Posted in: Disc Reviews by Archive Authors on April 4th, 2006
Synopsis
I have to write an open letter to those who are (deep breath) fans of teen idol used-to-bes Scott Baio and Willie Aames. What the hell is wrong with you people? Did the online petition have THAT many signatures that it had to be recognized and acted upon? Did you really need to have the theme song to Charles in Charge on DVD? I admit, it’s a little bit catchy, but if you watch all 22 episodes in one setting, you need to up your lithium dosage. I know and understand that Universal is catering...to the VH-1 “I Love the ‘80s” crowd by releasing shows like this onto disc, but let’s exercise some sort of restraint, huh?
Posted in: Disc Reviews by Gino Sassani on April 3rd, 2006
When it absolutely positively has to be there by next month.
ABC made an effort to bring back the western in 1989. But The Young Riders was more of an extension of the popular Young Guns films than the traditions of Gunsmoke or Bonanza. I didn’t catch this show on its original run, so the DVD’s were a particular treat. A chance to see something new. Still, I never could shake the feeling that I’d seen it all before. Give ABC credit for a decent cast of upcomers. The production values were also far great...r than one usually finds in a network drama series. The major flaw was to base the series on the Pony Express. The premise required the characters to be out on runs for nearly a month at a stretch, which would leave very little time for the interaction and continuity necessary for an ongoing series. The Young Riders solved that problem the old fashioned way. They simply ignored it. The result was a show increasingly less about the Pony Express and more about life on the station’s ranch. The action was more or less provided with the cast helping out damsels in distress and fighting bad guys. It’s a wonder any mail got delivered at all. In an effort to forge some name recognition, the characters are made up from mostly misplaced western legends. If you are at all annoyed with glaring historic inaccuracies, this is not the show for you.
If you can get past the flaws of the premise, there really is some quality television to be found here. The locations are a treat for the eye. John Debney’s music is a wonderful fusion of Western and modern sounds. The cast is also quite a treat. Anthony Zerbe creates a compelling character with his Teaspoon Hunter, the station manager and father figure for the young recruits. Homicide’s Melissa Leo counters as the matriarch figure on the ranch. She is joined by her future Homicide partner’s brother, Stephen Baldwin, as Buffalo Bill Cody. Another famous brother, Josh Brolin, played Wild Bill Hickok. In one of the film’s greatest believability stretches we find Yvonne Suhor as Lou, a girl passing unconvincingly as a boy. Ty Miller plays the enigmatic “The Kid”..
Posted in: Disc Reviews by David Annandale on April 2nd, 2006
Synopsis
Music journalist Tre (Andre Royo) arrives at the Hamptons home of his cousin Sky (Chenoa Maxwell) and her cad of a husband (Blair Underwood). Tre is here to interview Summer G (Richard T. Jones), megastar rapper, who has just bought a home in the area. Sky and G have past, and old embers flare to life when they see each other.
Posted in: Disc Reviews by Archive Authors on April 2nd, 2006
There may have never been a more aptly-named television show in history than Jackass. For those who don't know, this show is comprised of a collection of short clips of “stunts” that push the limits of common sense and decency. While the majority of these stunts amount to little more than idiots with a camcorder, and some are just downright disgusting (do I really need to see some guy throw up a goldfish?), some of the segments honestly are quite funny. Giving your buddy a Billy Ray Cyrus haircut will always b... funny. Having two broken arms and asking total strangers to “help you out” by unzipping your fly is the stuff of classic set-up shows like Candid Camera. However, for the overwhelming majority of this disc, the clips on this disc can best be described at a lame brained attempt at humor.
Audio
Posted in: Disc Reviews by Archive Authors on March 31st, 2006
Arnold Clasen reenters society after time away in a Nazi prison camp, and returns to Hamburg and a life of quiet solitary resistance, in the 1981 war-time drama Your Unknown Brother. Clasen immediately reconnects with his old love Renate, and embarks on a turbulent, dangerous friendship with resistance leader Walter, a man of ulterior motives, who is also in bed with the Nazi regime. Clasen starts to suspect Walter when many of his old comrades are seized by authorities. It seems everyone in the resistance, wh... comes into contact with Walter soon become property of the State, yet he remains suspiciously unscathed.
The film deals with themes of stark isolation and hopelessness, as well as an individual’s efforts in facing widespread fascism. It’s always at the top of its craft, but the action lacks that extra something to make it all seem interesting. On paper, the film will have foreign drama buffs salivating, but in execution, it fails to make its premise as intriguing as it sounds. With that said, I am hard-pressed to find any fault in the performances, and Director Ulrich Weiss really does know how to use camera, lighting, and sound effects, to his advantage. It just seems like the intangibles are missing – those unexplainable qualities, which pack all the emotional power, and allow a movie to transcend the average film within its genre.
Posted in: Disc Reviews by Archive Authors on March 31st, 2006
Synopsis
An item of secret desire for geeks like me was to get Spike Jonze’s videos on DVD. In the mid ‘90s, Jonze arguably was THE director to go to if you wanted your MTV submission to be memorable, talked about, and perhaps most importantly, spur record sales. If you remember the wacky video you saw on MTV that one time, chances are Spike directed it. Even after the critical success in Hollywood with an Oscar nomination for directing Being John Malkovich and before working on Adaptation, he...still managed to come back recently and direct a music video with a dancing Christopher Walken, proving he still has the touch.
Posted in: Disc Reviews by Gino Sassani on March 31st, 2006
“Who you gonna call?” By now everyone knows the answer. Dan Aykroyd, Bill Murray, Harold Ramis, and Ernie Hudson are the Ghostbusters. As their ad proclaims, they’re ready to believe you. Ghostbusters was originally conceived by Aykroyd as a vehicle for John Belushi and himself. When Belushi died, reportedly from a drug overdose, the project sat on the shelf a few years. Harold Ramis would eventually team up with Aykroyd and finish the script. It’s been said that “Dying is easy. Comedy is hard.” Leave it to these ...wo knuckleheads to combine the two and create a phenomenon. Like pretty much anyone else, I’ve seen Ghostbusters many times in the last 20 years. And just like all of you, I’m still not tired of it. I am, however, done with the repetitive theme song. This release marks at least the third time Ghostbusters has appeared on DVD. This version appears to be identical to the double package release of both films about a year ago.
Ghostbusters pioneered the big budget comedy. Not since “Abbott and Costello Meet Frankenstein” have the genres of comedy and horror combined in such masterful form. Ghostbusters had the quality f/x of a blockbuster sci-fi epic. The casting was nothing short of genius. Each cast member brought a distinctive and integral element to the film. Murray provided the used car salesman aspect. Aykroyd perfected the common wide-eyed man with just enough knowledge to be dangerously funny. Ramis played the 50’s style scientist with the stoicism made famous in films like This Island Earth. Hudson was brilliant as the Joe six-pack, obviously intended to represent us, the audience, on this adventure. Sigourney Weaver weaves in just the right amount of sultry and unintended villainy to complete the palette of colors necessary to pull this all off. The supporting cast features actors destined to become stars themselves in the likes of Rick Moranis and William Atherton. While many of the f/x don’t quite meet today’s exploding expectations, they were state of the art in 1984. Forget Kong. Who can resist the giant Sta-Puft Man?
Posted in: Disc Reviews by Archive Authors on March 31st, 2006
Synopsis
Lie With Me is proclaimed in its trailer to be a film in the tradition of Y Tu Mama Tambien and Sex, Lies and Videotape. But at its core, it’s more along the lines of another one of director Clement Virgo’s film influences, Bertolucci’s Last Tango in Paris. The characters in Lie With Me experience each other rather provocatively at the start of their relationship, and work their way outwards.
Posted in: Disc Reviews by Archive Authors on March 29th, 2006
Synopsis
Growing up as the oldest son in an upper-middle class neighborhood outside of Washington, DC, I am familiar with rap as much as, or even more than, KRS One, Grandmaster Flash and the Furious Five, Public Enemy or NWA. I come from dem hard streets, where I can kill a muhvuggah! Well, maybe not exactly, and in the age where lame musicians become lame actors (or vice versa in the case of Jennifer Lopez), anyone who tries to be the entertainment “double threat” deserves to be subjected to any and all s...orn and ridicule. Surprisingly though, some of the musicians who have started appearing in movies have employed the easy strategy of appearing as themselves (or dramatically licensed clones of themselves), and some of them have surprisingly interesting stories to tell, such as Eminem in 8 Mile.
Posted in: Disc Reviews by Archive Authors on March 29th, 2006
With the original Controversial Classics Collection from Warner Brothers, the studio pulled seven films from their classic film archive that were controversial in their day. Topics included government corruption, racism, troubled youth and the wrongfully accused. Instead of following that set with more classic films based on the same themes, Warner Brothers has done something interesting and varied the focus of their theme. The films this time around, as the title suggests, deal with the role of the news media...in modern society. Instead of including seven different films, they have focused on newly re-mastered, double disc versions of three films from the 70's; Network, All the President's Men and Dog Day Afternoon. Each film is available individually, or as part of this box set.
Network is a film that rates at number 66 on the American Film Institute's Top 100 Films of All Time list. As fate would have it, it is also my least favorite film of the three. Each film in this set takes a different approach to examining the nature of the news media. This film is probably the most on point with the nature of modern news. In Network, the role of the news media is to make money for the broadcast networks. The story, justice and reporting the truth behind the events are all seen as tools to be manipulated to obtain ratings, and ultimately money. This is one of those films that probably seemed like sensationalism at the time, but it is certainly right on point in the new millennium.
