Posted in: Disc Reviews by Michael Durr on August 15th, 2011
Animation is traditionally geared towards kids. From Bugs Bunny to Monsters, Inc, cartoons have been a staple of kid’s viewing experience for decades. However, as time wore on, more and more adults have craved for animated experiences that not only are kid friendly but have adult nods so that the older audience can enjoy it. Shrek is probably the most famous of these types of pictures. Perhaps the sequel to Hoodwinked! can provide an equal passion to please both audiences.
Boingo the Bunny is locked up in the pen and the Happily Forever After agency is up and ready for business. The team is comprised of Red Riding Hood (or “Red” for short), Granny (Red’s grandma), Wolf W. Wolf, and Twitchy the Squirrel. They are overseen by Nicky Flippers, a very tall frog. At the time of the opening scene, Red is busy training with the Sisters of the Hood, a clan of Kung Fu Bakers. But the other three members of the group are more than ready to take on the evils of this fairy kingdom.
Posted in: Disc Reviews by David Annandale on August 13th, 2011
This is normally where I would summarize the plot of the film. I could tell you that this is the story of three friends in a woodland cabin who must fight monsters spawned by the wife of one of them. But that would be misleading. What the story is really about is two, sometimes three, guys sitting around and drinking beer. Later they switch to whiskey. And then there’s this one dude who puts a cockroach in the other dude’s sandwich...
As I’m hoping you will have realized from the above, this is no ordinary movie. In his excellent They Came From Within: A History of Canadian Horror Cinema, Caelum Vatnsdal argues that Things holds the title of Worst Canadian Horror Film Ever Made, and it’s really, really hard to believe that there could possibly be another contender. Badfilm connoisseurs, this release is manna from Heaven. This is a film that would embarrass Ed Wood. Tommy Wiseau would weep with despair over the future of cinema. Doris Wishman would beg to take over the camera and sound duties, just so such a thing could never happen again. I could go on.
Posted in: Disc Reviews by Michael Durr on August 11th, 2011
Get Shorty was one of the best films of the mid 90’s. I have seen it about five or six times and it is one of those rare movies that you see something new every time you watch it. It had amazing dialog, good action and this style to the whole movie was just uncanny. The movie was a film where one had to think but at the same time could enjoy themselves. So, when the sequel Be Cool dropped on blu-ray, would I be able to enjoy it as much as the original?
Chili Palmer (played by John Travolta) and Tommy Athens (played by James Woods) are riding along in the car talking about the movie business. Chili has been a producer for a few years now and is starting to think that he needs out. Tommy is half owner of NTL Records and pitches an idea about a movie involving his story as a music producer. They pass by a Get Lost movie poster with Martin Weir (played by Danny DeVito).
Posted in: Disc Reviews by M. W. Phillips on August 10th, 2011
“This family thinks they are better than us!”
If you think the wedding “rom com” has been done to death, Jumping the Broom won’t change your mind. It covers much the same ground you’ve seen again and again, but one cannot deny director T.D. Jakes has crafted a charming if clichéd film.
Posted in: Disc Reviews by M. W. Phillips on August 10th, 2011
“The key to faking out the parents is the clammy hands. It's a good non-specific symptom; I'm a big believer in it. A lot of people will tell you that a good phony fever is a dead lock, but, uh... you get a nervous mother, you could wind up in a doctor's office. That's worse than school. You fake a stomach cramp, and when you're bent over, moaning and wailing, you lick your palms. It's a little childish and stupid, but then, so is high school.”
John Hughes was enjoying a creative peak in the 80s. He owned the teen coming-of-age genre with movies like Sixteen Candles, The Breakfast Club, Weird Science, Planes, Trains and Automobiles, and Uncle Buck. Hughes wrote Ferris Bueller’s Day Off in less than a week to avoid a writers’ strike. The film was shot for a budget of $6 million as a love letter to Chicago. It is arguably his finest movie.
Posted in: Disc Reviews by Michael Durr on August 10th, 2011
Though others might not share my same vision, I have had my share of serious cop movies and television shows. Every time I turn on the television, it seems like everybody wants authentic police work in the form of crime scene investigation, special victims unit, and even a SWAT team or two. Even though this has spawned a few excellent shows like Flashpoint and the Shield, I wished for something lighter. Enter the direct to disc film, Tactical Force.
It is just another day in Los Angeles. We visit a grocery store where normal activity is occurring. All of the sudden, a clown, Bill Clinton, and Obama show up (masks of course). If that is not the setup for a joke, I don’t know what is. Anyway, they hold up the place. As people are gripped in fear, the police are called in to negotiate the safe return of the hostages. But there is only one team that can take care of this situation, and that is the SWAT team.
Posted in: Disc Reviews by Gino Sassani on August 10th, 2011
"This is me now. A man haunted by the sacrifices he's had to make. A man who ran and never looked back. I left my country to begin a new life, one where I could finally blend with those I was living amongst, become just another face in the crowd."
Well... anyone who has seen even one episode of HBO's half-hour comedy Eastbound & Down knows that isn't going to happen. Former major league pitcher Kenny Powers could no more easily blend into a crowd than Charlie Manson at a law enforcement convention.
Posted in: Disc Reviews by Gino Sassani on August 10th, 2011
"Welcome, Little Piggies, to The Task."
Posted in: Disc Reviews by Gino Sassani on August 10th, 2011
"You are now under quarantine."
Posted in: Disc Reviews by Gino Sassani on August 8th, 2011
Isn't technology grand? We live in a communication age that is unprecedented in human history. We carry devices, or at least most of us do, that provide the world at our fingertips on machines no larger than our palms. The internet allows us to have a world of information at those same fingertips. We do business over the net. You are reading a movie review over the net. But technology does have its problems. Cell phones mean distracted drivers and more accidents. Teen chat rooms mean that we can no longer guard our homes from the invasion of evil. Trust takes an intense look at just such an invasion and reminds parents just how powerless they are to protect their children. It's a sobering story that isn't presented here to entertain. Consider it fair warning.
Annie (Liberato) has just turned 16 and in all outside appearances she's a very typical 16-year-old girl. She has loving and engaged parents. Will (Owen), her father, is a big-time executive at an advertisement firm. Lynn (Keener), her mother, is a real estate seller. She has a brother Peter (Curnutt) who is about to leave for college. For her 16th birthday her parents bought her a new tricked-out laptop. This is her portal to the outside world and her chat friend Charley (Coffey). Charlie is a high school junior who gives her some great advice on making the volleyball team and on life in general. He seems to be the only one in the world we really understands her. So she's taken a little off-guard when he finally admits to being 20. Of course, the age begins to get older until they finally meet in secret at the mall. Now he's clearly in his mid-thirties but manages to convince her that he's still the same Charlie with whom she's shared so much. While she's a bit nervous, he wins her over and eventually up to a hotel room to model some sexy lingerie he's bought for her. It doesn't take a rocket scientist to figure out what's really going on here. Annie is in over her head, and Charlie takes full advantage of the situation.