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Synopsis

Jeffrey Beaumont (Kyle MacLachlan), is on his way home from visiting his father at the hospital when he finds a human ear. He turns the ear over to the police, but the mystery eats at him, and, with the help of a detective's daughter (Laura Dern), he begins his own investigation. Very quickly, he gets in over his head, becoming involved with the masochistic Isabella Rossellini, and her deeply disturbed, deeply sadistic boyfriend, Dennis Hopper (in his most terrifying role).

“Even a man who is pure at heart and says his prayers at night can become a wolf when the wolfbane blooms and the moon is full and bright.” Curt Siodmak penned that poem over 60 years ago as the centerpiece for a film that was to feature Boris Karloff. The film was to be called “Destiny” and provide Karloff with a less lumbering creature than his Frankenstein’s monster. The project was put on hold and would eventually re-emerge as “The Wolf Man”, this time starring the son of the man of a thousand faces, Lon Chaney, Jr. Chaney would later in life claim this as his favorite role because unlike the Monster or the Mummy it was “completely my own”.

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Synopsis

Randolph Scott is a young man who refuses to live up to his potential. Though very skilled, and possessing every attribute necessary to excel as a marine, he refuses to do so. When not training, he does one of two things: engage in a battle of wills with the crusty sergeant (John Payne) who knows what Scott should be capable of; or court sensible nurse Maureen O'Hara (who also expects more of Scott than he does of himself).

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1941. Field Marshal Rommel's forces are sweeping across Africa. The only thing blocking him from the Suez Canal is Tobruk. The British and Australian forces are hopelessly outmanned and outgunned, but their orders are to hold out, and hold out they will. Richard Burton is placed in charge of a battalion of green Australians. Though his toughness doesn't endear him to his him, Burton nevertheless whips them into combat and commando troops.

Another recent big-budget French production to hit these shores, this, along with Brotherhood of the Wolves, makes for an interesting comparison with American blockbusters.

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The title catches your eye. A mob film, you suspect. And you’re right. But a mob film from 1968, BEFORE The Godfather defined the genre as we know it today, and the difference is apparent.

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WOW! This is one of the most unique and fascinating films ever made… and this DVD release is equally as amazing. If you have never been introduced to Memento, this is your chance. This film works like no other (not counting “The Following” – Christopher Nolan’s first film), running backwards rather then sequentially. And let me tell you, once you have found the Easter egg that contains the film played sequentially, this film will take on a whole new life.

“In MEMENTO, Guy Pearce ("L.A. Confidential")...plays Leonard Shelby, a man who finds himself without any recollection of recent events - except the knowledge that his wife has been murdered. Using instant photos and a body filled with tattooed reminders, he pursues the man he believes responsible for his wife's death. Or does he?” – CTHE

This is a rather unique match-up, pairing one star in the twilight of his career (Burt Lancaster) with one entering her prime (Susan Sarandon), and both are given meaty roles.

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The case features Drew Barrymore front and centre, but don’t be misled. This is a 1997 effort, and Barrymore’s star was still on the (re)ascension. She has a supporting role in this crime story, yet another smart-aleck tale to come in the wake of Quentin Tarantino.

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Let me start off by being very honest. I was not a huge fan of the Devlin and Emerich film version of Stargate. And because I wasn’t into the film, I did not bother to watch the Showtime original series when it first debuted. That was a major mistake on my behalf. The series is closer to Star Trek than Stargate (the movie). The cast is excellent beginning with Richard Dean Anderson taking over the Mike Douglas role of Col. O’Neal. With a refreshing blend of wit and tough guy, Anderson is everything you want in a le...der. Showtime’s commitment to quality production values and tight writing make this one of the better TV boxed sets out there (in terms of content). Look for Anderson’s reaction in the pilot when Carter explains how she needed to “McGyver” a dialing station… it’s priceless.

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