DVD

Working in Hawaii on one of televisions hottest shows in the 1970’s was too good a job for most of the cast and crew of Hawaii Five-0. This meant that there was very little cast turnover for the series in general, and none going into the fourth year. Jack Lord saw his star rise considerably, and while he began to see some serious pay hikes, even he wasn’t about to kill the golden goose. With this kind of consistency, fans were never disappointed or turned off by drastic changes in the cast or formula. With this cop show it was all about tropical locations and formula. The fifth season was no exception to the rule.

 

After just 5 years on the air, the unlikely duo of Oscar and Felix take their final victory lap in this the 5th and final season of The Odd Couple. Even though the show lasted a mere half decade, it remained in our collective consciousness for over 40 years and shows no sign of slowing now. Both of the stars, particularly Klugman, went on to do many huge things later, but they never did escape these small sit-com roles. You might as well come along for the ride and enjoy that last victory lap with them.

 

If you weren’t around in the 1970’s, you might be surprised to find out that film superstar Michael Douglas was once in a television cop show. It was this influential crime drama that allowed Douglas to show off the acting chops that would earn him a spot in the Hollywood elite for decades to come. It didn’t hurt any that he was able to team up with Karl Malden, an undervalued talent in his own right. The two of them literally bring the show to life.  The series was run by Quinn Martin, himself no stranger to groundbreaking television. Martin was the same talent who created the crime drama with The Untouchables. His uncanny ability to come up with a clever premise was responsible for such milestones in television history as The Invaders and The Fugitive. Later he would continue to shape the look of television with shows like Tales Of The Unexpected, The FBI, and Most Wanted. He was the Steven Bochco of his time. Long before NYPD Blue, Martin was able to make San Francisco, the city itself, an iatrical character for Malden and Douglas to interact with. The show had tremendous style, even if the cases were purely formula. Certainly you won’t find anything in these plots you haven’t seen a hundred times before. What you will find is a unique presentation that somehow makes even the most mundane story appear quite compelling. If you enjoy the Bochco and Wolf dramas or fall in with such classics as Starsky and Hutch or Miami Vice, you owe a tremendous debt to Martin for setting the table for all of those fantastic meals that would follow.

 

Casino Royale was the only one of Ian Fleming’s James Bond novels that was not a part of the deal with Ion Productions. It was the only Fleming story that was off limits even though it was the first Bond story written. Until recently it was never filmed as part of the official Bond franchise. However, there was a version made back in 1967 that has been deservedly long forgotten. After 40 years it remains unclear who originally came up with the idea for this farce, and after watching the results, I’m not expecting anybody to stand up and take credit any time soon. This is a James Bond film, but in name only.

 

Small town Connecticut. A beloved priest is gunned down in the middle of a busy street, and the pressure is on for the police to find the killer. The new regime at city hall needs a conviction, and doesn't care too much about the niceties. When a suspect (Arthur Kennedy) is at last found, police chief Lee J. Cobb isn't entirely happy with the case, but he passes it on to DA Dana Andrews, who is under even more political pressure. At first pleased with the case, Andrews becomes uncertain the more he looks into it, and startles everyone (not least the defence attorney) by entering a plea of innocent at the beginning of the trial. Politicians and lynch mobs are soon baying at his door.

Elia Kazan's 1947 thriller is, as commentators Alain Silver and James Ursini point out, very much in the vein of the docu-noir. There is lots of procedural action going on here, and the voice-of-god narrator is frequently on hand to explain things to us. What is perhaps most interesting about the film, though, is that the case itself becomes of secondary importance to the political machinations. This isn't so much about the possible conviction of an innocent man, so much as it is about the mechanisms that make such a thing possible in the first place. Given what the future would hold for Kazan and his involvement with the HUAC hearings, the witch hunt scenes here take on additional, troubling, resonance.

Rob Zombie’s enthusiastic but terminally misguided remake scores yet another DVD release. This one is identical to the previous unrated edition, apart from the fact that there’s an extra disc. More on that later. But in the meantime, as everything else is the same, that will also be true for this review. What follows is what I said about the last version.

“The trailer trash Myers family (inexplicably living in a pretty big house) is a powder keg waiting to go off, what with the rampaging abuse and a young Michael (the admittedly creepy Daeg Faerch) butchering small animals and looking like he’s mad as hell and soon not going to take it anymore. Snap he does, going on a killing spree, before he is captured and locked up for years, while eccetric shrink Dr. Loomis (a shameless Malcolm McDowell) making a career out of trying to learn what makes him tick. Growing to Godzilla proportions, Michael makes his escape, and proceeds to pick up his spree where he left off in his home town of Haddonfield.

I’ve spent more than a few hours in the company of Ray Harryhausen over the years. I’ve handled many of the original armatures and have seen the original hand drawn storyboards and conceptual drawings he had created for most of his films. Maybe that’s why I love his films so much. I doubt it. They do speak for themselves and you owe it to yourself to see three of his best pictures, which have been collected here in one set.

 

On the surface it would seem that Linewatch is going to tackle the controversial illegal immigration debate that is going on in the United States these days. At first it seems that’s exactly what’s going on. We meet border patrol officer “Mad Dog” Dixon (Gooding, Jr.) doing patrol in the hotbed of illegal immigration the Southwest. He comes across a group of illegals dead and has a run in with a citizen patrol which acts much like the Minutemen in the media today. The way the film is set up you are expected to believe that this gung ho group of patriots is perhaps responsible for the carnage. It turns out they’re on the war path for the coyote who did kill the group. So, before long we’ve got the makings of a nice relevant story on our hands. Then something goes horribly wrong, both for Mad Dog and for us, the viewers. It turns out that Dixon was once a member of a Los Angeles street gang called The High Noon Gang, or HNG for short. Now the old gang pops up at his home. It appears that Dixon has killed their drug runner, and now their stash is on the wrong side of the border. The gang threatens to kill Dixon’s wife and young daughter if he doesn’t help get the stuff across. Now we no longer have a border story but a typical, done before a million times, gang banger tale. All of the Minutemen setup is used as gunfight fodder, and the issues are explored no further.

 

James West (Conrad) was a Union Army vet. He’s the kind of act first think about it later kind of guy. Artemus Gordon (Ross) was a typical con man. He could create the most convincing disguises and was also a master of sleight of hand. Together they worked for the Secret Service in the days of the western frontier. The two of them were the prototype of the future spy. They would use incredible inventions and Bond-like gadgets, along with their own skills at trickery, to investigate major Federal crimes, often plots against the United States. Think of James Bond in the Wild West.

 

What can I say about Showtime’s huge hit, The L Word? If you don’t already know what this show is about, and I was surprised at the number of people I talked to who didn’t, then I’m pretty sure this isn’t the show for you. Remember the old days when you used to watch Sesame Street and each day the show would be brought to you by a letter and number of the day? Today this review is brought to you by the letter L and the number 5. L stands for lesbians, and 5 is how many seasons so far this show has been on the cable network. Unlike that adorable count, I won’t be able to take you through the count, as I have never seen the show before and so only own one season release. If you’re a fan and have collected the previous years, this is the portion of the review where you can go to your DVD shelf and count the sets. When you’re done, you may return to the review.