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"In America we give our lives to our jobs. It's time to take them back."

It was only a matter of time before the current economic situation made its way into our theaters and finally our homes with a movie like The Company Men. Certainly the economy has influenced many films in the last five years. There have even been other movies to explore many of the current issues. But it's this film that makes those issues, particularly corporate raiding and downsizing, its sole reason for being.

Brendan Fraser plays Mo, a man who has the special power of a “silver tongue” which means he has the ability to bring characters and elements from books into the real world by reading their stories out loud. There is a serious catch to this power. Someone from the real world must go into the book in exchange.

More often than not, I don’t listen to too many female musicians. Most of them fall into the hard rock (Lita Ford, Donnas) or 80’s/90’s pop dance (Taylor Dayne, Sheena Easton). Occasionally, I will be wowed by good looks and a magical voice. I am a man after all. But when I received Sheryl Crow: Miles from Memphis – Live at the Pantages Theatre, on Blu-Ray, I was not sure what to think. Sure, she had looks but Crow’s music is ever-changing. However, I am certainly willing to give it a listen.

It is that time again boys and girls for the movie of the week. This week, we visit a genre that is staler than your grandmother Edna’s cookies: the romantic comedy. *boo* *hiss*. Okay, okay before you start throwing those almond cookies, I think I need to let you know that there is a $5 bill in it for each of you. *whisper from editor* “Do we have that in our budget?” “No silly, just go with it.”. Audience – “What was that?” Why, our movie today is the Adam Sandler and Jennifer Aniston picture: Just Go With It. Roll the film!

On first glance it might seem like a rather odd choice to have the likes of Billy Crystal direct a movie about the 1961 drive to beat Babe Ruth's sacred homerun record by teammates and friends Roger Maris and Mickey Mantle. When the film first aired on HBO,,I recall doing a bit of a double take myself. But, once you've seen the man talk about his memories of the game and the absolute reverence and respect he has for its history you begin to understand why he was the perfect choice to direct 61*

"Some say I don't play well with others. I was a damn good detective in Chicago until a disagreement with my boss encouraged me to pack it up and make a change. So I put The Windy City in my rearview and headed to the Sunshine State. Kick back. Play some golf. Work on my tan. Maybe write the occasional speeding ticket. Yeah... Well... that didn't work out."

That little disagreement was his boss shooting him in the butt for sleeping with his wife. Jim Longworth (Passmore) made out okay.

If you are a fan of the original Kolchak: The Night Stalker, you were more than likely disappointed in the remake a couple of years ago on ABC. Your hope is now once again restored. Supernatural is the closest thing I’ve ever seen to The Night Stalker. Like Kolchak, the Winchester brothers are faced with weekly incarnations of evil. They’re forced to research these legends and figure out a way to stop them. As Kolchak discovered, it’s a thankless job. Sure, Supernatural is populated with all sorts of beasties and nasties, but it also manages to hold on to a sense of humor

For ten years we watched Jack O'Neil, Samantha Carter, Dr. Daniel Jackson, and the Jaff'a Tealc' enter the Stargate. Others would join the team over the years. Each week we would follow their adventures, first on Showtime and finally on the Sci-Fi (now Sy Fy) Channel. We watched with awe as they stepped through a portal that was in reality a wormhole transporting them instantly to another world, brought online by dialing the device like an old-fashioned telephone. For another five years we traveled not only to another planet

“Corporations… They have all the money. They have all the power, and they use it to make people like you go away. Right now you’re suffering under an enormous weight. We provide the Leverage.”

The series centers on Nathan Ford (Hutton), an ex-insurance investigator. His life was turned around when the very insurance company he recovered millions for turned down his child for treatment to keep her alive.

Jean-Hugues Anglade plays Zorg (yup, that's his name), a handyman living in a beach-front house, scribbling away quietly in his spare time. Not so quiet is his tempestuous affair with Betty (Béatrice Dalle in her debut), whose passions overwhelm both of them. First, she moves in on him with no warning. Then, when she discovers his writing, she decides they must move to Paris so he can have a career as a writer. To make sure Zorg complies, she burns his house to the ground. Once in Paris, her plans for him fall apart, and so, bit by bit, does she.