Posted in: Disc Reviews by Archive Authors on April 6th, 2006
Ever since the original Survivor first became extremely successful, it seemed like every network was trying to get a piece of their own reality television fame. We had FOX give us The Chamber and MTV throw us the Jackass series. One had success while one crashed and burned very quickly. This proved that not every idea would make a successful reality show. Naturally FOX is not one to give up and knew what to do next. Coming off her, probably, un-welcomed fame, Paris Hilton was approached by FOX to...star in a reality series called The Simple Life. The show would team Hilton and her childhood friend Nicole Ritchie together while they live with one family in the middle of nowhere.
After two successful seasons of The Simple Life where Paris and Nicole stayed with just one family, the creators of the show thought it would be interesting to see how Paris and Nicole would react to staying with multiple different families dealing with multiple jobs.
Posted in: Disc Reviews by Archive Authors on April 6th, 2006
One of the great things about television today is the trend of extreme diversification. Where there used to be a specialized channel called ESPN, that has now been broken down into ESPN Deportes, ESPN2, ESPNews, ESPN U... the list goes on and on. Whatever your interest, there is a very specialized niche available that it fits into. The nice thing is, all of this specialization has allowed some truly creative (and bizarre) programing to creep out onto the airwaves. Robot Chicken is a great example of this trend... It is a wildly creative stop motion animation show created and produced by Seth Green that parodies pop culture using pre-existing action figures. One episode parodies The Real World by showing what would happen when characters such as Batman, The Incredible Hulk and Wonder Woman are made to live together in a house. Quite literally, if you name the pop culture reference, it is here, from American Idol to Kill Bill to Dawn of the Dead. There's even a Two Guys, A Girl and a Pizza Place reference here... and that's all packed into just the first episode!
I had never even heard of this show before I was sent this DVD set to review, but I am a complete and total convert now. I am sometimes amazed at some of the truly funny stuff that is out there that I have never even heard of. This show deserves to find a wider audience. Hopefully this DVD release will do for this hilarious series what it did for Family Guy and Firefly.
Posted in: Disc Reviews by David Annandale on April 6th, 2006
Synopsis
Roy Scheider is the police helicopter pilot and Vietnam war vet (cue flashbacks) who is tapped to test Blue Thunder, a new helicopter equipped with every conceivable weapon and means of surveillance. He discovers that the machine is at the heart of a conspiracy to undermine all that is good and free, and chief bad guy here is Malcolm McDowell, for whom Scheider has a more than cordial dislike thanks to what happened back in 'Nam. The stage is set for high-tech showdown in the skies over LA..../p>
Posted in: Disc Reviews by Archive Authors on April 6th, 2006
Hmm. Another made for television sci-fi series. Most of the recent sci-fi made for television series have been quite disappointing mainly because they usually run too short, are horrible condensed forcing the creators of the show to either A. introduce characters very quickly, B. have extremely poor set design, or C. have another random plot that has been done a million times over. While The Triangle plot is nothing brand new, the director by Craig R. Baxley with production by Bryan Singer (X-Men) and D...an Devlin (Independence Day) help bring a bit of higher quality to the project.
The basic plot to this mini-series is; A team of specialists races to solve the mystery of why an alarming number of cargo ships are disappearing into the Bermuda Triangle. Made by Craig Baxley and genre veterans Dean Devlin and Bryan Singer, we naturally get scenes filled with tons of FX effects. One of the more surprising positives for this series was the cast. Boasting such actors as Sam Neill and Catherine Bell, the acting level is taken to the next level. The direction was quite surprising with a lot of the scenery and acting feeling top notch. The show, if you didn’t know it was a mini TV series, could have easily passed off as a film.
Posted in: Disc Reviews by David Annandale on April 5th, 2006
Synopsis
Maria Bello Arrives in Wales with teen daughter Sarah in tow to visit estranged husband Sean Bean. Relations between mother and daughter are tense, to the dismay of the father, who senses something is wrong but can’t divine what it is. Then tragedy strikes, when the duaghter disappears, apparently drowned. While Bean searches frantically for her (or for her body), Bello becomes convinced that Sarah has been abducted into the Welsh land of the dead, and that another girl, dead these fifty yea...s, has returned in her place.
Posted in: Disc Reviews by Gino Sassani on April 5th, 2006
Let me admit straight away, I generally do not watch very many foreign films with subtitles. If a film is not dubbed in English, I generally pass. It’s not for a lack of tolerance. When I watch a film, I immerse myself into what I’m seeing. Films are total escapist fun. I experience a film more than view it. Having to read the dialogue denies me the ability to experience rather than watch the film. I also find that while I am busy reading subs I will tend to miss some of the film’s subtleties, which are quite important to me. In Gamblers, there is the added liability of dual languages. There is a prominent Asian element to this film. It took me too long to realize that more than one language was being spoken and that some of the characters could not understand others. The subs are presented with no distinction as to who is speaking or what language they are speaking. OK. End of disclosure.
As far as I could make out, Gamblers involves a territorial street gang that is somewhere between the mob and the IRA. In typical “Bloods” vs. “Crips” style, there is a reasonable amount of mayhem between two of these street gangs. Unfortunately we are never brought into the workings of either gang, and the violence appears simply as a result of one Asian boy’s love for an Asian girl. To add to the silliness of the whole premise, the violence results simply because Juen is bothering the girl while she is supposed to be working. A series of inexplicable romantic relationships is never fleshed out enough for us to care. Unless something serious was lost in translation, the dialogue is very simple tripe. An entire romantic conversation seems to be about nothing but another man’s penis. Fortunately much of the music is in English.
Posted in: Disc Reviews by Archive Authors on April 5th, 2006
First things first; there was a big hullabaloo about the fact that this is not the first season of Beavis and Butt-Head, but merely the first volume. Turns out, there are some episodes that Mike Judge has decided he didn't care to see again, so now nobody can see them again. Personally, for a show like this, it really makes no difference to me. If you are the kind of person who is going to be bothered by that, however, then consider yourself warned.
Also gone are the music videos, which is a bigger deal to me. Some of the best parts of the show were hearing the fellas' comments about Alice in Chains or Bono from U2. There are a fair number of music videos included with the DVD release of this title, but they are conspicuously missing from the UMD release.
Posted in: Disc Reviews by Archive Authors on April 5th, 2006
I am unsure of what the greater tragedy is: a man losing over ten years of his life for a crime he didn’t commit (and very nearly being executed for said offense), or the fact “documentaries” such as Fahrenheit 9/11 enjoy more commercial success than the excellent Errol Morris work The Thin Blue Line. On the surface, the former may seem far worse than the latter, but consider that it’s so-called journalism like that found in F 9/11 that colors false perceptions of reality and bears blame for guys...like Line’s Randall Adams staying incarcerated and unnoticed for over ten years. (I’m dealing in principles here, of course.) But when the impact of the media and its devotion to crap before truth is considered, the success of Moore’s film to Morris’s is disturbing – even frightening. And while Morris’s documentary was released in 1988, it still holds relevance today. I need to think only of the state trooper in Arkansas, who will probably get off Scott-free for murdering an unarmed mentally handicapped boy because he “thought” he was an escaped convict from Michigan – despite the fact that one brief comparison of photos calls to the contrary. People don’t like to admit the authorities watching over them at night are capable of the atrocious behavior presented in Morris’s documentary. And it’s that kind of indifference and lack of caring for facts that allow people like Adams to experience injustice to the extent he did from 1976 to 1988, as detailed in the film.
The Thin Blue Line played a large role in Adams’ eventual release. In the world of documentaries, that would make it the go-getter brother that rises from obscurity to achieve great things. F 9/11, much like its director, is the big fat disgusting slug that does nothing, but finds more favor with Mom and Dad because he refuses to get a job and move out of the house, thus delaying Empty Nest Syndrome, where they actually have to face the reality of life instead of the fantasy. With that said, I think Line fails on one front. Morris wants this to be an argument against the death penalty, but it isn’t. An argument against injustice perpetrated by the system? An argument against police and judicial corruption? An argument against quack doctors and faulty eyewitness testimony? Yes, on all counts. But to say the death penalty should be abolished for what Adams endures is like saying we should stop sending people to jail for fear of locking up the wrong guy. No, Line is effective and expertly crafted, but it’s more about questioning authority than altering punishment.
Posted in: Disc Reviews by Archive Authors on April 4th, 2006
Synopsis
I’ve gotta admit that for a long time, Four Weddings and a Funeral was in a category of movies that I had no intention or curiosity to see because of the title, the cast and the story. Hugh Grant was a significant step down towards the emasculation of man, where are start wearing large sweaters, hang out in pseudo-Starbuck coffee shops and talk about what happened on American Idol or some lame thing along those lines.
Posted in: Disc Reviews by Archive Authors on April 4th, 2006
Synopsis
I have to write an open letter to those who are (deep breath) fans of teen idol used-to-bes Scott Baio and Willie Aames. What the hell is wrong with you people? Did the online petition have THAT many signatures that it had to be recognized and acted upon? Did you really need to have the theme song to Charles in Charge on DVD? I admit, it’s a little bit catchy, but if you watch all 22 episodes in one setting, you need to up your lithium dosage. I know and understand that Universal is catering...to the VH-1 “I Love the ‘80s” crowd by releasing shows like this onto disc, but let’s exercise some sort of restraint, huh?
