DVD

What kind of woman could possibly make the oh-so-tough Arthur Fonzarelli fall hopelessly in love? We find out in the three-part opener of Happy Days – The Complete Fourth Season in one of the great names of the small screen, Pinky Tuscadero. Pinky (a stunning Roz Kelly) shows spunk as a female version of Fonzy (Henry Winkler in his career-making role), and it’s surprising she wasn’t used more in the series run. Perhaps CBS felt fettering Fonzy with a regular gal-pal took away from his enigmatic qualities, which he would eventually lose anyway in the show’s eleven seasons.

 

Another cheery bit of nonsense in this release, consisting of a half-dozen SpongeBob cartoons. The disc gets its title from the first episode, “What Ever Happened to SpongeBob?” In this story, our hero, rejected by all his friends for his consistent screw-ups winds up, after an amnesia-inducing bonk on the head, becoming the hero of a crime-ridden metropolis. Weird and funny stuff, and the same is true for the other pieces. That said, there's even less of a connection than usual between the pieces, not even a hint of a thematic commonality that has usually been the case with these releases. What we have are six apparently randomly chosen episodes, adding up to 78 minutes of silliness.

Audio

My experience with the UFC is more of a classic one. I remember watching various pay per views on DVD and VHS of the old matches back when they had 1 night tournaments and everybody was either talking about Gracie, Shamrock or Severn. Recently, I had started watching random fights on the Spike Network to pass the time when I wasn’t interested in WWE or TNA wrestling. However, the one thing that got me most interested in UFC or MMA as of late is one man. No, not Kimbo Slice. That man would be Brock Lesnar. The man who would came to UFC to prove he was a true fighter and put away of those rumors that existed about wrestlers and not really being able to compete. UFC 87 featured Brock vs Heath Herring and a Welterweight championship fight among 8 other matches on the card. Was it time for the “Next Big Thing”?

UFC 87 Seek & Destroy -August 9th, 2008. This event took place from the Target Center in Minneapolis, Minnesota. Ten matches were on the card leading to a packed evening of fights. Many matches highlighted the card. In Lightweight action we had Kenny Florian against Roger Huerta. Huerta prior to the fight looked unstoppable and a force to be reckoned with. In heavyweight action we had Brock Lesnar who had suffered a loss to Frank Mir in a prior ppv due to mostly inexperience. He was facing the “Texas Crazy Horse” Heath Herring who had been coming off a victory against Cheick Kongo. Kongo incidentally was also on the card against Dan Evensen, fresh off some wins in BODOG.

TNA Wrestling is currently a very exciting place in the world of wrestling. Two factions have formed: Main Event Mafia and the Frontline. MEM is five former & current world champions and they are a deadly combination not seen since the heyday of the NWO. They want to teach respect to the other faction known as the Frontline, composed of TNA Originals and young upstarts who have worked their tail off and believe that the MEM should step aside and pass the torch to them. However, one forgets what led to these two factions forming. Three pay-per-views that happened from July 2008 to September 2008 laid the groundwork of the current state of affairs in TNA. Victory Road, Hard Justice and No Surrender.

Victory Road 2008 – July 13th, 2008. In the blistering heat of Houston, Texas, two events were firmly on the minds of the TNA fans. The World X Cup and whether Samoa Joe could truly show he was a credible World Champion. Jay Lethal & Sonjay Dutt were also intertwined in a brutal war over their mutual love interest: So Cal Val. In the tag team division, LAX (Homicide & Hernandez) was trying to ward off Beer Money (Robert Roode & James Storm) for the gold. Taylor Wilde was fresh off beating Amazing Kong weeks before the women’s Knockout title and Christian Cage, AJ Styles & Rhino were busy dealing with Kurt Angle and Team 3d.

No, this isn't the Patrick Swayze vehicle. Instead, it's another golden opportunity for Richard Widmark to unleash his patented psycho act. Here he plays Jefty, playboy owner of the titular establishment. His right-hand man is Pete (Cornel Wilde), who is the serious-minded half of the partnership. Said partnership is strained when Jefty brings back the latest singer for the club, one Lily (Ida Lupino, in superb hard-boiled form). Pete thinks she's bad news, and she is, only not in the way any of the three suspect. Jefty decides he's in love with her, but she only has eyes for Pete, and he, despite misgivings, reciprocates. Jefty doesn't take rejection well. Not well at all...

The cast is terrific, bouncing cynical zingers off each other with aplomb. Wilde does well as the world-weary Pete, but Lupino and Widmark own the field, and their final confrontation is one for the books. Enormous fun for noir fans, and especially for lovers of Widmark as a terrifying nutjob.

It’s the final roll call for everyone’s favorite Marine. Gomer Pyle began life as a one of the down home residents of Mayberry, where Andy Griffith held court as the sheriff and Don Knotts blundered his way to fame and fortune. It’s no small task indeed to find a way to shine as a minor character who wasn’t even there from the beginning; he replaced Floyd after the second year. But shine he did. Much of the character’s charm and success has to be given to Jim Nabors. The shy naive Gomer worked as an auto mechanic in Mayberry, but for his own series he appeared in one of the most unlikely of places, the U.S. Marine Corps. There Nabors found the perfect comedic partner in Frank Sutton, who played his superior Sgt. Vince Carter. The chemistry and remarkable timing these two brought to the Andy Griffith spin-off made it an instant hit. Critics at the time were very skeptical of the move, and most of the predictions called for a swift end to Gomer Pyle U.S.M.C. But before you can say “surprise, surprise, surprise”, the series became as popular, if not more so, than the parent series, at least for a time. In syndication the show was always a hit.

 

Jean Gabin, in his American debut, plays Bobo, a French sailor who has been knocking around the States for quite some time in the company of Tiny (Thomas Mitchell). Their wandering comes to a stop when, the day after a night of drunken excess that he cannot remember, Bobo sees Anna (Ida Lupino) wading into the waves to commit suicide. He rescues her, and before long the two are living together on the bait barge where he is working, and fall in love. Dark clouds are on the horizon, however. A local man was murdered, and Tiny, resentful that his meal ticket has been taken from him, darkly hints to Anna that Bobo might be responsible, even though he doesn't know it himself.

Moontide was originally a Fritz Lang project, and as the accompanying documentary demonstrates, his influence is still felt in the finished project, notably during the climactic stalking sequence. Gabin, though a masterful presence, nonetheless seems almost as much a fish out of water as his character, and it doesn't really come as a surprise that neither he nor Hollywood wound up caring much for the other, and he would return to the greener pastures of France. Claude Rains is on hand as a wisdom-dispensing night watchman – hardly a stretch for him, but it's always a pleasure to hear his mellifluous tones. The real stretch, and indeed revelation here, is Thomas Mitchell – the man whose speciality was the cuddly, avuncular Irishman here becomes a twisted monster of childish, violent rage, giving us a real nail-biter of a denouement.

There have been many films about the Vietnam War. Some have been epic. Some have been emotional. Some have even been very bad, but now comes one that is absolutely funny. Are we ready for this kind of a send up? That might be the overriding question, but I think that we are. Tropic Thunder took the chance that the public was ready to accept such a film and be able to enjoy it. To soften the blow, it was likely a good idea that the film doesn’t address the war in itself. The film takes aim at movies about the war, and in an extension of that theme it pokes a lot of fun at Hollywood. It’s just possible that that kind of indirectness is what makes this film a bit easier to take. It’s likely the next evolutionary step towards being able to have a little fun with such a serious and tragic time.

 

"Space...The Final Frontier. These are the voyages of the Starship Enterprise. Its 5-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before!"

Paramount was bold indeed when they undertook the remaster project of the original series. Not only did they clean up the prints, but they took the decidedly risky option of redoing most of the f/x shots from the original prints. We all know just how cheesy the old work looked when compared to today’s computer abilities. You could see a box around spacecraft that allowed the obvious cutout to maneuver through a cardboard star field. There were often mix-ups where phaser shots would be used for photon torpedo commands and the opposite. The planets often utilized matte paintings that look somewhat ridiculous now. We forgave these flaws with a complete understanding of the limitations the crew had at the time. While Star Trek showed us computers that were remarkably similar to the PC’s we use today, down to the floppy drives of our own yesteryear, the use of computers to create f/x was still many years away. So Paramount decided to “fix” these “flaws” and make much of the show look like it might have had it been produced today. It was a serious risk because of the extreme possessiveness fans have for these kinds of shows. Just ask George Lucas how much fans like their sci-fi tinkered with. The project encompassed a few years, and the results are quite attractive. But how do they stand up for the fans?

Jack Black stars as a Panda named Po who works in his family’s noodle shop. His dreams, however, aren’t of noodles and broth, but of Kung Fu. He fantasizes of hanging out with the famous furious five, the living legends of Kung Fu. The five are made up of the actual animal poses in Kung Fu. You have Tigress (Jolie), Crane (Cross), Monkey (Chan), Mantis (Rogen), and Viper (Liu). Together they have been training with the Master Shifu (Hoffman). Under the guidance of Grand Master Oogway (Duk Kim) they are preparing for one of them to take on the mantle of Dragon Warrior. Then they will inherit the sacred Dragon Scroll and be the great protector of Peace Valley. When Po learns that the time has come to select the Dragon Warrior, he just can’t miss being witness to such an awesome event. The palace is high on a great mountain, and Po tries all silly means of getting to the event. Finally, strapped to a fireworks propelled chair, he makes a grand entrance and finds himself selected as the Dragon Warrior. Much to the dismay of all gathered, Master Oogway insists that Po will become the great warrior needed to protect the Valley. Shifu must overcome his own doubts and work fast, because the imprisoned Tai Lung (McShane) has escaped from the world’s most secure prison. “One way in. One way out. One thousand guards and just one prisoner”Tai Lung. Tai Lung wants the dragon scroll for himself, and not even the Furious Five are able to stop him. Po must learn the “secret ingredient” that will give him the strength and courage to face up to this most ferocious of enemies.

The CG animation craze has no shortage of lovable and cute animals these days. It seems that the animal kingdom has become the greatest fodder for these family animated blockbuster films. Dreamworks might be in the lead with these kinds of efforts. They’ve given us bears, penguins, and lions among others. Now they deliver perhaps one of their better ideas in a lovable Kung Fu Panda. As much as anything else, you really have to give most of the credit for the film’s success to Jack Black and the wonderful voice cast that support him here. Honestly, the script is pretty simple, and like most children’s films it tends to be oversimplified and rather silly throughout. But give a cast like this an even average script and you can pretty much sit back and watch them go. Okay, maybe sit back and hear them go.