Posted in: Game Reviews by Michael Durr on October 3rd, 2007
Halo 3, the hype machine; have you drank the kool-aid, errr the Game Fuel yet? In the midst of a media storm and $170 million opening week sales, Halo 3 was released to the public in three different versions. For most people, the regular edition was enough to satisfy. Some like myself opted for the limited edition, which includes a tin and a bonus disc. Others decided they wanted a Master Chief helmet and opted for the legendary. No matter which edition you decided on, you were more interested in the amazing gameplay & multiplayer from the previous incantations. By the time it takes to come down from the caffeine buzz generated by the mixture of code red & live wire (& cough syrup I believe), though, you realize that Halo 3 — while awesome on many fronts — isn't quite the mega-wonder we all had hoped for.
Posted in: Disc Reviews by Gino Sassani on October 2nd, 2007
Until not very long ago this set was being billed as
Posted in: Disc Reviews by Gino Sassani on October 1st, 2007
There are two very distinctive schools of thought about Walt Disney’s The Jungle Book. There are the Kipling fanatics who have never forgiven Disney for taking a story considered sacred in literary circles and creating something that honestly bears (pardon the pun) little resemblance to the original work. These folks rightfully point out that the story contains almost nothing recognizable about the story and characters from Kipling’s beloved classic. I have often condemned projects that take names like The Night Stalker and Battlestar Galactica and create a vision incompatible with the traditions I associate with them. Therefore this review might seem a bit hypocritical when I tell you I side with the other camp that considers this film to be a milestone, not only in Disney animation, but in animation history itself.
Posted in: Disc Reviews by Michael Durr on October 1st, 2007
The death of Superman was a tremendous event for comic fans and media circuits around the world. Sure, it had been teased a hundred times in the past but if they did it legitimately and made people believe that he was really gone; they would create a landmark achievement and bring comics back to a worldwide stage. With the release of Superman #75, they did just that. Newspapers, television shows; circuits that never showed a comic book in their life were showing the black bag and the tattered image on the front cover. Superman had died and the world mourned. In the months that followed, the story went in four different directions and eventually he was brought back.
Posted in: Disc Reviews by Archive Authors on September 30th, 2007
Sometimes films sport an ensemble cast with intertwining storylines that have large aspirations. The films wind up being acclaimed on several different levels and are memorable in the long term. In previous outings, this technique is usually mastered by the late Robert Altman, but when it’s not remotely successful, it becomes self-indulgent and overly pretentious.
Posted in: Disc Reviews by Archive Authors on September 29th, 2007
Dirty Sanchez, the Welsh Jackass, or at least it’s something like it. Like Jackass, this little British show started on TV and has since made its way to the big screen, that of course is not where the similarities end. Dirty Sanchez, ‘They make Jackass look like the Royal Shakespeare Company.’ Well that’s what the say anyways, I disagree but they are definitely just as careless and insane as the Jackass crew.
Posted in: Disc Reviews by Gino Sassani on September 27th, 2007
To the point, Criminal Minds is very compelling television. Ever since The Silence Of The Lambs and perhaps long before, we have been fascinated by serial killers and the profilers who try to get inside their heads. To see evidence of the continuing trend, one needs only look toward the success of films like Zodiac and shows like Dexter. Of course, serial killers are not the only prey this FBI team pursues, but they are certainly the marquee item on the agenda. To be sure, there are equally disturbing subjects such as arsonists, bombers, kidnappers, and rapists to give the show a touch of variety, but let’s face it, it’s the killers that keep us tuned so attentively to Criminal Minds.
Posted in: Disc Reviews by David Annandale on September 27th, 2007
This is a second release of the film already available in Severin’s fine Black Emanuelle’s Box collection. What I said about the film in that review still holds, to whit: “Emanuelle Around the World (1977) has a bit more of a storyline, though it is still very picaresque in nature. Picturesque as well. Our heroine becomes outraged by the sex traffic of women, and so travels from location to location, exposing the evildoers. D’Amato (who also directed the previous entry) here rather unconvincingly dons a pseudo-feminist stance, but there are moments actually approaching suspense. The sex scenes of both these films are, for the most part, laughable, though occasionally well shot. Any sense of eroticism is thanks to Laura Gemser, whose ethereal beauty and grace are such that she moves through the film as an almost divine presence, above and untouched by the events around her.”
Posted in: Disc Reviews by Michael Durr on September 26th, 2007
The style of "Grindhouse" films were something of a cult legend. More often than not, they were crazy over-the-top horror movies or action movies that had insane action that usually involved a body count that could rival an Arrrrrnold flic. These were referred to commonly as "B" flics due to the shoddy quality of the films. Video would be scratched up, missing reels were all over the place and audio would drop at the most inconvenient moment. More often than not they would be shown at some crusty drive-in for the change in your pocket. Fast forward to 2007 where Quentin Tarantino and Robert Rodriguez decided to resurrect the forgotten genre and brings us two movies (Death Proof and Planet Terror) to the screen.
Posted in: Disc Reviews by Archive Authors on September 26th, 2007
I have no idea what critics thought of this film. I don't know how it did at the box office. I can't even recall knowing anything about it, except for seeing its title on the showtimes board at the theatre. It doesn't matter. I'm telling you now, Reign Over Me is a wonderful film.
I'm in one of those situations when I've discovered a really special movie, and want to recommend it to everyone I know without telling them anything about it. I'm not sure whether I can get away with that here, but I'll try. Let's talk about the DVD. Does it give Reign Over Me a fair shake? Read on to find out.
