by Gino Sassani on May 12th, 2023
"We watched as the bombs shattered the second comet into a million pieces of ice and rock that burned harmlessly in our atmosphere and lit up the sky for an hour. Still, we were left with the devastation of the first. The waters reached as far inland as the Ohio and Tennessee Valleys. It washed away farms and towns, forests and skyscrapers. But the waters receded. The wave hit Europe and Africa too. Millions were lost, and countless more left homeless. But the waters receded. Cities fall, but they are rebuilt. And heroes die, but they are remembered. We honor them with every brick we lay, with every field we sow, with every child we comfort, and then teach to rejoice in what we have been re-given. Our planet. Our home. So now, let us begin."
It all started when Steven King wanted to remake the sci-fi cult classic When Worlds Collide. These films must have been favorites to him, as he would indeed go on to remake George Pal's better known film War Of The Worlds and the Robert Wise classic The Day The Earth Stood Still. But it just never really happened for When Worlds Collide, at least not directly.
Posted in: Disc Reviews by Michael Durr on April 21st, 2023
Even though I consider myself to be well-rounded when it comes to films, I admit my personal viewing history of French film to be a little lacking. Go Google any top 20 list of French films, and I've probably seen maybe two or three of the films. This is very contradictory to say Chinese, Japanese, English (UK), Australian, etc. where I've seen hundreds of films. But I'm always willing to expand my repertoire, so I jumped when I saw there was a French crime thriller named L'Homme Du Train or The Man on the Train available for review. Let's see how it plays out.
