Posted in: Disc Reviews by Archive Authors on January 19th, 2011
Written by Diane Tillis
Magic is a source of great debate. From the great magicians like Harry Houdini to the modern magicians like David Blaine, they continue to force their audiences to pick a side of the debate. Should you believe the truth of the trick? On the other hand, you could forget the truth and believe in the magic. Which side would you choose?
Posted in: Disc Reviews by Gino Sassani on January 19th, 2011
When I first started watching the new comedy concert by Kathleen Madigan, I grew somewhat fearful. She was introduced by Lewis Black, who appears to be one of her closest friends. That scared me more than a little. Lewis Black is nothing but an angry old man who preaches tolerance of anyone who agrees with him. If you don't agree with him, you are subject to the most venomous of attacks of hatred I've ever seen from a stand-up. If Kathleen Madigan was going to be a female Lewis Black, this was going to be a long hour, indeed.
I was pleasantly surprised. I suppose I shouldn't have been. It seems the lady has been around the block for over 20 years. Somehow her name has escaped my particular notice. If I had been familiar with her work, I would have known that she doesn't roll anything like Lewis Black. Darth Vader, he rolls more like Lewis Black. Check that. Vader did have a couple of lucid moments where he wasn't pure evil. No one rolls like Lewis Black.
Posted in: Disc Reviews by Archive Authors on January 19th, 2011
Written by Diane Tillis
When I first heard about Hot in Cleveland, I thought the show would be a modern remake of The Golden Girls. Both shows have four older, single women, living under one roof, as they try to survive each day with a little bit of humor. Before watching the show, I was worried that Hot in Cleveland would appear to be a hasty decision by TV Land because they wanted to jump on the Betty White bandwagon. However, I truly enjoyed the first season more than I thought I would. Hot in Cleveland is not a rip-off of The Golden Girls. While they have many similarities, they also have more differences.
Posted in: Disc Reviews by Archive Authors on January 18th, 2011
Written by Diane Tillis
You know him from Baywatch, Knight Rider, and America’s Got Talent. After nearly four decades in the entertainment business, David Hasselhoff created quite a name for his career as a pop icon. Now at a point in his dwindling career, Hasselhoff takes the plunge to be the center of attention at a Comedy Central Roast production. The man of a thousand voices, Seth MacFarlane (Family Guy), hosts the production.
Posted in: Disc Reviews by William O'Donnell on January 18th, 2011
A young dreamer named Power is fired from his mining job just before his union-leader father instigates a strike. Wishing he could be a drummer, but never getting the chance to play an actual kit, Power does not know what to do with his constant ambitions that make him air-drum 24/7. Fate steps in and he discovers an underground movement of air-drumming that all leads to a major event in New York city where he will have a chance to face off against a billionaire country-music star, who just so happens to be the son of the evil Copper Mine owner who is treating his Union friends, and family, so unfairly.
This film does spend a good chunk of time riding on the one-note quirkiness of its man child lead character and his oddball dreams of air-drumming, and does not get saved by the token love interest or ethnically broad supporting characters. But this film does find moments where it moves past the potential to be another rehashed, super-quirky Napolean Dynamite clone (though it strays close). It clings tightly to the RUSH worship of other contemporary comedies such as I Love You Man into rides it into a sentimental and surprisingly moving story about spirit. This almost exclusively occurs in the third act so the audience will have to hold tight until then.
Posted in: Disc Reviews by Michael Durr on January 17th, 2011
Philip Seymour Hoffman has become quite the acclaimed movie star by working in many well nominated flics such as Capote, Doubt, and Charlie Wilson’s War. However, Mr. Hoffman does a great deal of stage work when he is not performing in front of a camera. His recent directorial debut involved a piece of stage work that he brought to film, Jack Goes Boating. Let us see how this plays out.
Jack (played by Philip Seymour Hoffman) and Clyde (played by John Ortiz) are two limo drivers in New York City. They are both interested in moving out from the limo driving business. Clyde is attending night classes while Jack is thinking of applying at the Metropolitan Transportation Authority. They are also best friends and Clyde is currently trying to hook up Jack with a girl named Connie (played by Amy Ryan).
Posted in: Disc Reviews by David Annandale on January 15th, 2011
George Papdapolis (Alex Karras) and Katherine Calder-Young (Susan Clark) meet on a Greek cruise, and, after a whirlwind romance, return to Chicago. They're a bit of an odd couple – she's a blue-blood, complete with male secretary, and he's an ex-football player. The cross-class romance is barely underway, however, when they suddenly find themselves the guardians of the unspeakably adorable seven-year-old Webster (played by twelve-year-old Emmanuel Lewis) after his parents die (George had agreed to be his godfather back in the day). All sorts of cute misunderstandings, cute heart-warming lessons and cute sentimentality then ensues.
There is no denying diabetic-shock-inducing cuteness of Lewis, though there is also something a little bit creepy about the way the camera presents him, shamelessly exploiting that cuteness for all its worth, offering up Lewis for the audience to cluck over as if he were some kind of ambulatory teddy bear. The humour, meanwhile, is typical of an 80s sitcom – banal jokes in tandem with a Serious Message. And some of the gags are, to put mildly, antediluvian. Oh, look! Katherine is a woman who can't cook! Hilarious! For those with fond memories of the show, however, none of this will matter. But those who have no such memories are probably better off not forming them.
Posted in: Disc Reviews by Michael Durr on January 15th, 2011
Well, I've been about a month off since my last review and the rest was sorely needed. I visited my folks, thought about my future and spent the holidays enjoying life and trying to do somethings I wouldn't normally do with my paying job and my writing gig. So, the first movie I crack open is Fire on the Amazon with Sandra Bullock, Craig Sheffer and produced by Roger Corman. Wait, Roger Corman, king of schlock and “B” movies? Hrmmm, I feel another vacation coming on.
Fade in, we see the Amazon jungle. Turtles, macaws and monkeys, oh my. Somewhere, a tree falls. (too easy of a joke and too early). Suddenly, we flash to a runway and a plane coming in from the air. RJ (played by Craig Sheffer) gets off the plane and gets right to work. For you see, he is a photographer and he's been sent here to get the scoop on the destruction of the rainforest. But in order to better understand the situation, we must get a little history about the opposition.
Posted in: Disc Reviews by David Annandale on January 15th, 2011
Johnathan Swift's Gulliver's Travels was never meant to be a children's tale. It is one of the most corrosive satires in the English language, one that has lost none of its brilliant venom over the passage of centuries. But endless bowdlerizations have given its first two sections (the voyages to Lilliput and Brobdingag) the reputation for being children's classics. Obviously, references to people being “the most pernicious race of little odious vermin that nature ever suffered to crawl upon the surface of the earth” are usually left out. At any rate, said bowdlerizations inevitably resulted in various anodyne film adaptations. And so, as Jack Black galumphs across the screen to box office disaster, here is a collection of animated takes on Swift's work.
Gulliver's Travels: (76 mins.) This 1939 effort is the main attraction here, the second feature-length animated film ever made. It limits itself to Gulliver's journey to Lilliput, where, in this version, he must bring about the end of a war between Lilliput and Blefuscu so that bland princess and prince of the respective nations can marry. The Fleischer brothers are best remembered for Betty Boop and their excellent Superman cartoons. Gulliver's Travels, on the other hand, is far from their best work. The animation is fluid, though the backgrounds are lifeless and still, a far cry from what Disney had just done with Snow White. The pace is slack, meandering along through rather tired slapstick. The cartoonish Lilliputians are charming enough, but the more realistic characters are expressionless waxworks, or, in the case of the rotoscoped Gulliver, dip alarmingly toward the uncanny valley. The piece is a historical curiosity, but is no classic. Still, it's much, much better than...
Posted in: Disc Reviews by David Annandale on January 14th, 2011
This documentary tracks a year in the life of Joan Rivers. We begin at a relatively low ebb in her career, with her finding it difficult to land desirable gigs. She throws herself into the production of an autobiographical play that debuts in Edinburgh, and her hope is that the London reception will be glowing enough to provide enough momentum for a Stateside production. Meanwhile, she and daughter Melissa are contestants on Celebrity Apprentice. As the film follows the ups and downs of these efforts (concentrating particularly on the play), Rivers opens up about her life and career.
This is a very smart, enormously entertaining, and very funny documentary. There is plenty of footage of Rivers in performance from all stages of her career. For those whose exposure to her has been limited to snippets of red carpet interviews and jokes about her plastic surgery (and I am one of those benighted souls), this film will be a revelation. There's a reason why this woman became famous in the first place – she is one ferocious stand-up comic, and as good as the footage here is, it leaves the viewer hoping for more. That's a good thing. There are, though, one or two less felicitous gaps in an otherwise very revealing doc, most notably what, precisely, was behind the erratic behavior and unexplained disappearances by Rivers' long-term manager. But this is a trivial quibble. The film is a piece of work indeed: sterling work by directors Ricki Stern and Anni Sunderberg, and brave work by Rivers.
![Kathleen Madigan: Gone Madigan [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/kathleen-madigan-gone-madigan-blu-large.jpg)
![Jack Goes Boating [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/jack-goes-boating-blu-ray-large.jpg)
![Fire on the Amazon [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/fire-on-the-amazon-blu-ray-large.jpg)
