Posted in: Disc Reviews by David Annandale on June 4th, 2003
Synopsis
The film is set during American Thanksgiving, and follows the holiday experience of fourseparate families. The effect is not unlike Robert Altman Lite, as all four families live in thesame neighbourhood, and sometimes cross paths, though these interfamily connections remaintangential. This is a vision of melting pot LA, with our families being Latino, Vietnamese,African-American and Jewish, each re-interpreting the WASP holiday through the prism of theirown experiences.
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Posted in: Disc Reviews by David Annandale on June 4th, 2003
Synopsis
It is 1907. Musicology professor Lily Penleric (Janet McTeer), unjustly passed over forpromotion, leaves the city to stay with her schoolteacher sister in the Appalachians. There sheexperiences revelations of various kinds. She discovers traditional Irish and Scottish ballads,altered but recognizable, still living vibrant folk lives. She also finds her superior, urban anduptight attitudes slowly but surely demolished by the people around her. The most importantperson she me...
Posted in: Disc Reviews by David Annandale on June 4th, 2003
We first meet Holly and Michelle in the 70s, when they are 13 and already inseparable friends. They are very different already, though. Holly is bookish and shy. Michelle is beautiful and wild. Over the years, their relationship is tested as they clash, support and sabotage each other. The significant male characters are Kyle Maclachlan as a professor they both have an affair with, and Michelle’s brother, for whom Holly carries a torch through the years.
Posted in: Disc Reviews by David Annandale on June 4th, 2003
In 2176, the world is a grey, sterile place. All history has been lost. Four scientists (led by David Cassidy of Partridge Family infamy) travel back in time to recover the American Constitution, and revive history. Unfortunately, their time machine malfunctions, and they windup in 1976. Cue the stupidity. Unfortunately, the laughs are very few and far between. We already know that this period had many risible qualities. Just showing them to us isn’t enough.
Posted in: Disc Reviews by David Annandale on June 3rd, 2003
Spanning a good thirty years, Giant tells the tale of the Benedicts, a Texas family on an immense cattle range. The patriarch is Rock Hudson, whom we first meet as a young man visiting Maryland to buy a horse. There he meets Elizabeth Taylor and falls in love. His new bride initially finds Texas difficult to adjust to, and Texas has difficulty adjusting to her, as she does not hold with the local attitudes towards women and, most especially, Mexicans. The third major player is James Dean, a rather sullen ranch hand who winds up changing everybody’s lives when he strikes oil on his small parcel of land.
Posted in: Disc Reviews by Gino Sassani on June 1st, 2003
Synopsis
Waylon Jennings, in a brief cameo, is gunned down by a former acquaintance who hasreturned from prison consumed with thoughts of vengeance. Jennings’ son gets together withKris Kristofferson, Willie Nelson and Travis Tritt to track down the killer. Not unentertaining,but, flawed by both sentimentality and flip moments such as a saloon slaughter that, sinceUnforgiven, is difficult to take a face value any longer.
Audio
The audio is a 2.0 mix, but wit...
Posted in: Disc Reviews by David Annandale on June 1st, 2003
The film opens with the assassination of Jesse James (Kristofferson) and then flashes back tothe last years of the lives of the James brothers. Ostensibly retired from their outlaw ways, they can’t quite settle down. Jesse is the wilder of the two brothers, while Frank is much more of a homebody, and is frequently seeing cursing his stubborn animals. Imagine the kind of western you’d expect to catch on cable in the late 80s, and you’ve imagined this movie. Kristofferson is notably more convincing in his role than is Cash.
Posted in: Disc Reviews by Gino Sassani on June 1st, 2003
Synopsis
For reasons never properly explained, a prehistoric tiger is cloned and, for reasons that areexplained but are dumb, escapes into the mountains. It is tracked by those responsible for itscreation (John Rhys-Davies and Vanessa Angel) and a big-game hunter (David Keith).Meanwhile, a group of hikers is about to run into trouble. The dialogue is hackneyed when itisn’t dumb, Angel’s accent fluctuates mysteriously, the characters are largely idiots, and themonster is created by b...
Posted in: Disc Reviews by Gino Sassani on June 1st, 2003
As Al Pacino constantly reminds us in The Recruit, nothing is ever as it seems. This film, while not a great effort, is vintage Pacino. Strong performances are also to be found from Colin Farrell and Bridget Moynahan, but as usual it is Pacino who steals the show. The Recruit is actually two different films in one. The first half is an intruding look at CIA training at the fabled “farm”. Once the training ends, an effective spy/counterspy plot takes over that won’t lose momentum. You’ll find enough surprises to keep even the most irritating “I knew it” viewers quiet for much of the film.
Posted in: Disc Reviews by Gino Sassani on May 31st, 2003
If ever there was a film that was badly misunderstood it is Star Trek: Nemesis. The most common complaint I’ve heard is it was too much like an episode. Excuse me, but isn’t it supposed to be? Nemesis has everything a good Star Trek film should have. The character chemistry, space battles, a morality tale, and terrific f/x. If the film suffers at all it is from poor editing, as the collection of deleted scenes clearly shows (more on that in the special features section). As many politicians are fond of saying, “mistakes were made,” but this is a far better film than the critics or fans have given it credit for being.
