Posted in: Disc Reviews by Michael Durr on February 9th, 2009
My place of birth was in Jamaica, NY in the summer of 1975. However, my parents decided to move me around a bit and where I grew up was actually a lot more south than that. Many times in my youth I visited New York to see my grandmother and wondered (often aloud) what it would be grow up in New York rather the suburbs of a southern state. My grandparents would tell me stories, my dad would tell me stories as well as people within earshot of my curiosity. Films helped in this respect too and another fine film about that experience ended up in my hands.
A Guide to Recognizing Your Saints was released in 2006 and is based on the true story of Dito Montiel.
Dito (played by Robert Downey Jr) is a successful writer and lives in California. His book speaks of his youth, living in the heart of New York. After all of these years, his mother Flori (played by Dianne Wiest) calls Dito up and tells him that his father, Monty (played by Chazz Palminteri) is ill and will not go to the hospital. After calls from friends and family, Dito decides to make the journey to New York. In the film and his mind, he really travels back to 1986 when he was just a teenager struggling to get by.
Posted in: Disc Reviews by Archive Authors on February 9th, 2009
Woody Allen lands a terrific cast with his latest attempt at comedy, Vicky Cristina Barcelona, but there is something very off about the way these characters are written. Annoying pretentious dialogue renders a whimsical, fairy-tale-like backdrop ineffectual, causing each moment of silence to come all too slowly.Rebecca Hall is Vicky. Scarlett Johansson is Cristina. They are two differently wired friends enjoying an extended vacation in Barcelona, where they meet up with ruggedly handsome artist Juan Antonio Gonzalo (Javier Bardem), whom both girls can’t seem to resist. Juan Antonio asks both girls to join him in bed the first time he meets them. Vicky is offended, while Cristina finds his approach radically interesting – enough so to decide she’ll take him up on the offer. Unfortunately for Cristina, food poisoning cuts her plans short, and in steps the combative Vicky to fill the empty slot.
Posted in: Disc Reviews by Archive Authors on February 7th, 2009
Christopher Titus lands in stores just in time for Valentine’s Day with his most recent concert tour Love Is Evol. “Tonight could fix your relationship, or end it,” he says at the opening of the performance. “Either way, you’re welcome.”After discussing the recent developments of his life with tongue planted firmly in cheek, he backs this opening promise up with nearly an hour and a half of comedy that is equal parts storytelling, punchline, and attitude.
Posted in: Disc Reviews by David Annandale on February 4th, 2009
Hedda and Neal (Lydia Lunch and Don Bajema) are a couple whose relationship needs work. They have retreated to an old plantation house for precisely that reason, but then Hedda invites over her former lover, Jackson (Henry Rollins). The inevitable triangle that occurs is intercut with flashes of other events from the house’s past.
The fact that the film is barely more than half-an-hour long will be perceived as either a blessing or a curse, depending on the viewer. While this is not as abrasive as Lunch’s collaborations with Richard Kern (Fingered), it will be a hard sell for many viewers due to technical aspects alone (see below). Lunch cuts loose as a femme fatale, but her revealing outfits and pale-face-and-crimson-lips makeup remain resolutely New York Underground, looking rather silly in the rural setting. Some evocative shots, then, and some amusing bits of dollar-store surrealism (check out the bunnies in the kitchen), but also rather more pedestrian than it thinks it is.
Posted in: Disc Reviews by Gino Sassani on February 4th, 2009
Marvel has been pretty busy lately. Since starting their own film studio to work on their iconic characters, we’ve seen a lot of the Marvel universe of late. This past summer saw not one, but two of Marvel’s stable characters enjoy blockbuster releases on the live action front. Iron Man captured world wide attention and the hundreds of millions that go with it. While the new Hulk film didn’t bring with it the same kind of financial bounty, it was a well respected film that won over much of the character’s fan base, lost when Ang Lee put together his horrible Hulk feature some years ago. If anything, the unlikely casting of Ed Norton brought that film closer to the beloved television series than the classic comics from the 1960’s and 70’s. Now Marvel’s animation lines have been churning out full length animated adventures of many of their popular heroes. Most recently Iron Man got the predictable full length treatment. Now it’s The Hulk’s turn, but there is a bit of a twist to the formula. Instead of one longer effort, Marvel decided to go with two shorter stories, likely to bring in as many of the other Marvel franchises for the ride. In case you’ve been sleeping on another planet, Marvel is inching toward a grand Avenger film. The plans include more live action movies featuring Iron Man, Thor, Captain America, and, of course, The Hulk. There is also an aggressive slate of these direct to video animated efforts, all leading toward an Avengers project.
We all know that by himself, The Hulk can be an awkward character. He has always shone best in the comics when he had someone else to beat up on. These “Clash Of Titan” titles have been milestone events in the green monster’s legacy. It’s no great surprise that anyone who loved these moments in the comics would expect to see them as part of a new animated Hulk franchise. Enter the new Hulk vs. series. This release contains two such pairings:
Posted in: Disc Reviews by Gino Sassani on February 4th, 2009
I was first introduced into the somewhat twisted world of Dave Barry in 1986 when I moved to Florida. The Tampa paper carried his Sunday column, and all I can remember is that it had something to do with dinosaurs on the beach and that I couldn’t stop laughing. For years afterward both my wife and I made the column regular Sunday reading. As years went on other things fill one’s life, and I only occasionally read the material until he disappeared almost completely from the Central Florida scene, keeping more to himself some 250 miles to our south. He’s since spent a lot of time playing in a writer’s band with the likes of Stephen King. So I was pretty eager when Dave’s World first came to television in 1993. To say I was disappointed wouldn’t exactly be fair. The show was pretty funny, but Harry Anderson was so ingrained in my mind from his Night Court role that I never did accept him as Dave Barry. Once I was able to separate the character from the writer, the show was a little better going for me.
Anderson supplies narration to the show in a voice much like that of his column so that we’re placed into that world. It was a nice touch. Dave (Anderson) worked from home. He had a wife (Matthews) who was a teacher. He also had two young children. Most of the show dealt with Dave’s childlike look at the world around him. He found life to border on the ridiculous, and that’s what he wrote about. His world was also populated by the typical guy friends that have become staple in shows like King Of Queens and Everybody Loves Raymond.
Posted in: Disc Reviews by Gino Sassani on February 4th, 2009
Who says no one likes a guy who’s negative all the time? Becker has got to be one of the most cynical, grumpy, and negative characters to grace our sit-com screens. He’s a guy you probably love to hate, and he’s also hilarious. Ted Danson spent over a decade behind the bar at Cheers and could have easily called it a career. You know, stop while you’re ahead. Instead he climbed right back into the television saddle and reemerged as Dr. Becker. This time he’s a medical doctor who hates everything and everyone around him. Refusing to display that little bit of a heart we all know he has, Becker spends most of his life complaining about everything. Never before has it been so much fun to watch a guy moan and groan for twenty minutes at a time. Fortunately for him, Becker is truly a dedicated doctor, and while he’s likely to complain about it the whole time, he’ll go to any extreme to help a patient.
The secret to Becker’s genius is characters. Like Cheers before it, Becker is populated with wonderfully distinctive characters played by actors carefully cast for the roles. To start with there’s his office nurse, Margaret, played skillfully by Hattie Winston. Margaret runs things for Becker in his doctor’s office. She’s pretty much his mother and the brains behind the outfit. She’s one of those straight talking ladies that don’t take any guff, and that means not even from Becker. The office assistant is Linda, played by Saw star Shawnee Smith. Linda’s used to getting by on her looks, which is fortunate because she’s naive and a little short on the intelligence front. How she got the job and holds it is anyone’s guess, but her blundering makes for some classic comedy. Becker spends much of his off time at a café owned by Reggie. Reggie is portrayed by Star Trek: Deep Space Nine’s resident Trill, Terry Farrell. There’s a hint of a romantic interest here. Reggie is more interested talking about her own pitiful social life than serving her customers. Jake, played by Alex Desert, is blind, and interestingly enough runs a newsstand out of Reggie’s Café. He’s pretty much Becker’s best friend and often foil. A frequent patron of the Café is sleaze Bob, played by Saverio Guerra. He’s got the hots for Reggie and just about any other woman who meets his criteria (breathing) even though he’s married to an unseen wife. Bob always refers to himself in the third person and is clearly the most entertaining support character on the show. He was a recurring character up to year three where he was finally upgraded to regular. I can’t imagine the Becker universe without him.
Posted in: Disc Reviews by Gino Sassani on February 4th, 2009
The second season of The Invaders saw a shift in the show’s focus. Vincent has started to get his message out there, and some of these people are organizing. There’s no doubt, that if left to continue, the show might have taken on a more resistance center much like Kenneth Johnson’s V mini-series. If you’re looking for a conclusion, you won’t really get it. Vincent’s still out there, and so are the Invaders. Unfortunately, The Invaders only lasted for two seasons, and David Vincent never did manage to warn the world. While he was able to defeat the many tasks The Invaders were plotting, all he was able to do was delay the inevitable. There was a revival mini-series in the 90’s that did include Roy Thinnes reprising his role of David Vincent, but he was not the central character. Instead it was Quantum Leap’s Scott Bakula that took on the job of trying to warn the world and stop the Invaders from completing their tasks. The mini-series was intended as a back door pilot for a new show, but whether it be ratings or lack of network interest, the new series never materialized, leaving the invaders and their plots to dissolve in the otherworldly existence of cancellation. There is some talk that the Sci-Fi Channel has considered at potential show, but again nothing has ever really come of those rumors.
Just because you’re paranoid doesn’t mean they’re not really out to get you. That old axiom has never been more true than for David Vincent in the Martin Quinn series The Invaders. Quinn was best known for his police procedural shows like The FBI. At the time of the The Invaders Quinn was going into the final season of one of his most popular shows, The Fugitive. While most people over the years have compared The Invaders to that Quinn production, they were really not as similar as all that. In The Fugitive the hero, Richard Kimball, played by David Janssen, had a very specific mission. He was wrongly convicted of killing his wife and was on the trail of the real killer, whom he had witnessed. The “one armed man” became an iconic figure in television history and provided Dr. Kimball with his “Holy Grail”. David Vincent’s mission was far more complicated and seldom so cut and dried. He was honestly more akin to Dr. Bennell, played by sci-fi favorite Kevin McCarthy from Invasion Of The Body Snatchers. In both cases you had one man who knew that aliens were invading and even replacing humans. As I watched this collection of Invaders episodes, I couldn’t help but be reminded of McCarthy’s famous scene running down the street trying to convince the world of the impending invasion.
Posted in: Disc Reviews by Gino Sassani on February 4th, 2009
Meerkat Manor is back for a fourth season on DVD. You’re invited back into the South African desert with the famous Whiskers Clan. Animal Planet has themselves a relatively big hit here with Meerkat Manor. OK, so, it’s not exactly The Sopranos or The Shield, but it does have a modestly dedicated audience. Seems that folks just can’t get enough of these fur balls. They’ve set up blogs and websites dedicated to the antics of the celebrated Whiskers. If you like them and are dying to see what these lil’ guys are up to next, wait no longer. Fast on the heels of the prequel film, The Story Begins, Meerkat Manor is here again. Of course, all of this is strictly in the interest of scientific study. Sure it is! Don’t worry, I won’t tell a soul.
Stockard Channing takes over the narration duties from Sean Astin. She’s a bit more playful and often more dramatic, but I have to admit I was partial to Astin. Expect more of the same here. Kidnapped kids to missing Commandos and, of course, the annual loss of a beloved character. It’s all par for the course on Meerkat Manor. I have to admit that as cute as these little guys are, it’s all starting to run together for me. I can’t remember which character is which or who belongs to which tribe. Maybe it’s about time to close the books on the fur balls from the African desert.
Posted in: Disc Reviews by Gino Sassani on February 4th, 2009
The box art promises that Red, White, & Brown won’t disappoint Russell’s die hard fans. I totally agree. This extended Comedy Central concert is pretty much standard Russell Peters. I’ve only seen his act in bits and pieces in the past, but what I saw here looks very much the same. Peters’ comedy is pretty much made up of riffing on ethnicities and various stereotypes. He gets away with what many others comics can’t by having an Indian heritage that’s not really as evident as he makes it sound. Looking at the man, I would not, as he often does, characterize him as a “brown man”. He doesn’t look even vaguely Indian to me. We’re talking Indian from India, and not the Native American variety here. Whether he actually looks the part or not, he uses the ancestry to get away with racial material. Unfortunately, if some of this stuff were coming from a white guy, there would be protests and firings.
It was a little bit of a surprise to me that the audience shots showed that young children had been allowed into the concert. The material does get sexual, and Peters even acknowledged one of the young audience members while continuing with one of those kinds of routines. The stuff isn’t offensive, just not appropriate for 7 year old kids.
