DVD

I get worried when I see box art make claims like they have on the recent release of Dorothy Mills. It claims that this film is a contemporary take on The Exorcist. The problem is that we don’t really need a contemporary take on that classic film. It’s a bit pretentious and arrogant to think that this low budget affair can come close to reproducing what that film did back in the 1970’s. Why can’t the folks who make these kinds of films allow the film to stand on its own and aspire to something unique and exciting for its own merits? Fortunately the box art is just marketing hype, probably written by some advertisement executive who never actually even saw the film. This isn’t The Exorcist, nor does it actually try to be. Truth be told, the film doesn’t play out like your normal run of the mill possession films at all. It has a rather clever angle that might be more Sybil than Exorcist.

Come and listen to my story about a man named Jed. Poor mountaineer barely kept his family fed. Then one day he was shootin’ at some food and up from the ground comes a bubblin’ crude. Oil that is… Black Gold…Texas Tea…”

Who doesn’t remember the Clampetts, those lovable Beverly Hillbillies? The show has been revived in a film, rap songs, and a Weird Al parody of Dire Straits’ Money For Nothing. Terms like cement pond have lingered in our pop culture. The song was a genuine Billboard hit at the time and is still instantly recognizable some 40 plus years after the show aired.

I used to think that any movie that Robert De Niro attached his name to had to be good. And that used to be true. I was willing to take a chance on low budget or blockbuster films, knowing that De Niro wouldn’t lead me wrong. Then along came Stardust, and honestly, the man hasn’t been in a good film in some years now. Still, my loyalty remains, and What Just Happened looked to be interesting enough that my buddy, Bobby D couldn’t disappoint me again. So, what did just happen? He let me down.Films about filmmaking are always a hazard. We all think that we want to see inside the true Hollywood, don’t we? Gossip programs and internet sites would seem to indicate that we can’t get enough of the inside poop. So, the temptation to deliver accurate films that portray these inside aspects of Hollywood come along every once and awhile. We peek, because we think we want to know. The truth is that voyeurism gets boring pretty quickly. We all want to eavesdrop on other people’s private moments. I’ve done it both professionally as a private detective and even for fun with a scanner that allowed me to listen to cell phones back in the old analog days. You know what? People are boring. It was exciting at first and my friend Mike and I would sit and listen to stuff for hours. We would get together and talk about what interesting things we heard. Before long we both realized that most of it was so painfully mundane that we just sort of stopped doing it. That’s what these films remind us. No matter how exciting the world of movie stars, directors, and producers might look from the outside, 90% of it is pretty pedestrian stuff. Unfortunately this film doesn’t spend much time in the 10% that might be exciting. In the end, not even some good casting could save this picture from making me feel like I did listening to those cell phones.

Robert De Niro is Ben, a big time producer and power broker in Hollywood. He’s dealing with two films at the moment. One is already shot and stars Sean Penn. The film’s director, Jeremy Brunell (Wincott), is a temperamental pill addict. When the advance screening doesn’t go so well, he’s told he has to redo an ending that shows a dog get blasted dead by the film’s bad guys. He doesn’t want to compromise his artistic integrity, but the studio boss, Lou Tarnow (Keener) will pull the plug on his Cannes premier if he doesn’t play ball. Ben’s upcoming film stars Bruce Willis, who shows up for his fitting appointment overweight and sporting a “Grizzly Adams” beard, which he refuses to shave. The studio bosses insist they’ll shut the film down and sue everybody involved if Willis won’t shave the beard and work out to lose weight. Willis’s agent is a crazy hypochondriac who is deathly afraid of his client, so Ben can’t get him to lay down the law. The agent is played wonderfully by quirky character actor John Turturro. Ben needs both pictures to work out because he’s supporting two ex-wives who are used to fancy living at his expense. The film is mostly told from Ben’s point of view, often through De Niro’s narration, as he attempts to save both pictures and deal with the more recent of his ex-wives. They’re actually in therapy to learn how to live without each other.

“We need to go back to a time where it all started. When God was getting busy with the creation of the universe, where there was only cosmic goo, God’s play-doh, if you will. While God was messing with this play-doh, creating all living things, he put death into a ceramic jar for safe keeping, until he could figure out what to do with it. One day God gave the jar to a frog and a toad to guard it from harm, while he went off to create something more fantastic. Why he gave it to a frog and a toad I’ll never know, but one thing led to another and the jar shattered, letting death out; and ever since, everything has to die. So, there you have it, the mystery of death finally revealed.”

What a fitting way to open up an unexpected new chapter in the story of Dead Like Me, the direct to video film that attempts to resurrect from it’s own death the cult favorite Showtime original series.

Posted by Ken Spivey

Filmmaker Godfrey Cheshire returned to his ancestral home, Midway Plantation, in 2003. When he arrived he found his cousin, Charlie Silver, about to move the southern mansion to make way for a shopping complex. “Moving Midway” is the story of Midway's past, present journey, and future home.

Most of you know that video games are very near and dear to my heart. When it comes to video games on my TV, I’m usually restricted to G4’s X-Play or perhaps somebody got a hold of a license and turned it into a bad movie. Sure, there are times when they try to turn video game comedy into a sitcom of some sort. Game Over even though it was awesome, only lasted six episodes. In fact, Code Monkeys is the only current sitcom I know of that is using video games as a primary source of material. Needless to say, I was very interested when I saw Videogame Theater on my review list. I found my expectations to be too high.

Ever wonder what would happen if various video game legends were made into puppets and given a more real world approach to their character? There is Pac-Man who must be addicted to “Power Pills” and have a broken family. There is Donkey Kong and Mario who work at a construction site and fight over the foreman’s daughter. Lara Croft, well she’s part of a college sorority and in danger of expulsion if she can’t pass the archeology final.

Popular gaming franchise Resident Evil is no stranger to the world of film. With a trilogy already in the bag from writer-producer Paul W.S. Anderson (Death Race), and starring Milla Jovovich, our favourite perfect being from The Fifth Element, audiences are pretty familiar with the RE brand. Well, the ones who go for schlocky zombie-fests, at least.

You can count me in that company. Every once in a while, a junk-food movie like Resident Evil just hits the spot. The question is, does Resident Evil: Degeneration deliver the goods?

“They’re not leaving till they get dessert.”

Director John Gulager might be the son of famed cult B movie star Clu Gulager, but that’s not how he broke into the business. He was a Project Greenlight winner. Project Greenlight is a competition for up and coming directors. They compete in a reality show style setting for the opportunity to direct a major release film. Now, I didn’t say it was a big budget film, but it does get backed and released by a major studio. When John Gulager won, his reward film was the original Feast. The film did well enough that now a couple of years later we’re on the third installment of what has become a somewhat cult hit franchise. Nothing has changed in this third film; in fact, it could be argued that the three films could be cut together into one long epic piece and it would work just as well.