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"Detroit ain't so bad, in fact it's kind of charming."

Director Benny Boom decided to move the S.W.A.T. franchise away from L.A. and bring it to Detroit. But he's not going to be winning any accolades from the Detroit Chamber of Commerce anytime soon. He openly admits that he picked the city because he was attempting to create an environment with a lot of decay.

There are two ways to address a familiar film plot. The easy route, of course, is to dismiss it as recycled fluff, reciting the similarities to its predecessors. The more discerning course is to give the newcomer a chance to prove itself as a creative variation on the theme. That’s how you can give Due Date its due. In the first few minutes, you’ll notice the script verges on carbon-copying Trains, Planes and Automobiles, the 1987 John Hughes hit

William S Burroughs was the third hit of the 1-2-3 combo of Alan Ginsberg's Howl, Jack Kerouac's On the Road, and Burroughs' Naked Lunch which closed out the 50s and defined the so-called “beat generation.” This film documents the significance of Burroughs work as a part of this scene, and the influence he had on artists, musicians, filmmakers, and countless others.

Dwayne "The Rock" Johnson has made a career out of redefining himself. Of course, we all know that he started as a rather flamboyant wrestling personality. He had a pretty good run, but it was never going to be enough to really satisfy Johnson's own drive to perform. He made the natural transition into movies, faring far better than most of his fellow wrestlers have been able to do. He naturally gravitated toward the action films where his bulk and toughness more than made up for his inexperience.

Scooby Doo has spanned generations and over 40 years. Since the 1960’s the name and conventions have become a part of the pop culture. The original cartoon series had a series of conventions. The Scooby Gang would drive around in their green Mystery Machine van and solve ghostly mysteries. Fans of the show quickly grew to learn that these spirits and goblins were usually just normal people using scare tactics to get revenge or make a profit

In the 1930’s and 40’s MGM was trying to get in on the lucrative animation game. The field was dominated at the time by Warner Brothers with their Loony Tunes shorts, and of course, the iconic cast of animated characters coming out of the Walt Disney Studio. For years they had failed to find the right property to take advantage of the market.

Paula (Carmen Montes), a dancer at a strip club, is arrested for the murder of Paula (Paula Davis), a fellow dancer. The arresting officer (Lina Romay) questions the near-catatonic Paula, and the rest of the film is a slow-motion, flashback of the dead Paula dancing, the two women making love, and the murder. Once the slow-mo begins, there is no further dialogue, except for a cryptic fable that Paula tells to the camera.

Cynical, alcoholic ex-musician Paul Newman arrives in New Orleans with barely a cent to his name. Following a tip from scam-artist preacher Laurence Harvey, Newman lands a job as a DJ for WUSA, an extreme right wing/white power propaganda radio station. Newman has no patience for his employers' message, but he's happy to take the money and drink himself into an apathetic stupor.

In this day and age, we take computer animation for granted. Pixar, Futuarama? We have seen it a million times. What about if I told you that over 15 years ago, there was a cartoon that was the first of its kind to be one hundred percent computer animation? Well, you might dismiss it or figure it was not much to look at. You would be wrong. Let us take a look at history boys n girls and discover the wonder that can only be known as Reboot.

A criminal defense attorney, played by Matthew Modine, has lost all hope after his family dies in an accident. On the brink of suicide, he is called upon for one more case, defending a young man who may face the death penalty on a murder charge.