Posted in: Disc Reviews by Gino Sassani on June 1st, 2002
It’s hard to imagine, but in the 1930’s sequels were almost unheard of. If a work was considered to be a franchise, it was released in serial form before the main features. By today’s standards, Bride of Frankenstein would be no surprise. James Whale was reluctant to continue the Frankenstein saga as was the Monster himself, Boris Karloff. Universal was relentless and the world is the benefactor of its greed. Bride of Frankenstein not only lives up to its original but in many ways surpasses it. The sets are far more grand and the story was Universal’s most compelling. Whale would later admit that it was the only story that “had to be told”. Elsa Lanchester would become an icon with a measly 3 minutes of screen time; the image is forever embedded into the pop culture. This is without a doubt one of the best horror films of all time.
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 30th, 2002
Synopsis
Child-like nun Meg Tilly is found one night lying on the floor of her cell, covered in blood, a strangled newborn in her wastebasket. Psychiatrist Jane Fonda is called in to determine whether or not Tilly is fit for trial. Mother Superior Anne Bancroft is convinced that she is not, and does not want skeptical Fonda destroying Tilly's innocence. Meanwhile, Tilly, it seems, cannot remember anything about that night, and certainly denies ever having been pregnant.
Posted in: Disc Reviews by Gino Sassani on May 28th, 2002
Synopsis
The tale is told in flashback. We begin in 1950, in a labour camp in Czechoslovakia. Franta Sláma (Ondrej Vetch ) is imprisoned there for having flown with the RAF during World War II – his reward for having helped liberate his country. From this beginning, we move back to see Sláma's experiences in England, his fatherly relationship with his protégé Karel Vojtisek (Krystof Hádek), and their love triangle with the married Englishwoman Tara Fitzgerald.
Posted in: Disc Reviews by David Annandale on May 25th, 2002
Synopsis
Paul Newman's Frank Galvin has seen better days. Now he's a broken-down, alcoholic ambulance-chaser. But then his last chance arrives in the form of a negligence case being brought against two doctors who gave a young woman the wrong anaesthetic, reducing her to a vegetable. Though Galvin at first is planning to settle out of court, he changes his mind, and the result is a David-and-Goliath courtroom struggle.
Posted in: Disc Reviews by Gino Sassani on May 23rd, 2002
Synopsis
Jeffrey Beaumont (Kyle MacLachlan), is on his way home from visiting his father at the hospital when he finds a human ear. He turns the ear over to the police, but the mystery eats at him, and, with the help of a detective's daughter (Laura Dern), he begins his own investigation. Very quickly, he gets in over his head, becoming involved with the masochistic Isabella Rossellini, and her deeply disturbed, deeply sadistic boyfriend, Dennis Hopper (in his most terrifying role).
Posted in: Disc Reviews by Gino Sassani on May 20th, 2002
“Even a man who is pure at heart and says his prayers at night can become a wolf when the wolfbane blooms and the moon is full and bright.” Curt Siodmak penned that poem over 60 years ago as the centerpiece for a film that was to feature Boris Karloff. The film was to be called “Destiny” and provide Karloff with a less lumbering creature than his Frankenstein’s monster. The project was put on hold and would eventually re-emerge as “The Wolf Man”, this time starring the son of the man of a thousand faces, Lon Chaney, Jr. Chaney would later in life claim this as his favorite role because unlike the Monster or the Mummy it was “completely my own”.
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 12th, 2002
Synopsis
Randolph Scott is a young man who refuses to live up to his potential. Though very skilled, and possessing every attribute necessary to excel as a marine, he refuses to do so. When not training, he does one of two things: engage in a battle of wills with the crusty sergeant (John Payne) who knows what Scott should be capable of; or court sensible nurse Maureen O'Hara (who also expects more of Scott than he does of himself).
Posted in: Disc Reviews by Gino Sassani on May 12th, 2002
Synopsis
1941. Field Marshal Rommel's forces are sweeping across Africa. The only thing blocking him from the Suez Canal is Tobruk. The British and Australian forces are hopelessly outmanned and outgunned, but their orders are to hold out, and hold out they will. Richard Burton is placed in charge of a battalion of green Australians. Though his toughness doesn't endear him to his him, Burton nevertheless whips them into combat and commando troops.
Posted in: Disc Reviews by Gino Sassani on May 9th, 2002
Another recent big-budget French production to hit these shores, this, along with Brotherhood of the Wolves, makes for an interesting comparison with American blockbusters.
Synopsis
Posted in: Disc Reviews by David Annandale on May 8th, 2002
The title catches your eye. A mob film, you suspect. And you’re right. But a mob film from 1968, BEFORE The Godfather defined the genre as we know it today, and the difference is apparent.
Synopsis
