DVD

If it’s 1977, this must be softcore, and so it is. Vanessa is a another lush sexual travelogue, dug up from the archives and given a rather spiffy release from Severin. Yet another product cast in the Emmanuelle mould, Vanessa has its titular heroine leave her convent home (gee, what sort of nonsense do you think we find out happened there?) after she comes into a large inheritance. Flying to Hong Kong, she finds out that this inheritance consists of a chain of high-end brothels. Cue the exotic locations and varied sexual encounters. There’s nothing hugely striking or original about any of this, but as an example its type, it’s quite handsomely mounted, makes some eyebrow-raising use of classical music, and has a couple of scenes that (almost) reach a (kind of) frenzy (all proportions maintained).

Audio

It’s back, yet again, and looking for more brains. Dan O’Bannon’s lively zombie comedy tells the tale of a toxic spill reanimating corpses who, not content with wanting to eat your brains, are going to give you lip about it at the same time. Notable for its mix of horror, punk rock, gore, humour and nudity (this is the film that established Linnea Quigley as a horror starlet), the film has since been bested in terms of wit and gore by both Dead/Alive and Shaun of the Dead, but it was there first, and remains great fun. Never having caught the film in the theatres, I haven’t noticed anything amiss with the soundtrack, but the chatter out there among the film’s fans lets it be known that some of the songs have been truncated, so be warned on that front. Otherwise, have a blast.

Audio

Detective “Iron” Mike Stone (Karl Malden) is a seasoned veteran of the San Francisco Police Department. He’s an old fashioned no nonsense detective whose life has taken some bitter turns of late. Much to his aggravation he gets partnered with Keller (Michael Douglas), a green detective who hasn’t lost his belief that he can make a difference. Together they just might be able to teach each other something. Before long the two develop a teacher/mentor relationship that works well enough to solve the cases and get the bad guys.

My mother was a big fan of The Untouchables. I think she really just had a crush on Robert Stack. Years later when Stack was hosting Unsolved Mysteries, I could swear that I heard her murmur a few Ness lines under her breath. I was entirely too young to remember even the syndicated run that my mother was watching in the late 1960’s. Under more normal circumstances that would not matter as I could introduce myself to this world with the DVD release. That was before 1987, and the release of Brian De Palma’s classic film. Honestly, I simply can’t watch these episodes without thinking of that movie. For an entire generation that film has defined these characters and that time. It’s unfortunate, really, because this 1960 series had a lot going for it, particularly when you look at what else was on television at that time. Never before had such brutal violence in such a starkly real world graced the black and white sets of America. When I read articles about the controversy surrounding these depictions, I am forced to smile a little. By today’s standards these shows are quite tame. Still, the flurry of protests the show spawned were quite real. Italians were also vocal in their belief that the show went too far in portraying nearly every bad guy as being of Italian descent. I have to admit some of these accents make Father Sarducci sound good. Complaints went as far as the US Attorney General. My, have things changed. I am also of Italian heritage and gladly sit down to an hour of Tony Soprano eating it up about as fast as a bowl of tortellini and gravy. While there are still those of us who feel racially exploited, most of us embrace the mob mythology of The Godfather and Goodfellas. We can accept the difference between reality and fantasy. And so I watch these episodes as if I were some remote viewer, not only from a different time but a different place.

Based on a popular 1957 novel by Alistair MacLean, The Guns of Navarone was a smash hit in 1961, and the highest grossing film of that year. It’s a World War II movie, and for its time was considered to be packed with excitement. While it definitely has some great action sequences, for modern standards the film has nowhere near the fast pace or high action-to-dialogue ratio we’ve come to expect from the genre.

So many years later, can a slow, talky action movie still excite audiences? And is The Guns of Navarone – 2-disc Collector’s Edition a worthy upgrade over the 2000 special edition release? Read on to find out.

When I picked up Rio Bravo – Ultimate Collector’s Edition to review, I realized I had never seen a John Wayne movie. “The Duke” starred in well over 100 films, so I was more than a little surprised at this gaping hole in my viewing repertoire. Then I looked up director Howard Hawks (The Big Sleep) and discovered another long list of films I’ve overlooked. Defensively, I asked myself whether I was really missing out. Could their old movies be worth my time so many years later?

If Rio Bravo is any indication, their films are absolutely worth watching, though they’re perhaps not as masterful as they’re reputed to be. No matter your opinion, this Ultimate Collector’s Edition is one fine DVD set.

As any respectable history professor will tell you, if you want to learn about our past you should watch Hollywood historical fiction. That explains why MGM’s College Essentials: History 101 features Platoon – Special Edition, Windtalkers and Dances With Wolves. All three are clearly excellent examples of thoroughly accurate representations of historical conflicts, right?

Alright, so maybe educational impact isn’t the intention here. This is just MGM’s way of unloading some sub-par discs on unsuspecting buyers. What’s wrong with getting three movies for the price of one, you ask? Nothing. Unless one disc is out-dated and the other two should be incinerated by a giant laser.

Looking for romance? This three-movie collection from MGM likes long walks on the beach, candle-light dinners and formulaic plots. The films have been around a while, but a fresh new look makes this set an attractive option.

As is usually the case for common-theme boxed sets, Romance 101 includes one stinker, one hit and one older gem you probably forgot about years ago. The movies aren't the greatest examples of the genre, but the studio sweetens the deal, offering you three films for the price of one new-release DVD. Hit the jump for a rundown of these three discs.

Like it or not, Everybody Loves Raymond has earned its spot alongside TV's most successful sitcoms, including The Cosby Show, Roseanne and Seinfeld. These shows not only ran a long time, but they also shared a common origin — all were based on the persona of the popular stand-up comics who starred in the series. This method may have produced hits in these cases, but it's no guarantee. To really beat the odds, there has to be something more.

In the case of Everybody Loves Raymond, the largely American audience saw themselves in the on-screen families. Fans have been sitting down each week, for more than 200 episodes, to a funnier, wackier version of their own families. As this ninth and final season hits DVD, it's time to ask, did the show end too soon, too late or right on time?