2:39:1 Widescreen

"Good evening, Ethan. This is your president. Since you won't reply to anyone else, I thought I'd reach out directly. First, I want to thank you for a lifetime of devoted and unrelenting service; were it not for the tireless dedication of you and your team, the Earth would be a very different place. It might not even be here at all. Every risk you've taken, every comrade you've lost in the field, every personal sacrifice you made, has brought this world another sunrise. It's been 35 years since circumstances brought you to us and you were given the choice -- since the IMF saved you from a life in prison. And though you never followed orders, you never let us down. You were always the best of men in the worst of times. I need you to be that man now."

I imagine this is how it happened. It's January of 2019, and Tom Cruise has just popped into the bathroom to shave. He opens up that can of Barbasol just to make sure there isn't any dinosaur DNA left in the can, but as he takes off the cap, an authoritative voice begins to speak: “Good morning, Mr. Cruise. Your mission, should you decide to accept it, is to make a two-part film of the Mission Impossible franchise. It won't be easy. That's why only the IMF team can be counted on to complete this task. There are agents out to stop you before you even get started. In China there is a virus code-name COVID, and this virus will spread to pandemic levels just as you're starting to get your production crew together. Elements within our own government will take measures to shut you down.  Delays will cost an extra $100 million and necessitate crucial cast changes. They'll be serious injuries, and your release date will be July of 2021 ... I mean November of 2021 ... Would you believe May of 2022? ... Let's shoot for July 14, 2023. You will have to deal with nefarious crew members who will attempt to sabotage the project by standing closer than two meters apart. You may use over-the-top rants to attempt to intimidate these factions into compliance. Beware that said rants don't end up released by the press to the world. Somehow through all of these challenges you must create a pair of Mission Impossible films that will be bigger and better than anything that came before. And remember, Tom, if your film fails to bring in a billion or more, the studio will disavow your team, and your movie will go straight to streaming ... or worse, get shelved as a tax write-off. Good luck, Tom. This message will self-destruct in five seconds.” There's a swoosh of fog, and Tom Cruise is sitting in his bathroom with no shaving cream to complete his original task. I figure that's how it must have gone. And that was just for the first movie.

"Everybody deserves a second chance."

In some parts of the country there's a saying. If you don't like the weather, wait a few minutes. It'll change. That's exactly how I felt by the time my two hours watching M3GAN 2.0 was through. It was entertaining, to be sure, but I felt like I had been through about five movies before it was finally over. It's hard to imagine that is has been three years since we first met the robot/children's toy gone berserk, but it really has. It was my hope that everyone was just waiting until they had a great new idea before they trotted the killer doll out again. Most of the characters and actors who survived their first encounter with M3GAN returned for the sequel, with at least one of them being somewhat of a surprise appearance, and just like that first movie, you really have to be careful who you trust here, because killer dolls aren't the only things that are dangerous here. The humans can actually be a lot worse, and that just might be the point as M3GAN 2.0 gets a head start in the upcoming heated competition for the coming summer blockbuster season. We're just weeks away from a DC and Marvel one-two combination, but will M3GAN 2.0 survive the punches? Not likely, I'm afraid.

"I can guarantee your safety ... more or less." 

Some things cannot be beat, and they sure as heck can't be repeated. An old vintage cola commercial used to tell us, "Ain't nothing like the real thing, baby." And Jurassic World Rebirth is going to do anything it can for 134 minutes to try and tell you that isn't true, but we know better, don't we? Anyone who has seen the original Jurassic Park has their favorite moments, but one scene has always stood out for me and so many other film fans I've spoken to. When the camera pans to that peaceful swamp pasture and you see tons of dinosaurs walking about without a care in the world. If you didn't know how to react there, Sam Neill as Dr. Grant showed you how. His expression matched ours, and it was a wonderful cinematic moment of magic and wonder. You can never repeat that ever again. No matter how many Jurassic franchise movies or any other dinosaur movies might attempt to bring you that single moment, they never will. And that's OK. There are moments in Jurassic World Rebirth were it is quite obvious that director Gareth Edwards attempts to repeat that moment. He telegraphs it particularly in a scene where we get a wide shot of dinosaurs and we hear that old John Williams theme, and Edwards is pulling hard on our heartstrings. Sorry, Gareth. It didn't happen for anyone there. It's not your fault. You did everything right. But, you see, Steven Spielberg already took us there, and we will never have it again, but truly, man, thanks so much for trying. You did deliver the best of the Jurassic World films and the best franchise film since the original. You're just going to have to settle for that.

Good evening, everybody! My name is Robbie Williams. This is my band, and for the next two hours, YOUR ASS IS MINE!” 

I was really intrigued with the film’s concept. After all, every year musical biopics are released, and they can sometimes seem like they are all following the same blueprint, which, needless to say, makes it rather difficult for them to stand out. Better Man bucks that trend by instead of opting for an actor with a passing resemblance to the subject, rather depicting the subject as a chimpanzee, which was inspired by Robbie Williams’ own perception of himself as a "performing monkey". If that doesn’t make this film stand out, I don’t know what will. This also has the added benefit of allowing Williams to voice the character himself, which in my opinion adds a layer of authenticity to this biopic. After all, who better to tell their life story than the person themself?

"I'm not feeling motivated to be valuable to anyone but myself."

When Alex Kurtzman took over the television side of Star Trek, he started with Star Trek: Discovery.  Michelle Yeoh played one of the better characters on the series. She started as a ship's captain and was soon killed off. But then the ship heads into the Mirror Universe, where Yeoh's character of Philippa Georgiou wasn't a Starfleet officer. She was the emperor of the Terran Empire. She ended up on our side of the looking glass and had some rather interesting stories. It turns out that almost from the beginning Yeoh had some ideas of a spin-off she hoped to do. That series was Section 31, which involved a black-ops agency within the Federation, and she thought our kind of evil emperor might be a perfect fit. Section 31 was first explored on Deep Space Nine during the Dominion Wars and was left alone for decades. Now it's back in the form of a Star Trek feature film instead of the series. Why the drastic change, you may ask? A lot of things happened since the idea was first proposed.

"We work 364 days a year because on that one day we deliver presents to several billion individual domiciles across 37 time zones without ever being detected by a single human being. We prep, we rehearse every moment, every stop down to the last chimney. So yeah, it's a lot of work."

At first glance, it would appear that the crew for Red One is made up of folks who have had long associations with Dwayne Johnson, from Director Jack Kasdan, who also directed two of the Jumanji films, to writer Chris Morgan, who wrote many of The Fast And Furious films including the Johnson-led spinoff Hobbs And Shaw. He also wrote the last Shazam film, which led to Johnson's spinoff black hole Black Adam. It's a working environment friendly to the actor. But the rumors from this set are loaded with tales of Johnson blowing off work and/or showing up late and unprepared. It's honestly not his usual vibe, and consider his divorce from Fast And The Furious's Vin Diesel revolved around Johnson throwing the same kind of shade on that actor's behavior. I was curious if the on-set issues and also word of a ballooning budget would show up on the finished product. I'm happy to report there doesn't appear to be any disrupted chemistry on the film, and it became easy to dismiss all of that with just a few minutes on the Red One ride. Every year a film or two vies for that potential future classic position that I don't honestly think has been achieved since the 1980's and A Christmas Story. I'd say the next most recent might be the Dickens romp The Man Who Invented Christmas. In any case, I won't be adjusting my traditional holiday viewing to accommodate Red One. That doesn't mean there isn't some fun to be had.

I saw this film as an opportunity to gauge whether a movie could hold my two-year-old son’s attention. This is something I am particularly interested in, because it would demonstrate that my baby boy is finally ready for a theatrical experience. Unfortunately, he is not quite there yet. He watched for a bit, but then he eventually wandered off. Ironically, I didn’t notice his absence at first, as I was too focused on the movie. Based on the New York Times bestselling novel of the same name, The Wild Robot stars Lupita Nyong’o as Roz, a ROZZUM unit 7134 robot that becomes shipwrecked on an uninhabited island and must learn to adapt to the harsh surroundings, gradually building relationships with the animals on the island and becoming the adoptive parent of an orphaned gosling. Joining Nyong’o is Pedro Pascal in his animated movie debut, Bill Nighy, Stephanie Hsu, Ving Rhames, and Catherine O’Hara as the wildlife that Roz finds herself surrounded by. With How to Train Your Dragon’s Chris Sanders at the helm, The Wild Robot is a very entertaining tale that somehow, I ended up more interested in than my kids.

“The Wild Robot is a story that is not afraid to pull on your heartstrings.” 

"Not everybody can become United States Marines. We want the best and we settled for nothing but the best, because there is nothing prouder, nothing finer, nothing standing as straight as a United States Marine. Now they got the Air Force, they got the Navy, they got the Army, they got the Coast Guard - and if you want to join them, go ahead. They got plenty of room. But if you want a challenge, if you want to try something difficult, try to achieve the impossible - try 13 weeks of hell at Parris Island, South Carolina, and find out if you got what it takes, find out if you really are a man, then the Marines might be what you are looking for. Tarawa ... Iwo Jima ... Belleau Wood ... the frozen Chosin Reservoir. First to fight, we have never lost a war. We have always come when our country has called."

Born On The Fourth Of July has been both a controversial film as well as one of Tom Cruise's first breakout roles. Over time the film has become appreciated more as feelings on the Vietnam War have pretty much come full circle in the American political mind. Now it can be viewed for the remarkable performance Tom Cruise delivers and the rather stark reality check Ron Kovic's autobiography provided in 1976 to a nation that might not have been ready to hear it. Times have changed, and I think they're well reflected in Oliver Stone's film Born On The Fourth Of July, which Shout Factory has now made available in 4K for the first time.

"It's good to be back."

It’s the little things I supposed. When forced to confront the prospect of your own death, what will you do with the time you have left. Some fight against their own extinction. Some seek help from a higher power. While some cling to the past and seek comfort in their treasured memories. In a Quiet Place: Day One we see a bit of all three. While Day One marks the third installment in the Quiet Place franchise, it serves as the prequel for the series showcasing how the world went silent after sightless aliens with sharp hearing and impenetrable armor plating take over the planet and attack the human population. For me, this is a welcome addition to the franchise because while watching the first two films, one of my recurring thoughts was I would like to see how the world went quiet. Imagine my excitement when I this movie was announced. In my mind, I figured the prequel would continue to follow the Abbott family. However, Day One is comprised of a predominantly new cast, with the exception of Djimon Hounsou, who was introduced in the second film. While I was initially disappointed, I got over it quickly as new blood provides a new opportunity to expand the story rather than restricting yourself. Lupita Nyong'o, Joseph Quinn, and Alex Wolff represent our new additions to the franchise, and they don’t disappoint.

"This is the story of one of America's great unsung heroes. I mean, you've seen him, but you never knew who he was. You've cheered for him and cried for him, and women have wanted to die for him. But did he ever get any credit, or the girl? No! He's what we call the "stuntman", and the reason I'm talking so fondly about him is, well, because it's me, Colt Seavers. Anyway, picture work isn't wall-to-wall employment, so maybe you wonder how a guy keeps his head together. Well, one way is to wait by the phone ... and wait, and wait. The other is to take an occasional job with the court system of the United States of America, where a man is considered innocent until proven guilty. Unfortunately, sometimes a lot of these people get out of jail on what we call bail, and they'd run like hell ... and that's where I come in. I sometimes pick up rent money trying to find them and bring them back to justice." - Television series open.

Lee Majors performed a pretty solid television hat trick in his television career. Over three decades he starred in three iconic television shows that defined him for three successive generations. In the 1960's he was Heath Barkley on the TV western The Big Valley. Like the Cartwrights in the more popular series Bonanza, the Barkleys faced all of the elements of the Wild West, and Lee Majors was there for it all. From 1965 to 1969 he was in 112 episodes of the hit show. Then the 1970's arrived, which was the decade in which I became  acquainted with Majors as Steve Austin, "a man barely alive" until a secret government organization made him "better than he was" as The Six Million Dollar Man. He was "reassembled with a bionic arm, eye, and two legs. It made him "stronger ... faster ..." I spent many a summer afternoon running in slow motion and making that "chichichi" sound as a young boy. The Six Million Dollar Man ran from 1974 to 1978 and went 99 episodes, a couple of spin-offs, and several television movies. The show has been kicked around in Hollywood for decades with several attempts to make it a film franchise, often updated to The Six Billion Dollar Man. I guess a million bucks just doesn't go as far as it used to. Now it takes $126 million to put Majors' third series on the big screen. That happens to be the role of Hollywood stuntman-turned-action-hero Colt Seavers, and it ran from 1981 to 1986 and another 112 episodes. If you're keeping score at home, that's an amazing 323 + episodes of television over three decades. And now it's Colt who beats Steve and Heath to the big screen in The Fall Guy, directed by David Leitch and starring Ryan Gosling in Majors' Colt Seaver role and Emily Blunt as his co-star, playing Jody Moreno, originally played by Heather Thomas. But is this a movie that audiences are going to fall for?