2:39:1 Widescreen

"For most of human civilization, we believed that we were Earth's most dominant species. We believed that life could only exist on the surface of the planet. Well, after a certain point of view, you have to wonder what else we were wrong about. In the beginning, Hollow Earth lived in harmony with the surface world. The Titans were the guardians of nature, and the Great Apes became the protectors of humanity. But a great evil threatened the peace. A powerful and ruthless ape desperate to conquer the surface world led his tribe into war against the one they call the Monster Who Ate a Star. The war with the Apes nearly destroyed Godzilla. But after a great battle, he imprisoned the apes in a fiery realm of Hollow Earth. Their false king remains obsessed with reaching the surface. The Iwi call him the Skar King."

That in a nutshell is the plot of the latest Monsterverse film from Legacy and Warner Brothers. It's called Godzilla X Kong: The New Empire, and we're told the X is silent. And here I thought it was some kind of a multiplier.

"Consider what you are about to do."

I first read Frank Herbert's initial Dune book back in the mid 1970's. I was introduced to one of the most complicated and extraordinary universes of literature I have still ever encountered. It's a masterpiece followed by several more books over the years that have more completely brought this world to life. The material's cinematic journey has been somewhat less captivating and quite a disappointment. The 1984 David Lynch film was a train wreck and quite possibly one of the greatest film failures in history. Since then a lot has changed. Today computer-generated images have progressed to the point that with enough money and artistic expertise a filmmaker can depict anything the mind can conceive. Images have become photorealistic, and the worlds of Herbert's Dune universe can finally be brought to the silver screen with almost no limitations. But is that enough? In 2021 Denis Villeneuve gave us the first film in an expected trilogy. Would he be able to capture literature lightning in a bottle in the same way Peter Jackson brought to life the Middle Earth worlds of Tolkien? It was a bit of a strange time. The world was hit with a pandemic that brought our lives to a standstill, and people were finally looking to be coaxed back into the multiplexes ... and they came. Dune delivered an exciting new experience, but it wasn't quite up to par in my book. The film was far too involved in exposition. The characters talked a lot more than they did ... anything. So I was a bit unimpressed even in the face of the technological marvel that the film certainly was. Now it's Part Two, and the chances of the trilogy getting a conclusion depends heavily on what happens here. So what does happen here?

"The honeybee has always had a special relationship with humanity. A sacred relationship. Why? No bees, no agriculture. No agriculture, no civilization. Our nation is not unlike a beehive, with its complex systems of workers, caretakers, even royalty. If any of the beehive's complex mechanisms are compromised, the hive collapses. Someone, a long time ago, decided that a mechanism was needed to keep our nation safe -- a mechanism outside the chain of command, outside the system. It's one mission -- to keep the system safe. Beekeepers are given all resources, empowered to act on their own judgment. For decades, they have quietly worked to keep the hive safe. That is, until now. It appears that a retired Beekeeper has gone off program, and is acting in what he mistakenly believes is the hive's best interest."

On its surface, The Beekeeper seems to be another mindless action film featuring a retired assassin or skilled operator forced out of retirement to right an injustice. Granted, those themes are central to the overall story; however, in my opinion, the film embraces those themes and provides a measure of excitement and substance to a premise that could have easily become basic. For me, I’d put the film up there with another one of my favorite Jason Statham movies, Homefront. And yes, it is not lost on me that both films feature a retired character who is forced to come out of retirement and take action. For me, in both films Statham’s characters have intrigue. Specifically in The Beekeeper, Statham’s character background is merely hinted at. We know that he was an elite operative. We know his organization operated independently and with a measure of impunity. Beyond that, not much is known about the group. It is left open for interpretation. It also doesn’t hurt that the cast also includes the likes of Jeremy Irons, Josh Hutcherson, Emmy Raver-Lampman, and Phylicia Rashad.

by Joshua Nuances

"I don't want to be a product of my environment. I want my environment to be a product of me. Years ago we had the church. That was only a way of saying - we had each other. The Knights of Columbus were real head-breakers; true guineas. They took over their piece of the city. Twenty years after an Irishman couldn't get a f$#@&% job, we had the presidency. May he rest in peace. If I got one thing against the black chappies, it's this - no one gives it to you. You have to take it."

“Let’s go get the s**t kicked out of us by love.”

It’s hard for me to accept that Love Actually is really 20 years old already. I remember being a projectionist when this came out and splicing the film together back when movies were actually shown on film. When I first saw the film, it was after hours in the movie theater, and we had to screen the movies the day before release to make sure it was put together properly, and I was with my girlfriend at the time, so it was just us in the auditorium, and from that moment on I was in love with this film. I’ve seen the film well over a dozen times through different phases of my life, and each experience it hits a little differently, but I still come away from this film feeling a bit schmaltzy and in the Christmas spirit. For those of you who have missed out on this classic and are wondering just what is so great about this sentimental British love fest, the movie is written and directed by Richard Curtis; this would be his first time directing, but he had previously made a name for himself after writing Four Weddings and a Funeral, Notting Hill, and Bridget Jones Diary. These were a trio of films that American audiences were ravenous about and basically set up Love Actually to become an instant success, but I don’t think anyone was ready for just how charming and heartwarming this film would actually turn out to be.

As I have mentioned numerous times, I am not a fan of horror movies.  In particular, my number one pet peeve is jump scares.  Now, for certain scary movies, I'll allow one good jump scare; it almost goes with the territory.  But if the director has to use one every fifteen minutes, my heart does not need that much of a workout, and I am going to avoid it very quickly.  This is mostly reserved for American movies, quite often on their fifth sequel.  However, Korean horror flicks know how not to use the jump scare and instead focus on making things as gruesome and disturbing as humanly possible.  Or inhumanly, perhaps.  Today, we take on a modern horror classic in the 2016 film, The Wailing as it makes its way on 4K UHD disc.  Let's take a look and see if the ol' ticker can handle this one.

We get a Bible passage to start out this movie, it's from Luke 24:37-39 and basically describes the resurrection of Jesus.  The important part of this passage is two fold, in that the people had doubts that he was resurrected and that he resurrected physically as opposed to as a spirit.  Let's continue.

"Space...the final frontier. These are the voyages of the Starship Enterprise. Its 5-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one has gone before!"

Since the relaunch of Star Trek on television via the Paramount+ streaming service, I must admit to being a little underwhelmed. It's truly bad when Alex Kurtzman makes me pine for the days of Rick Berman. There have been some pretty good moments in the various new Trek shows. Picard has shown promise and has improved with a third season that looks very exciting. Lower Decks is just too campy for my taste, and Discovery has so many ups and downs I feel like I'm on a rollercoaster. So along comes Strange New Worlds, and this is the Star Trek I've been waiting for these last decades.

Most people, when asked to provide the best Korean film in modern times, would probably answer Oldboy or Parasite.  Others might respond Memories of Murder or Train to Busan.  Maybe A Tale of Two Sisters or The Wailing.  I, on the other hand, always respond with the same title, The Man from Nowhere, which to this point in the US has only been released on Blu-ray from Well Go.  That Blu-ray was also the victim of a bunch of discs from Well Go that came away with a quick dose of rot, infecting my copy as well as many others.  For the last couple of years, I've been working with a bootleg, which I'm not exactly proud of, but felt necessary because I loved this film so much.  However, that changed, as Well Go has released a 4Kcopy of this sensational film (and also of The Wailing, which I will get to later in the week).  I thankfully received it a little bit earlier than expected and took it for a spin.  Let's see how it does.

Kim Chi-Gon (played by Kim Tae-hoon) lights a cigarette and calls his squad into position.  The crew of police detectives and squad members wake up and talk about their plan.  They have been at this stakeout for two months and can't afford to mess this up.

"Is that the biggest one you got?"

Remember the old days of the action movie? Those films where someone like Stallone or Schwarzenegger would run around and take out armies of bad guys while barely breaking a sweat. You know the kind of movie I'm talking about. The ones where the hero goes up against a hail of bullets and explosions and manages to pick off the bad guys without catching a single slug himself. Those were the days when a guy like Bruce Willis could fall thirty floors, get a spike impaled in his ribcage, have a ton of concrete wall fall on his head, and get run over by a truck, but still manage to take out the bad guy while muttering some witty little catchphrase that we would all be repeating, because if we could deliver the line just right, that meant we were tough guys too, and we didn't even have to fall out of an airplane to prove it. Well, you won't have to remember. You just have to watch Sly Stallone's love letters to the action movie fans. The franchise is called The Expendables  and along the way we got to relive some glorious moments with our favorite action stars from the 70's to the 90's.

"It's called the Impossible Mission Force for a reason."

I imagine this is how it happened. It's January of 2019, and Tom Cruise has just popped into the bathroom to shave. He opens up that can of Barbasol just to make sure there isn't any dinosaur DNA left in the can, but as he takes off the cap, an authoritative voice begins to speak: “Good morning, Mr. Cruise. Your mission, should you decide to accept it, is to make a two part film of the Mission Impossible franchise. It won't be easy. That's why only the IMF team can be counted on to complete this task. There are agents out to stop you before you even get started. In China there is a virus code-name COVID, and this virus will spread to pandemic levels just as you're starting to get your production crew together. Elements within our own government will take measures to shut you down.  Delays will cost an extra $100 million and necessitate crucial cast changes. They'll be serious injuries, and your release date will be July of 2021 ... I mean November of 2021 ... Would you believe May of 2022? ... Let's shoot for July 14, 2023. You will have to deal with nefarious crew members who will attempt to sabotage the project by standing closer than two meters apart. You may use over-the-top rants to attempt to intimidate these factions into compliance. Beware that said rants don't end up released by the press to the world. Somehow through all of these challenges you must create a Mission Impossible film that will be bigger and better than anything that came before. And remember, Tom, if your film fails to bring in a billion or more, the studio will disavow your team, and your movie will go straight to streaming ... or worse, get shelved as a tax write-off. Good luck, Tom. This message will self-destruct in 10 seconds.” There's a swoosh of fog, and Tom Cruise is sitting in his bathroom with no shaving cream to complete his original task. I figure that's how it must have gone.