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Monster mash-ups have been with us for almost as long as there have been monster movies. Universal gave us Frankenstein Meets the Wolf Man. The Japanese delivered Godzilla vs. King Kong. Dracula's taken on Jesse James, and Universal brought the whole band together for two House Of movies and an Abbott And Costello romp. In recent years we've been treated or subjected to, depending on your own point of view, Freddy vs. Jason and Alien vs. Predator and its rematch. Lately, SyFy has been attempting to create an entire subgenre out of the monster mash-up idea. One of those movies happens to be Mega Python vs. Gatoroid.

A pair of serial “gawkers” are getting into awkward spots in their marriages until their wives offer them a 6-day “Hall Pass” that grants them freedom to act as single men for that time. As each couple go their separate ways, each do battle with the temptation to act on their freedom, versus learn some sort of lesson about the virtues of domestic monogamy.

There is hardly any differentiation between the Jackass series and its films, aside from a few more celebrity cameos and bigger budget stunts as the years have gone by. A testament to this is the “.5” editions of each film, which are literally cobbled together using rejected sketches and stunts from the original release.

Dear John centers around a soldier, John Tyree (Channing Tatum) who falls in love with a college student, Savannah Curtis (Amanda Seyfried) while he is back home on leave.  This film is adapted from the Nicholas Sparks novel of the same name and directed by the melodramatic romance aficionado Lasse Hallstrom. If you are looking for a romance tale that offers very little surprises, look no further.

The story begins with the immediate validation of superstition. Anesi Gebara is the head of an illegal lottery and so numbers are crucially linked to his life, both in his work and in the aforementioned superstitions that haunt his life.

Capadocia: Un Lugar Sin Perdon is an HBO Latin America Original that showcases both the political and social angles of an experimental penitentiary in Mexico City. The penitentiary exploits the inmates as a form of cheap labor for the government. A riot begins that uncovers the violent truths behind the experimental prison and viewers are thrust into the lives of these female inmates. This series depicts the complexities of prison life as well as the political posturing that takes place. There is plenty of emotion in this series and it is executed at a very high
level.

And now we enter the final year of The Medium. The final season has several bright spots. On Bring Your Daughter To Work Day, Paulie Walnuts, Tony Sirico, plays a mob guy ghost that keeps haunting Allison. It's a rather nice episode, and Sirico gets to provide some wonderful moments that remind us of his days with The Sopranos. Scanlon gets to be a ghost, for a short time. Allison has a vision of the future. John Glover even gets to play a devilish character that reminds us of his short-lived days on Brimstone. The final episode is a fitting send-off for the series.

I never had a big momma growing up. My mother and each of my grandmothers were never what I would call big. My mom and her mom barely cleared 5 feet tall and my grandma on my dad’s side while pretty tall was very wiry and thin. So I never had the huge momma experience and it was probably for the best. However, I am not foreign to the concept of Martin Lawrence playing a Big Momma as I saw the first movie. Two movies later, does it still have its magic?

"Angry souls will do just about anything to escape their tortured purgatories. That's why they say no rest for the wicked."

And there's no rest for Bloody Mary. That's a good thing for us. We get treated to a rather sweet little bloody film from the folks at Lionsgate called Blood Night. It's a better film than you might think on first look. It never betrays its independent spirit, but that doesn't mean it has to sacrifice a good look and entertaining romp.

"Millions of people around the world believe we have been visited in the past by extraterrestrial beings. What if it were true? Did ancient aliens really help to shape our history? And if so, what if there were clues left behind, something hiding in plain sight? What if we could find that evidence?"

Ever since Eric von Daniken released his speculative book and its subsequent 1970 film Chariots of the Gods, there has been an entire field of study created around something commonly called Ancient Astronaut Theory.