Posted in: Disc Reviews by Gino Sassani on June 25th, 2002
Synopsis
It's a musical. It's called 1776. What do you think it could be about? That's right: the events leading up to the Declaration of Independence, with all the major figures of the time (John Adams, Benjamin Franklin, Thomas Jefferson) singing up a storm. The production is extremely handsome. I do think, however, that you the events have to be part of your history for the film to really get your juices flowing.
Posted in: Disc Reviews by Gino Sassani on June 19th, 2002
Synopsis
Crowe plays John Nash, schizophrenic genius. The film follows him from his grad student days at Princeton, to his revolutionary formulation of game theory, to his later breakdown, and climaxes in his reception of the Nobel Prize in 1994. Though overlong, often burdened by an excessively emphatic score by James Horner, and following all the usual conventions of Hollywood melodrama, the film also offers stunning cinematography by Roger Deakins, uncharacteristically good dialogue by Akiva Golds...an (can this be the same man who inflicted Batman and Robin and Lost In Space on us?), and excellent performances, especially on the part of Crowe, whose evocation of Nash is spooky.
Posted in: Disc Reviews by Gino Sassani on June 18th, 2002
“In space no one can hear you scream” was the slogan that drew a conglomerate of horror and science fiction fans to theatres in 1979. Was it horror or sci-fi? Alien turned out to be a rare cross-genre film that managed to satisfy both audiences. Ridley Scott started out by bringing the “space ship” film away from the glamorous bright future and depicted a world startlingly very much like our own. In Scott’s gritty future companies are quasi-government agencies and these astronauts are not explorers out for glory and...heroism. They are strictly blue collar workers trying to make a buck. It’s hard to imagine that most of the cast, including Sigourney Weaver, were relative unknowns at the time. Weaver would create a new model for female leads that would later pave the way for actors like Linda Hamilton.
Synopsis
Posted in: Disc Reviews by Gino Sassani on June 13th, 2002
Film
Robert DeNiro has built a tremendous career out of portraying men who are to be feared. Starting with Vito Corleone in The Godfather Part II through Good Fellas, DeNiro has established himself as the Hollywood Don. Analyze This is a brilliant comedy that cashes in on that long body of work. There’s no setup required for us to accept DeNiro as the head of a crime family. What makes the film work on an even higher level is the addition of Billy Crystal and the fact that both powerful actors play against what you would expect. Long-time funny man Crystal plays the straight man to DeNiro’s hilariously stressed don. This is one hell of a funny movie.
Posted in: Disc Reviews by Gino Sassani on June 8th, 2002
Synopsis
Tyrone Power is the intensely irritating American flyboy who flies a delivers a bomber to England to earn some money. Once there, he spots old flame Betty Grable, and enlists in the RAF so he can woo her back. Grable is also being courted by Power's commanding officer, who possesses all the decent qualities Power lacks (i.e. just about everything).
Posted in: Disc Reviews by David Annandale on June 4th, 2002
Synopsis
A synopsis is pretty pointless. Either you watch the series or you don't. But for what it's worth, Buffy is a high-school student who is also one of the chosen heroes of history whose purpose in life is to combat and destroy vampires. The big complication this season is the fact that she's fallen love with one (Angel).
Posted in: Disc Reviews by Gino Sassani on June 1st, 2002
It’s hard to imagine, but in the 1930’s sequels were almost unheard of. If a work was considered to be a franchise, it was released in serial form before the main features. By today’s standards, Bride of Frankenstein would be no surprise. James Whale was reluctant to continue the Frankenstein saga as was the Monster himself, Boris Karloff. Universal was relentless and the world is the benefactor of its greed. Bride of Frankenstein not only lives up to its original but in many ways surpasses it. The sets are far more grand and the story was Universal’s most compelling. Whale would later admit that it was the only story that “had to be told”. Elsa Lanchester would become an icon with a measly 3 minutes of screen time; the image is forever embedded into the pop culture. This is without a doubt one of the best horror films of all time.
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 30th, 2002
Synopsis
Child-like nun Meg Tilly is found one night lying on the floor of her cell, covered in blood, a strangled newborn in her wastebasket. Psychiatrist Jane Fonda is called in to determine whether or not Tilly is fit for trial. Mother Superior Anne Bancroft is convinced that she is not, and does not want skeptical Fonda destroying Tilly's innocence. Meanwhile, Tilly, it seems, cannot remember anything about that night, and certainly denies ever having been pregnant.
Posted in: Disc Reviews by Gino Sassani on May 28th, 2002
Synopsis
The tale is told in flashback. We begin in 1950, in a labour camp in Czechoslovakia. Franta Sláma (Ondrej Vetch ) is imprisoned there for having flown with the RAF during World War II – his reward for having helped liberate his country. From this beginning, we move back to see Sláma's experiences in England, his fatherly relationship with his protégé Karel Vojtisek (Krystof Hádek), and their love triangle with the married Englishwoman Tara Fitzgerald.
Posted in: Disc Reviews by David Annandale on May 25th, 2002
Synopsis
Paul Newman's Frank Galvin has seen better days. Now he's a broken-down, alcoholic ambulance-chaser. But then his last chance arrives in the form of a negligence case being brought against two doctors who gave a young woman the wrong anaesthetic, reducing her to a vegetable. Though Galvin at first is planning to settle out of court, he changes his mind, and the result is a David-and-Goliath courtroom struggle.
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