2.35:1 Widescreen

Steve Carell is Evan Baxter in this “sort of” sequel to Bruce Almighty. He is a freshman member of the United States Congress about to start his first day. His campaign promise was to “change the world”. In the “be careful what you wish for” department, God (Morgan Freeman) gives him the chance to do just that. There’s just one catch, however. Evan has to build an ark…. You know the rest of that story. Suddenly animals begin arriving in pairs, and Evan makes a physical transformation into the traditional long bearded Noah. As you might imagine, this causes some troubles in his life as a Congressman. Try as he might, this modern-day Noah can’t escape his divine destiny. You’re probably thinking: “this sounds like funny stuff”. Wrong. This film meanders through a one-joke plot for most of its hour and a half. Steve Carell is no Jim Carrey and simply doesn’t have the chops to carry this off. The film resorts to mostly physical gags that are more gross-out than funny.

The main quote on this disc's cover reads, "if you liked Bend it Like Beckham, you'll love Gracie." Baloney. OK! Magazine's Karen Berg got me all excited with this raving tidbit, because I did like Bend it. A lot. Unfortunately for me and anyone else who pays attention to such quotes, Bergie either never watched Gracie or just doesn't know movies and why people like them.

Here's my new quote for the DVD case: "If you still like after-school specials, you'll be delighted with Gracie, a half-baked TV movie in the guise of something more."

The style of "Grindhouse" films were something of a cult legend. More often than not, they were crazy over-the-top horror movies or action movies that had insane action that usually involved a body count that could rival an Arrrrrnold flic. These were referred to commonly as "B" flics due to the shoddy quality of the films. Video would be scratched up, missing reels were all over the place and audio would drop at the most inconvenient moment. More often than not they would be shown at some crusty drive-in for the change in your pocket. Fast forward to 2007 where Quentin Tarantino and Robert Rodriguez decided to resurrect the forgotten genre and brings us two movies (Death Proof and Planet Terror) to the screen.

The films unfortunately did not do so well at the box office. They were scrutinized for being too long (due to the Double Feature, the movie experience was roughly 4 hours) and many people just didn't get "it". When it came time for the two movies to be released on dvd, they decided to release them separately. Planet Terror would be released in mid-October and the focus of this review: Death Proof would be released in mid-September. I had the opportunity of picking it up at Best Buy with a special limited edition tin that included three discs rather than the standard two found in the other editions. Being the huge Kurt Russell fan, I leapt right in and paid at the counter.

Shout Factory has begun to release DVD editions of Elvira’s Movie Macabre, the cult hit TV show from the 80s wherein our curvaceous goth host makes off-colour jokes and pokes fun, during the commercial breaks, of the movies she’s showing. Up on the chopping block in this set are Gamera, Super Monster and They Came From Beyond Space.

The former was the last Gamera film until the revival in the 90s, and is a thoroughly weak entry. An evil spaceship (suspiciously resembling a Star Destroyer, but introduced to us through the excitingly cinematic technique of ILLUSTRATIONS) is heading towards Earth. Acting in our defense is a trio of superwomen and Gamera, who battles, through the miracle of stock footage, his former foes.

If you told me about a film by the screenwriter of Forrest Gump, The Insider and Munich, and the director who brought us L.A. Confidential, I'd say bring it on. If you went on that it was set in the high stakes world of professional poker, I'd be excited. But then you'd say it's a romance starring Eric Bana (Troy) and Drew Barrymore (Never Been Kissed). I'd begin to doubt. Then I'd think back to The Insider, and tell myself a great script is the only way to make a great film.

Then I'd watch Lucky You and realize even a great screenwriter can turn out a clunker. But maybe there'd be hope for the DVD?

“Here’s the thing about the future. If you look at it it changes, and every time you look at it it changes again…”


If Nicolas Cage had Chris Johnson’s ability to see into the future, he might have avoided his latest film, Next. At the very least he might have been tempted to monkey with it in order to get a better box office take than it ultimately received. The film was in and out of theatres faster than I could blink, let alone catch it. If Cage had foreseen the film’s demise, it would have been unfortunate for us who got to see this film on DVD for the first time. The fate of the film is a bit of a mystery. The sci-fi trade and fan magazines were all over this one in pre-release hype. One explanation can be found in the way the film depicts the flash forward moments. While I am aware it is intentional and I understand the purpose, it was often too difficult to get your bearings. An audience doesn’t like to feel stupid. We don’t mind being surprised, but we want to be able to figure it all out so that we can feel smarter. Films rarely succeed when they leave the viewer feeling like an idiot. A subtle hint as to “when we were” might have gone a long way in making this easier on the audience. I think I have more patience than most in this regard, but even I felt cheated sometimes by the presentation of the various timelines.

2004 brought moviegoers two big-budget historical epics in Oliver Stone's Alexander and Wolfgang Petersen's Troy. One bombed. The other performed well, but was by no means heralded as a critical success. No, Troy was praised for slick production values and exciting battles, but derided for a lack of emotional depth.

Can it all be blamed on running-time constraints and compromises made for the ratings board? The answer is here, with the unrated Troy: Director's Cut, Petersen's second shot at eternal glory, this time with more than 30 minutes of additional footage.

It’s clear watching Fantastic Four: Rise of the Silver Surfer that Tim Story and company spent lots of time on the Silver Surfer and little gags for the Four’s powers, and not so much time on the actual story.

The result is a shiny hunk of refuse. There are holes all over the place, and once again the filmmakers have failed to present characters and conflicts the audience will actually care about. The world’s going to end? Big deal. On the bright side, while the film sucks, this 2-Disc Power Cosmic Edition DVD set is pretty fantastic.

Based on a popular 1957 novel by Alistair MacLean, The Guns of Navarone was a smash hit in 1961, and the highest grossing film of that year. It’s a World War II movie, and for its time was considered to be packed with excitement. While it definitely has some great action sequences, for modern standards the film has nowhere near the fast pace or high action-to-dialogue ratio we’ve come to expect from the genre.

So many years later, can a slow, talky action movie still excite audiences? And is The Guns of Navarone – 2-disc Collector’s Edition a worthy upgrade over the 2000 special edition release? Read on to find out.

Looking for romance? This three-movie collection from MGM likes long walks on the beach, candle-light dinners and formulaic plots. The films have been around a while, but a fresh new look makes this set an attractive option.

As is usually the case for common-theme boxed sets, Romance 101 includes one stinker, one hit and one older gem you probably forgot about years ago. The movies aren't the greatest examples of the genre, but the studio sweetens the deal, offering you three films for the price of one new-release DVD. Hit the jump for a rundown of these three discs.