DVD

The main plot of the film is that of a young woman from Brazil named Priscilla, whose student Visa expires and is lead into working as an exotic dancer. The title of the film comes from the ad posted by the pimps and promoters of exotic dancers “Waitresses Wanted.” The film is bookended by the profiles of all the dancers featured in the film, all of whom are from a different nation, all beautiful, and all arrived in Canada with different careers in mind than to get involved with Columbian pimps or Russian mob lords.

Recipe for Ramen Girl (serves 4)

Take one American girl, preferably in her early 20’s, and place her in Japan.

Add a touch of one self centered American male, also in his early 20’s, but sprinkle lightly, (After all, this is merely a subtle flavor that really doesn’t need to be all that well developed.)

Do not mix. (These ingredients will not mix. That’s the point)

Slowly stir in a cranky old Japanese ramen chef to taste.

In Tranzit is one of these odd films that you can never quite get a handle on. Even now I’m not exactly sure what kind of a film it was intended to be. While it takes place at the end of World War II and involves some Nazi officers in a Russian POW camp, I’m not sure that the film has all that much to do with the war, or POW camps for that matter. The film remains a kind of abstract art form with a rather loosely told story.

Forever Strong is a classic example of sports melodrama. The only wrinkle to this film is the sport. The sport in question, is not typical at all (i.e. Football, Basketball or Hockey) it is Rugby. The film revolves around a rambunctious youth, Rick Penning (Sean Faris) who runs into trouble with the law and is shipped out to a juvenile detention centre. He is introduced to Marcus (Sean Astin) who is an administrator and acts as Rick’s sponsor. After the initial introduction, Marcus uncovers Rick’s passion for Rugby and encourages him to play for his old team. Rick decides to play and the emotional journey begins from there.

In a village where there is a great deal of time (there are months whose days are numbered in the 40s), the local witch gives birth to the title character. Twenty years later, Babine is the Village Idiot. Though he is a thoroughly gentle soul, he also becomes the scapegoat for every ill, real or imagined, that befalls the villagers. Fortunately, he has some champions, including Toussaint Brodeur (played by director Luc Picard), the local fly-raiser. But then the church burns down, and terrible trouble looms for Babine in the person of the new, fanatical village priest.

It seems that every studio with a Nazi war film is scrambling to get it released about now. The Tom Cruise film Valkyrie has caused about as much Nazi fever as I’ve seen in recent years. Unfortunately, that means we’re going to see a lot of films that wouldn’t otherwise see the light of day, most for good reason. Fortunately, it also means that some truly classic titles that got hidden away for decades because there is a perceived lack of interest suddenly surface like a German U-Boat about to pounce on an unsuspecting battleship. Man Hunt is absolutely one of the latter.

Sword and Sandal films have been around since the early 1900’s and under the broad definition, Ben Hur was the first way back in 1907. However, under the more accepted narrow definition, this referred to Italian films that were based on loose plots around Greek mythology with giant muscle men and low budgets. The popular Sword and Sandal era was a period of roughly 10 years from 1957-1964 and started with the world-wide release of Hercules in 1957.. It kinda died out once the spaghetti westerns came around (giving Italian directors something else to do). Muscle Madness provides us with five films representative of the era including the likes of Steve Reeves, Alan Steel and Mark Forest. Let the cheesefest begin!

Robert Calestino hasn’t had a lot of experience as either a writer or director, and it shows in Yonkers Joe. When he’s writing about the things he obviously knows and understands, the film is quite good and extremely engaging. Unfortunately, Calestino felt compelled to bring some heart into his picture in the person of Joe, Jr. While he thinks he’s adding a necessary emotional element to the story, he’s really delivering a distraction that makes the film somewhat less than it ought to be.

William “D-Fens” Foster (Douglas) is caught in a typical L.A. traffic jam. The annoyances about him are beginning to mount up: a buzzing insect, tremendous heat, a child screaming. All of these things are becoming a perfect storm that is about to ignite a powder keg that’s been gathering here for some time. He abandons his car in the middle of the street and begins an apparently aimless walk across L.A. He first encounters a Korean convience store clerk, who he critizes for his accent and exorbitant prices.

“A short time ago in a galaxy not so far, far away…

The year is 1998 and it is a period of galactic civil war. Scratch that. There is no civil war. That would be crazy! However, the past 15 years have been a dark time for Star Wars fans. But there is hope. A new Star Wars film is on the horizon. In 199 days, 34 hours, 33 minutes and 28 seconds the most anticipated movie of all time will be released. In the remote state of Ohio, two best friends and lifelong Star Wars fans have drifted apart. Little do they know that on Halloween Night, their paths will cross again.”

Too many cooks can spoil the broth.