Posted in: Disc Reviews by Archive Authors on January 14th, 2005
First off, let me say that if you have only seen Showgirls on VH-1, then you haven’t had the full experience. It’s bad on network television, but the sheer scope of how truly awful it is can only be experienced in the full, uncut version. Laughing at an idiot is one thing. Laughing at a naked idiot is something else entirely. It’s amazing how un-sexy this film really is. Showgirls is funny in the same way that it was funny to make fun of the fat kid riding in the front of the bus in Junior High. ...art of you feels sorry for Elizabeth Berkeley, and part of you secretly gets a certain satisfaction out of watching her fail so horribly and famously on film. The point is, this film is truly enjoyable, in the most twisted of ways.
This trashy flick is the very definition of a film so bad that it’s good. For those of you that live in a cave in Afghanistan, this is the story of a small-town girl who goes to Vegas to make it big as a showgirl (because you have to have goals, right?). Once she gets there, she finds that Sin City is called that for a reason, and she fights through catty co-workers, sleazy managers and her own blind ignorance to get her shot at the big time. I think I might have died of boredom if this movie wasn’t so gloriously horrible.
Posted in: Disc Reviews by Archive Authors on January 13th, 2005
“All good things must come to an end…” Truer words have never been spoken, especially when it comes to describing what may be argued as the greatest epic ever produced for the silver screen. Peter Jackson’s Lord of the Rings trilogy has redefined excellence in movie making. The only other series that I can compare this accomplishment to is, not surprisingly, the original Star Wars trilogy in terms of the scope of what was accomplished – old fashioned story telling which captured its audience with ground...breaking visuals and sound. Where Peter Jackson has surpassed George Lucas however, was in the DVD production of the Lord of the Rings trilogy. The extended versions of the three films should be identified as the best DVDs ever produced. Period. These versions of the films truly demonstrate the full potential of what DVD has to offer.
The Return of The King completes the Lord of the Rings trilogy by allowing Aragorn to fulfill his destiny and bring honor back to his disgraced family line, bringing together the peoples of Middle Earth to fight for a common good, and for Frodo to end his life altering journey to save all of the people of his world. The extended version adds 50 minutes to the already 3 hr and 20 minute long theatrical cut. One would think that it may be difficult to sit through a 4 hr and 10 minute film, but nothing could be further from the truth. The additional scenes contribute an added depth to the movie that rounds out the story very nicely. The mix of the scenes involve a deepening of not just action, but also emotional tenderness, suspense, and humor.
Posted in: Disc Reviews by David Annandale on January 12th, 2005
Synopsis
Posted in: Disc Reviews by Archive Authors on January 11th, 2005
De-Lovely is a musical bio-pic based on the life of Cole Porter. Now, Porter was an American genius, responsible for writing such song classics as “Love for Sale” and “Anything Goes”. Porter’s personal life was also legendary. He had a wife, but also had affairs with men. Porter also suffered a horse riding accident in the late 1930’s that debilitated him for the rest of his life (to his death in 1964). Sounds like the great makings of a movie, right? Well….
Kevin Kline plays Cole Porter, and h... has the necessary panache to pull off the role. Ashley Judd also has a nice turn as Linda, Porter’s wife. The problem with the film is the presentation. The film tries for a musical within a musical idea, as an older Porter oversees a musical based on his life. Sometimes the technique works, sometimes it misfires. Modern music stars are also peppered throughout the film (like Elvis Costello, Alanis Morissette, and Sheryl Crow) singing Porter tunes. Some of these songs do not work very well (Miss Morissette – guilty as charged!). The director, Irwin Winkler, is an old Hollywood vet, so he does show reverence for the material. The result is a charming, if not entirely successful, musical bio-pic.
Posted in: Disc Reviews by Archive Authors on January 11th, 2005
The story of Troy and the warrior Achilles is the stuff of legends now brought to life by Wolfgang Peterson. With an ensemble cast including Brad Pitt, Eric Bana, Peter O’Toole, Brian Cox, Brendan Gleeson and Sean Bean there are only two things that can happen, magic or mediocrity. In this case I think we end up somewhere in between. Some scenes like the battle between Achilles and Hector is incredible while the storming of the beach at Troy is almost downright laughable. Overall though the film works I just wish it ...as a little longer to flesh out more of the subplots, because the long run that’s what holds this film back.
Video
Posted in: Disc Reviews by David Annandale on January 8th, 2005
Synopsis
Posted in: Disc Reviews by Archive Authors on December 31st, 2004
On the DVD cover of The Door in the Floor, the writing promises “surprises”, “shocks”, and “cuts like a knife”. One would think this movie would be a thriller. False advertising can get you nowhere. The Door in the Floor is far from a thriller, but more in the meditation on love, loss, and loneliness genre. Jeff Bridges and Kim Basinger star as a dysfunctional married couple. Things are far from blissful. Bridges is a writer of children’s fiction; Basinger is, well, I’m not sure what she does. Bu... she sure is unhappy. She even takes up an affair with a young boy, played effectively by Jon Foster.
The movie is based on the first third of John Irving’s novel “A Widow for One Year”. It does feel a little like the first act of a much larger story. But the movie kinda works as a stand alone piece. Door covers some familiar territory (think In the Bedroom but without the murder). Basinger is good, but the movie is Jeff Bridges’ to own. He’s tortured but understated, rascally but sympathetic. The performance is one of the best of 2004. “The Dude” abides.
Posted in: Disc Reviews by David Annandale on December 29th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on December 21st, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on December 21st, 2004
Synopsis
